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Sir John Barbirolli was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.
Stuart Oliver Knussen was a British composer and conductor.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
The Music Makers, Op. 69, is a work for contralto or mezzo-soprano, chorus and orchestra composed by Edward Elgar. It was dedicated to "my friend Nicholas Kilburn". It was first performed at the Birmingham Festival on 1 October 1912, conducted by the composer, with Muriel Foster as the soloist.
Dame Clara Ellen Butt was an English dramatic contralto and one of the most popular singers from the 1890s through to the 1920s. She had an exceptionally fine contralto voice and an agile singing technique, and impressed contemporary composers such as Saint-Saëns and Elgar; the latter composed his Sea Pictures, Op. 37 with her voice in mind.
"Sea Slumber Song" is a 19th-century poem by Roden Noel set to music by Sir Edward Elgar as the first song in his song-cycle Sea Pictures (1899).
Bernadette Greevy was an Irish mezzo-soprano. She was founder and artistic director of the Anna Livia Dublin International Opera Festival. She was the first artist-in-residence at the Dublin Institute of Technology's Faculty of Applied Arts.
Falstaff – Symphonic Study in C minor, Op. 68, is an orchestral work by the English composer Edward Elgar. Though not so designated by the composer, it is a symphonic poem in the tradition of Franz Liszt and Richard Strauss. It portrays Sir John Falstaff, the "fat knight" of William Shakespeare's Henry IV Parts 1 and 2.
Mary Jarred was an English opera singer of the mid-twentieth century. She is sometimes classed as a mezzo-soprano and sometimes as a contralto.
The Quintet in A minor for Piano and String Quartet, Op. 84 is a chamber work by Edward Elgar.
Anthony Vincent Benedictus Collins was a British composer and conductor. He scored around 30 films in the US and the UK between 1937 and 1954, and composed the British light music classic Vanity Fair in 1952. His Decca recordings of the seven Sibelius symphonies was the second cycle by a single conductor and orchestra released.
The Crown of India, was a masque, an elaborate theatrical presentation, staged in 1912 to celebrate the visit the preceding December of King George V and Queen Mary to Delhi for their coronation as Emperor and Empress of India. For this masque, the English composer Sir Edward Elgar wrote the music as his Op. 66, with a libretto by Henry Hamilton. The masque consisted of two tableaux: "The Cities of Ind" and "Ave Imperator!".
Yondani Chak Cheung Butt was an orchestral conductor. He was born in Macao of Chinese parentage. He studied music at Indiana University Bloomington and the University of Michigan. He also had a PhD in chemistry, on which subject he has published numerous research papers, particularly on polyene photochemistry. He studied conducting with Wolfgang Vacano (1906-1985) at Indiana University, majoring in chemistry. He continued to study conducting with Josef Blatt (1906-1999) at the University of Michigan while pursuing his chemistry degree.
Marjorie Gwendolen Thomas was an English opera and oratorio singer for almost three decades. She sang at the Royal Opera House and was a regular performer at the Promenade Concerts and the Three Choirs Festivals and, for many years, a professor of singing at London's Royal Academy of Music. A favourite soloist of Sir Malcolm Sargent's, she also participated in a number of recordings of Gilbert and Sullivan operas.
The Diapason d'Or is a recommendation of outstanding (mostly) classical music recordings given by reviewers of Diapason magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British Gramophone magazine.
The Dream of Gerontius, Edward Elgar's 1900 work for singers and orchestra, had to wait forty-five years for its first complete recording. Sir Henry Wood made acoustic recordings of four extracts from The Dream of Gerontius as early as 1916, with Clara Butt as the angel, and Henry Coward's Sheffield Choir recorded a portion of the Part I "Kyrie" in the same period. Edison Bell recorded the work under Joseph Batten in abridged form in 1924. HMV issued excerpts from two live performances conducted by Elgar in 1927, with the soloists Margaret Balfour, Steuart Wilson, Tudor Davies, Herbert Heyner and Horace Stevens; further portions of the first of those two performances, deemed unfit for publication at the time, have since been published by EMI and other companies.
Roderick Gregory Coleman Williams OBE is a British baritone and composer.
Les nuits d'été, Op. 7, is a song cycle by the French composer Hector Berlioz, setting six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843 and did the same for the other five in 1856. The cycle was neglected for many years, but during the 20th century it became, and has remained, one of the composer's most popular works. Of the many recordings made in the 20th and 21st centuries, most are of the orchestrated version and are sung by a soprano or mezzo-soprano.
Elegy, Op. 58 is a short piece for string orchestra by Edward Elgar, composed in 1909. It was written in response to a request for a short piece to commemorate deceased members of the Worshipful Company of Musicians. The work was composed within a month of the death of his close friend August Jaeger and may reflect Elgar's grief at his loss.
References
- Kennedy, Michael (1987). Portrait of Elgar (Third ed.). Oxford University Press. ISBN 0-19-284017-7.
