Sospiri, Op. 70, is an adagio for string orchestra, harp (or piano), and organ (or harmonium) [1] composed by Edward Elgar just before and performed just after the beginning of World War I.
Elgar originally intended it for violin and piano, as a companion piece to Salut d'Amour and had in mind the title Soupir d'Amour (French for "Sigh of Love"). While composing it he realised that he was writing something more intense, and so chose an Italian word, sospiri, meaning "sighs". [2]
The work, with a performance time of approximately five minutes, was first performed on 15 August 1914 in the Queen's Hall in London, conducted by Sir Henry Wood.
Sospiri was dedicated to Elgar's long-time friend, the violinist W. H. "Billy" Reed. [3]
Adagio 4/4 d minor
After the introduction of two bars, a melancholic melody is played by the first violin (Excerpt 1).
Excerpt 1
The other subject is displayed more passionately (Excerpt 2).
Excerpt 2 [n 1]
Excerpt 1 reappears, followed by dying end in the harmony of F major.
Notes
References
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Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
The Pomp and Circumstance Marches, Op. 39, are a series of five marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players, the viola, the cello, and usually, but not always, the double bass.
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece.
Edward Elgar's Cello Concerto in E minor, Op. 85, his last major completed work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already become out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.
The Violin Sonata No. 9 in A major, Op. 47, by Ludwig van Beethoven, is an 1803 sonata for piano and violin notable for its technical difficulty, unusual length, and emotional scope. It is commonly known as the Kreutzer Sonata after the violinist Rodolphe Kreutzer, to whom it was ultimately dedicated, but who thoroughly disliked the piece and refused to play it.
Sir Edward Elgar's Symphony No. 2 in E♭ major, Op. 63, was completed on 28 February 1911 and was premiered at the London Musical Festival at the Queen's Hall by the Queen's Hall Orchestra on 24 May 1911 with the composer conducting. The work, which Elgar called "the passionate pilgrimage of the soul", was his last completed symphony; the composition of his Symphony No. 3, begun in 1933, was cut short by his death in 1934.
The Quintet in A minor for Piano and String Quartet, Op. 84 is a chamber work by Edward Elgar.
Ernest John Austin was an English composer, music arranger and editor. Although little-remembered today, Austin's orchestral music enjoyed some success in its own time, including performances at the Henry Wood Promenade Concerts and on BBC Radio during the 1920s. He was a prolific composer of songs, covering a wide spectrum of mood, from serious Shakespearean settings to ballads of both sentimental and robust natures. He found some success writing piano pieces and unison songs for children. He also made piano transcriptions of the work of other composers, a particularly common practice of the time.
The Serenade for String Orchestra in E minor, Op. 20, is an early piece in three short movements, by Edward Elgar. It was written in March 1892 and first performed privately in that year; its public premiere was in 1896. It became one of Elgar's most popular compositions, and has been recorded many times.
Edward Elgar's Third Symphony Op. 88 (posth.) was incomplete at the time of his death in 1934. Elgar left 130 pages of sketches, which the British composer Anthony Payne worked on for many years, producing a complete symphony in 1997, officially known as "Edward Elgar: the sketches for Symphony No 3 elaborated by Anthony Payne" or in brief "Elgar/Payne Symphony No 3". The first public performance was at the Royal Festival Hall, London, on 15 February 1998, by the BBC Symphony Orchestra conducted by Andrew Davis.
Leoš Janáček wrote two string quartets.
Polonia is a symphonic prelude by the English composer Edward Elgar written in 1915 as his Op. 76.
Salut d'Amour (Liebesgruß), Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano.
Chanson de Nuit, Op. 15, No. 1, is a musical work composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1897, though it is considered that it was almost certainly written in 1889 or 1890.
Chanson de Matin, Op. 15, No. 2, is a musical work composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1899, though it is thought that it was almost certainly written in 1889 or 1890.
The Romance in E minor for violin and piano is a work by Edward Elgar composed in 1878 or 1879 and published in 1885 as his Opus 1.
William Henry Reed MVO was an English violinist, teacher, composer, conductor and biographer of Edward Elgar. He was leader of the London Symphony Orchestra for 23 years (1912–1935), but is best known for his long personal friendship with Elgar (1910–1934) and his book Elgar As I Knew Him (1936), in which he goes into great detail about the genesis of the Violin Concerto in B minor.
The Twelve Grand Concertos, Op. 6, HWV 319–330, by George Frideric Handel are concerti grossi for a concertino trio of two violins and cello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, they became in a second edition two years later Handel's Opus 6. Taking the older concerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.
The Musette, or rather chaconne, in this Concerto, was always in favour with the composer himself, as well as the public; for I well remember that HANDEL frequently introduced it between the parts of his Oratorios, both before and after publication. Indeed no instrumental composition that I have ever heard during the long favour of this, seemed to me more grateful and pleasing, particularly, in subject.
