The Serenade for String Orchestra in E minor, Op. 20, is an early piece in three short movements, by Edward Elgar. It was written in March 1892 and first performed privately in that year; its public premiere was in 1896. It became one of Elgar's most popular compositions, and has been recorded many times.
In 1892 Elgar had yet to achieve the public recognition that came to him by the end of the decade. His compositions did not earn him enough to support his wife and daughter; he earned most of his living conducting local musical ensembles and teaching in his native Worcestershire, while continuing to compose. [1]
The Serenade for Strings may be a revised version of an earlier set of Three Sketches for Strings, performed in May 1888 at a concert of the Worcestershire Musical Union. The sketches had the individual titles "Spring Song" (Allegro), "Elegy" (Adagio) and Finale (Presto); the manuscript of the Three Sketches does not survive, and their connection with the Serenade is conjectural. [2] The Serenade was the first of Elgar's compositions with which he professed himself happy. He wrote to a friend about the three movements, "I like 'em (the first thing I ever did)". [3] The critic Ernest Newman wrote in a 1906 study of Elgar that the Serenade and the concert overture Froissart (1890) were the only two works of importance among the composer's output before the mid 1890s: "the rest are experiments in various smaller forms – songs, pieces for piano and violin, part songs, slight pieces for small orchestra, &c". [4]
The work was first given in a private performance in 1892 by the Worcester Ladies' Orchestral Class, with the composer conducting. His first attempt to interest a publisher in the piece was rebuffed on the grounds that though it was "very good", "this class of music is practically unsaleable", [5] but he found a publisher in 1893. [6] The Serenade received its first public performance in Antwerp, Belgium on 21 July 1896, [1] but was not given publicly in Britain until 1899. Two movements were played at a concert in the Grand Pump Room at Bath in January of that year; [7] the complete work was played at a concert in York on 5 April 1899, conducted by Thomas Tertius Noble; [8] [n 1] and the composer conducted it at an all-Elgar concert in the seaside resort New Brighton on 16 July 1899. [12] The work is dedicated to the organ builder and amateur musician Edward W. Whinfield, who had encouraged the composer in his early years. [13]
The work typically plays for between 12 and 13 minutes in performance. [n 2]
1. Allegro piacevole. The metronome mark is ♩. = 96. The gently rocking 6
8 metre of the first movement, the direction "piacevole" (pleasantly/agreeably) and avoidance of harmonic tension suggest a cradle song, according to the analyst Daniel Grimley, and an aubade according to Elgar's biographer Michael Kennedy. [15] [16] The movement opens with a figure in the violas that recurs throughout:
The main theme is heard from the third bar:
The middle section is an arching melody, moving briefly into the minor, before the coda presents a new theme derived from the opening subject, which itself returns to bring the movement to a quiet conclusion. [15]
2. Larghetto. The second movement, marked ♪=80, is in 2
4 time. After a brief introduction the main theme is what Newman describes as "a long and flexible melody sung by the first violins … one of the finest and most sustained that ever came from Elgar's pen": [17]
The introductory theme returns at the end of the movement as a peroration. [17]
3. Allegretto. The finale begins in 12
8 time, ♩. = 92, changing to 6
8 when Elgar reintroduces the main theme of the first movement to bring the work to a conclusion.
The Serenade has become one of Elgar’s most popular works, particularly with amateur groups, youth ensembles, and chamber orchestras, [2] and is among the most recorded of his compositions.
Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
The Pomp and Circumstance Marches are a series of five marches for orchestra composed by Edward Elgar, together with a sixth march created from sketches. The marches were dedicated to his friends including composer Granville Bantock and organists George Robertson Sinclair, Ivor Atkins and Percy Hull.
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Francis Poulenc's Concerto pour deux pianos in D minor, FP 61, was composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." The concerto was commissioned by and dedicated to the Princess Edmond de Polignac, an American-born arts patron to whom many early-20th-century masterpieces are dedicated, including Stravinsky's Renard, Ravel's Pavane pour une infante défunte, Kurt Weill's Second Symphony, and Satie's Socrate. Her Paris salon was a gathering place for the musical avant-garde.
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