"Love alone will stay" is a poem by Caroline Alice Elgar, set to music for voice and piano by her husband, the English composer Edward Elgar, in 1897.
The song was first published in the cultural magazine The Dome – "a Quarterly containing Examples of All the Arts". [1] It is artistically scripted in Elgar's own hand, and signed and dated “12.IX.97.”
Elgar later included a revised version of the poem as the second song, renamed "In Haven", in his song-cycle for voice and orchestra "Sea Pictures". [2] [3]
as published in "The Dome"
| in "Sea Pictures"
|
In Haven (Capri) is a poem by Caroline Alice Elgar, probably best known in its musical setting as the second song composed by her husband Edward Elgar for his song-cycle Sea Pictures.
In the South (Alassio), Op. 50, is a concert overture composed by Edward Elgar during a family holiday in Italy in the winter of 1903 to 1904. He was working on a symphony, but the local atmosphere inspired him instead to write what some have seen as a tone poem, with an Italian flavour. At about 20 minutes' duration it was the composer's longest sustained orchestral piece to that time.
"Pleading" is a poem written by Arthur L. Salmon, and set to music by the English composer Edward Elgar in 1908, as his Op.48.
"A Song of Autumn" is a poem by Adam Lindsay Gordon set to music by Edward Elgar in 1892.
"The Wind at Dawn" is a poem written by Caroline Alice Roberts, and set to music by the English composer Edward Elgar in 1888.
”The Shepherd’s Song” is a song written by the English composer Edward Elgar in 1892. The words are by Barry Pain.
”Through the Long Days” is a song written by the English composer Edward Elgar in 1885 as his Op.16, No.2. The words are from a poem by the American writer and statesman John Hay.
”Like to the Damask Rose” is a poem either by Francis Quarles called "Hos ego versiculos", or by Simon Wastell called “The flesh profiteth nothing”. It was set to music by the English composer Edward Elgar in 1892.
”Queen Mary's Song” is a song written by the English composer Edward Elgar in 1889. The words are from Lute Song by Tennyson.
"Come, Gentle Night!" is a poem by Clifton Bingham set to music by the English composer Edward Elgar in 1901.
”Always and Everywhere” is a song by the English composer Edward Elgar with words translated from the Polish of Zygmunt Krasiński by Frank H. Fortey. It was composed and published in 1901.
"After" is a song written by the English composer Edward Elgar in 1895, as his Op. 31, No. 1, with the words from a poem by Philip Bourke Marston.
"The King’s Way" is a poem set to music by the English composer Edward Elgar in 1909. The words were written by his wife, Caroline Alice Elgar.
"The Blue Mountains" is a poem written by Alfred Noyes, and set to music by the English composer Edward Elgar. It was one of the songs written to be performed in the Pageant of Empire at the British Empire Exhibition in Wembley Park, London, on 21 July 1924.
"The Immortal Legions" is a poem written by Alfred Noyes, and set to music by the English composer Edward Elgar. It was one of the songs written to be performed in the Pageant of Empire at the British Empire Exhibition on 21 July 1924.
The Fringes of the Fleet is a booklet written in 1915 by Rudyard Kipling (1865–1936). The booklet contains essays and poems about nautical subjects in World War I.
Salut d'Amour (Liebesgruß), Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano.
Diarmuid and Grania is a play in poetic prose co-written by George Moore and W. B. Yeats in 1901, with incidental music by the English composer Edward Elgar.
Caroline Alice, Lady Elgar was an English author of verse and prose fiction, who married the composer Edward Elgar.
From the Bavarian Highlands, Op 27 is a work for choir and orchestra by Edward Elgar.