Elegy, Op. 58 | |
---|---|
by Edward Elgar | |
Dedication | Robert Hadden |
Recorded | 29 August 1933 |
Duration | Between 3 minutes 25 seconds and 4 minutes 20 seconds |
Premiere | |
Date | 13 July 1909 |
Location | Mansion House, London, U.K. |
Elegy, Op. 58 is a short piece for string orchestra by Edward Elgar, composed in 1909. It was written in response to a request for a short piece to commemorate deceased members of the Worshipful Company of Musicians. The work was composed within a month of the death of his close friend August Jaeger and may reflect Elgar's grief at his loss.
By 1909 Elgar had achieved success as a composer after years of obscurity. He had been knighted in 1904 and among other honours he was an honorary freeman of the Worshipful Company of Musicians. [1] The junior warden of the company, the Rev Robert Hadden, died suddenly of a heart attack in the street near his church in Mayfair on 11 June 1909. [2] After Hadden's funeral Elgar's publisher, Alfred Littleton, a fellow member of the company, suggested to the composer that he might write a short "musician's dirge" for use at such occasions in the future. Elgar agreed, composed the piece within a week, and sent the score with a note: "Here is the little Elegy you asked for – if it will not do, never mind – tear it up. It is not very original I fear, but it is well meant." [3] [4] [5]
The work is dedicated to Hadden. It was premiered privately at the Mansion House, London on 13 July 1909, and was first given in public in St Paul's Cathedral on 22 November 1914. [5] [n 1] It is still (in 2024) played annually in the cathedral, at the company's annual evensong service, in memory of members who have died during the preceding year. [5]
The piece is for traditional string orchestra. It is a short work: on record, conductors have typically ranged between a duration of 3 minutes 25 seconds (Sir Adrian Boult) and 4 minutes 20 seconds (Sir John Barbirolli). [7] [8] The composer's own timings when conducting the work were between those two figures. [9] [10]
The work opens in E♭ major. The commentator Jerrold Northrop Moore writes that the opening transmutes the falling seconds of Elgar's part-song "The Angelus" (1909) to a meditative sequence. [11] As the work progresses, the key switches to C minor, and the piece ends on a chord of C major. [12] Several commentators, including Anthony Burton, Colin Clarke and Jonathan Harper-Scott, have connected the "restrained grief" of the music with Elgar's reaction to the death of his friend August Jaeger ("Nimrod" of the Enigma Variations ) the previous month. [12] Michael Kennedy describes the Elegy as "wonderful in its unheroic devotional expression of grief – personal, intimate and beautifully proportioned in a long arch of melody". [7]
The first recording of the work to be issued was by the London Philharmonic Orchestra, conducted by the composer in the Kingsway Hall on 29 August 1933. It was the last music Elgar conducted: his health was declining and he died the following February. That recording was issued by HMV shortly after his death. It was not, though, the first recording made of the piece: the composer had recorded it on 11 April 1933 with the BBC Symphony Orchestra at EMI's Abbey Road studios. This version was thought to be lost until a test pressing came to light and was issued in a CD transfer in 2017. [9] The earlier version, at 4 minutes and 4 seconds is 21 seconds quicker than the remake. [9] [10]
Barbirolli had a particular fondness for the piece, [7] and recorded it three times: with his Hallé Orchestra in 1947 and 1957 [13] and with the New Philharmonia in 1968. [14] Boult had a tangential personal connection with the work, as he had been an apprentice to its dedicatee, Hadden, at the time of the latter's death. [15] Boult recorded the Elegy with the London Philharmonic in 1975. [8] Other versions on record include those conducted by Neville Marriner (1968), Ainslee Cox (1975), Daniel Barenboim (1975), Norman Del Mar (1980), Leonard Slatkin (1997), Richard Hickox (1998), David Lloyd-Jones (1999) and Sir Andrew Davis (2012), and a version by the conductorless Orpheus Chamber Orchestra (1986). [16]
Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Sir Adrian Cedric Boult, CH was a British conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later.
Sir John Barbirolli was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece.
The Sanguine Fan, Op. 81, is a single-act ballet written by Edward Elgar in 1917. It was composed to raise money for wartime charities, and after two performances in 1917 and a recording of excerpts in 1920, the score was neglected until 1973, when the conductor Sir Adrian Boult revived it for a recording. It was later staged in the theatre by the London Festival Ballet.
The Dream of Gerontius, Op. 38, is a work for voices and orchestra in two parts composed by Edward Elgar in 1900, to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Elgar disapproved of the use of the term "oratorio" for the work, though his wishes are not always followed. The piece is widely regarded as Elgar's finest choral work, and some consider it his masterpiece.
Edward Elgar's Violin Concerto in B minor, Op. 61, is one of his longest orchestral compositions, and the last of his works to gain immediate popular success.
Sir Edward Elgar's Symphony No. 2 in E♭ major, Op. 63, was completed on 28 February 1911 and was premiered at the London Musical Festival at the Queen's Hall by the Queen's Hall Orchestra on 24 May 1911 with the composer conducting. The work, which Elgar called "the passionate pilgrimage of the soul", was his last completed symphony; the composition of his Symphony No. 3, begun in 1933, was cut short by his death in 1934.
Sir Edward Elgar's Symphony No. 1 in A♭ major, Op. 55 is one of his two completed symphonies. The first performance was given by the Hallé Orchestra conducted by Hans Richter in Manchester, England, on 3 December 1908. It was widely known that Elgar had been planning a symphony for more than ten years, and the announcement that he had finally completed it aroused enormous interest. The critical reception was enthusiastic, and the public response unprecedented. The symphony achieved what The Musical Times described as "immediate and phenomenal success", with a hundred performances in Britain, continental Europe and America within just over a year of its première.
Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Kings Hall in Manchester, on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.
In the South (Alassio), Op. 50, is a concert overture composed by Edward Elgar during a family holiday in Italy in the winter of 1903 to 1904. He was working on a symphony, but the local atmosphere inspired him instead to write what some have seen as a tone poem, with an Italian flavour. At about 20 minutes' duration it was the composer's longest sustained orchestral piece to that time.
Falstaff – Symphonic Study in C minor, Op. 68, is an orchestral work by the English composer Edward Elgar. Though not so designated by the composer, it is a symphonic poem in the tradition of Franz Liszt and Richard Strauss. It portrays Sir John Falstaff, the "fat knight" of William Shakespeare's Henry IV Parts 1 and 2.
Cockaigne (In London Town), Op. 40, also known as the Cockaigne Overture, is a concert overture for full orchestra written by the British composer Edward Elgar in 1900–1901.
The Sonata in G major, Op. 28 is Edward Elgar's only sonata composed for the organ and was first performed on 8 July 1895. It also exists in arrangements for full orchestra made after Elgar's death.
Froissart, Op. 19, is a concert overture by Edward Elgar, inspired by the 14th-century Chronicles of Jean Froissart. Elgar was first attracted to the Chronicles after finding mention of them in Walter Scott's Old Mortality.
The Serenade for String Orchestra in E minor, Op. 20, is an early piece in three short movements, by Edward Elgar. It was written in March 1892 and first performed privately in that year; its public premiere was in 1896. It became one of Elgar's most popular compositions, and has been recorded many times.
Polonia is a symphonic prelude by the English composer Edward Elgar written in 1915 as his Op. 76.
The first recording of Edward Elgar's Symphony No 1 was made by the London Symphony Orchestra in 1930, conducted by the composer for His Master's Voice. The recording was reissued on long-playing record (LP) in 1970, and on compact disc in 1992 as part of EMI's "Elgar Edition" of all the composer's electrical recordings of his works.
The Dream of Gerontius, Edward Elgar's 1900 work for singers and orchestra, had to wait forty-five years for its first complete recording. Sir Henry Wood made acoustic recordings of four extracts from The Dream of Gerontius as early as 1916, with Clara Butt as the angel, and Henry Coward's Sheffield Choir recorded a portion of the Part I "Kyrie" in the same period. Edison Bell recorded the work under Joseph Batten in abridged form in 1924. HMV issued excerpts from two live performances conducted by Elgar in 1927, with the soloists Margaret Balfour, Steuart Wilson, Tudor Davies, Herbert Heyner and Horace Stevens; further portions of the first of those two performances, deemed unfit for publication at the time, have since been published by EMI and other companies.