This article needs additional citations for verification .(September 2010) |
Crispy Ambulance | |
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Also known as | Ram Ram Kino |
Origin | Manchester, England |
Genres | Post-punk, indie rock |
Years active |
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Labels | |
Members |
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Website | crispyambulance |
Crispy Ambulance are an English post-punk band, formed in Manchester in late-1977 by Keith Darbyshire (bass), Robert Davenport (guitar), Alan Hempsall (vocals), and Gary Madeley (drums). [1] They had been inspired by the Sex Pistols' second gig in the Lesser Free Trade Hall, in addition to the bands Magazine and Hawkwind. [2]
The band played their first gig on 1 January 1978 at the Spurley Hey Youth Centre. [1] Following a self-released debut single, "From the Cradle to the Grave" (1980), the band joined Factory Records. Singles "Unsightly and Serene" and "Live on a Hot August Night" (produced by Martin Hannett) preceded their album The Plateau Phase (1982) and final single "Sexus". The Plateau Phase was given a five star review by Sounds . [3]
In April 1980 singer Alan Hempsall also appeared on stage with Joy Division at Derby Hall, standing in for Ian Curtis who was recovering from an attempted suicide attempt the previous day, [1] [4] a performance which ultimately descended into a riot. This scene is depicted in the Joy Division biopic Control . During 1981–1982, Crispy Ambulance played several dozen live dates in the UK, as well as a short European tour with Section 25. They also recorded a session for John Peel's BBC Radio 1 show in January 1981. [3]
Crispy Ambulance disbanded in late 1982, leaving behind Fin (1985), a live album of late period songs. A further posthumous album, Frozen Blood, included their 1981 BBC radio session for the John Peel programme. The four members carried on for a short time as Ram Ram Kino, releasing one single "Advantage" on Temple Records. [1]
The original line-up of Crispy Ambulance reformed in 1999, and went on to release two studio albums, Scissorgun [5] in 2002 and The Powder Blind Dream in 2004, as well as a live album, Accessory After the Fact. [1] All these later recordings were produced by Graham Massey of 808 State. The group also undertook a short tour of North America in November 2002. They reformed again in 2014 and are back touring. [6] [7]
In the commentary for the 2002 film, 24 Hour Party People , Tony Wilson of Factory Records stated that while he liked the band, he felt that their name was the worst band name of all time.
Crispy Ambulance released an almost entirely instrumental album in 2016, entitled Random Textures. The double CD edition, released by Factory Benelux, came with an expanded version of the Record Store Day album Compulsion. [8]
The Half Man Half Biscuit song "Running Order Squabble Fest" (on the album This Leaden Pall ) references the band with the line: "You're going on after Crispy Ambulance!". It is a play on the football chant "You're going home in a St John Ambulance!". [9]
Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist/keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.
James Martin Hannett was a British record producer, musician and an original partner/director at Tony Wilson's Factory Records. Hannett produced music by artists including Joy Division, the Durutti Column, Magazine, John Cooper Clarke, New Order, Orchestral Manoeuvres in the Dark and Happy Mondays. His distinctive production style embraced atmospheric sounds and electronics.
A Certain Ratio are an English post-punk band formed in Greater Manchester in 1977 by Peter Terrell (guitar), Simon Topping ,Jez Kerr, Martin Moscrop and Donald Johnson (drums), with Martha Tilson (vocals) joining soon after.
The Wake are a British post-punk, synth-pop and later indie pop band, formed in Glasgow in 1981 by Gerard "Caesar" McInulty, Steven Allen (drums) and Joe Donnelly (bass), the latter replaced by Bobby Gillespie. Steven's sister Carolyn Allen also joined on keyboards, and remained in the band thereafter. Gillespie left the band in 1983, replaced by Martin Cunning and then by Alexander 'Mac' Macpherson.
Section 25 are an English post-punk and electronic band, best known for the 1984 single "Looking from a Hilltop", associated with Manchester record label Factory Records.
Robert Leo Gretton was the manager of Joy Division and New Order. He was partner in and co-director of Factory Records and a founding partner of The Haçienda. For ten years until his death in 1999, Gretton ran his own label, Rob’s Records.
Kevin Hewick is an English singer-songwriter who was an early member of the Factory Records roster. Today he is known for his recordings on Sorted, Pink Box and his own Botheration label, and his work with Venetian collective Unfolk.
Les Disques du Crépuscule is an independent record label founded in Belgium in 1980 by Michel Duval and Annik Honoré. It also had a prominent associated sublabel, Factory Benelux. Both are now run by former employee James Nice.
LTM Recordings is a British independent record label founded in 1983, and best known for reissues of artists and music from 1978 to the present day, as well as modern classical and avant-garde composition. The label is based in Norfolk, England, and is curated by James Nice.
The Names are a Belgian post-punk band from Brussels, Belgium, formed in 1978 around bassist, vocalist and songwriter Michel Sordinia.
Shadowplayers is the title of both a 2006 documentary film and a 2010 book by James Nice of LTM Recordings, tracing the detailed history of Factory Records and the Manchester post-punk music scene between 1978 and 1981.
The discography of English rock band Joy Division consists of two studio albums, four live albums, twelve compilation albums, three extended plays, and five singles. The list does not include material performed by former members of Joy Division that was recorded as New Order or related side projects.
"Unsightly and Serene" was the second release made by the Manchester post-punk band, Crispy Ambulance. It was also their first release on Factory Records, as they were signed to the label with the help of Rob Gretton who, after the death of Ian Curtis in May 1980, became a director of the label. As a member of the band said in an interview: "Tony never liked us, but suffered us because Rob liked what we did. Since he had become an equal shareholder, Tony had no choice but to bite his lip."
The Plateau Phase is the debut studio album by English post-punk band Crispy Ambulance, released in March 1982 by Factory Benelux. It was a departure to the sound of the earlier singles which was considered to be closer to the sound of post-punk contemporaries Joy Division. It peaked at No. 21 on the UK Indie Charts by the months of May and April 1982.
Factory Benelux was the Belgian imprint of Factory Records, operated by Les Disques du Crépuscule from August 1980 until March 1988, releasing a large number of exclusive recordings as well as Benelux issues of regular Factory releases. The imprint was founded by Michel Duval and Annik Honoré. A detailed history of both Factory Benelux and Crépuscule can be found in the book Shadowplayers: The Rise & Fall of Factory Records by James Nice.
Stockholm Monsters were an English post-punk band, formed in Burnage a suburb of the city of Manchester in 1980. They recorded for Factory Records between 1981 and 1987.
Biting Tongues were a post-punk band formed in Manchester, England in 1979, whose members went on to join Simply Red, Yargo, and 808 State.
Minny Pops is a Dutch, Amsterdam-based new wave/electronic/art punk band, associated with the Ultra post-punk movement in the Netherlands and the Factory Records label in the UK.
Always Now is the debut studio album by Section 25. It was released in September 1981 through iconic Manchester record label Factory with the catalogue number FACT 45. The album was produced by Martin Hannett, best known for producing both of Joy Division's studio albums. Joy Division front man Ian Curtis has been credited as co-producing the record, in parts produced before his death in May 1980. Recording took place in February 1981 at Britannia Row Studios in Islington, London, owned by Pink Floyd.
Sparks in a Dark Room is the second studio album by Dutch experimental electronic post-punk/ultra band Minny Pops. After signing to Factory Benelux in 1982 following their "noisy" and "goofy" debut album Different Measures, Drastic Movement (1979), the band settled into a new, less aggressive sound featuring influences of industrial music and funk. Recording Sparks in a Dark Room in late 1981, the band headed for a more clinical and clean sound. Considered a high point of the ultra movement, the record features cold, electronic tones and darkly humorous lyrics from lead singer and songwriter Wally van Middendorp.