David Zinman (born July 9, 1936, in Brooklyn, New York) is an American conductor and violinist.
After violin studies at Oberlin Conservatory, Zinman studied theory and composition at the University of Minnesota, earning his M.A. in 1963. [1] He took up conducting at Tanglewood and from 1958 to 1962 worked in Maine with Pierre Monteux; he served as Monteux's assistant from 1961 to 1964.
Zinman held the post of second conductor of the Netherlands Chamber Orchestra from 1965 to 1977 and was principal conductor of the Rotterdam Philharmonic Orchestra from 1979 to 1982.
Zinman served as music director of the Rochester Philharmonic Orchestra from 1974 to 1985, during the last two years of which tenure he also was principal guest conductor of the Baltimore Symphony Orchestra. He became music director in Baltimore in 1985. There he made several recordings for Telarc, Argo, and Sony. He also toured widely and began to implement ideas from the historically-informed-performance movement in interpretations of the Beethoven symphonies. [2] Upon relinquishing that Baltimore post in 1998, Zinman was named the orchestra's conductor laureate. But he renounced this title three years later in protest at what he saw as the orchestra's increasingly conservative programming. [3]
In 1998 Zinman worked as music director of the Ojai Music Festival alongside pianist Mitsuko Uchida. That same year he was appointed music director of the Aspen Music Festival and School, [4] where he founded and directed its American Academy of Conducting until his sudden resignation in April 2010. [5]
Zinman became music director of the Tonhalle-Orchester Zürich in 1995. His innovative programming with that orchestra included a series of late-night concerts, "Tonhalle Late", which combined classical music and a nightclub setting. [6] His recordings of the complete Beethoven symphonies for Arte Nova were based on the Jonathan Del Mar critical edition and was acclaimed by critics.[ citation needed ] He subsequently recorded Beethoven's overtures and concertos with the Tonhalle. [7] [8] [9] He conducted the Tonhalle Orchestra in its first-ever appearance at The Proms in 2003. [10] He concluded his Tonhalle music directorship on July 21, 2014, with a concert at The Proms. [11]
Zinman conducted the soundtrack of the 1993 film of the New York City Ballet production of Tchaikovsky's Nutcracker . In 2009 he led the Tonhalle-Orchester Zürich in the filmscore 180°: If Your World Is Suddenly Upside-Down, composed by the sibling trio Diego Baldenweg with Nora Baldenweg and Lionel Baldenweg; this won the Suisa prize for "Best Original Score" at the Locarno Film Festival in 2010. [12] [13]
In 2006, he received the Theodore Thomas Award presented by the Conductors' Guild.[ citation needed ]
Zinman's 1992 recording of Henryk Górecki’s Symphony no.3 with Dawn Upshaw and the London Sinfonietta was an international bestseller. [6]
Zinman and his second wife, Mary, an Australian violist, live in New Jersey. [14] Zinman has two sons and a daughter.
Pierre Benjamin Monteux was a French conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, The Nightingale, Ravel's Daphnis et Chloé, and Debussy's Jeux. Thereafter he directed orchestras around the world for more than half a century.
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Diego Baldenweg with Nora Baldenweg and Lionel Baldenweg is the Swiss/Australian composer trio sometimes referred to as the Baldenweg siblings. In the field of advertising they are also firming as Great Garbo, stylised GREAT GARBO.