Sir Edward Elgar wrote his Violin Sonata in E minor , Op. 82, in 1918, at the same time as he wrote his String Quartet in E minor and his Piano Quintet in A minor. These three chamber music works were all written at "Brinkwells", the country house near Fittleworth in West Sussex that Lady Elgar had acquired for her husband to recuperate and compose in, and they mark his major contribution to the chamber music genre. [1] His Cello Concerto in E minor of 1919 completed the quartet of introspective and melancholy works that comprised Elgar's last major creative spurt before his death in 1934.
The Violin Sonata is scored for the usual combination of violin and piano, and has three movements:
Elgar's wife noted that the slow movement seemed to be influenced by the 'wood magic' or genii loci of the Fittleworth woods.
When the sonata was close to completion, Elgar offered to dedicate it to a family friend, Marie Joshua, and wrote to her: "I fear it does not carry us any further but it is full of golden sounds and I like it, but you must not expect anything violently chromatic or cubist". Marie Joshua died four days after receiving the letter, before she had had an opportunity to reply. As a tribute to her memory, Elgar quoted the dolcissimo melody from the slow movement just before the coda of the final movement. [1] [2]
The Violin Sonata in E minor was completed on 15 September 1918, [2] and first performed on 13 March 1919 at a semi-public meeting of the British Music Society by Elgar's friend W. H. Reed with Anthony Bernard on piano. With Elgar present, it received its first public performance on 21 March 1919 in Aeolian Hall, with Reed and Landon Ronald. [3] Albert Sammons and William Murdoch were the sonata's greatest champions in the early years, [4] and they made a recording on 2 February 1935. [5] (It was also Sammons who made the first complete recording of Elgar's Violin Concerto in B minor.) Earlier, in 1919, a recording was made by Marjorie Hayward and Una Bourne.
The Violin Sonata has never had a reputation as one of Elgar's great works, and it features irregularly on concert programs. In recent years, however, it has been recorded a number of times, and there are now over 20 recordings in the catalogue. [6] Those who have recorded it include Hugh Bean, Yehudi Menuhin, Max Rostal, Lydia Mordkovitch, Nigel Kennedy, Midori, Maxim Vengerov, Tasmin Little, Jonathan Crow, Daniel Hope and Jennifer Pike.
It was also included in the soundtrack of the anime Nodame Cantabile .
Sonata form is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century.
Carl Wilhelm Eugen Stenhammar was a Swedish composer, conductor and pianist.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already gone out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.
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Edward Elgar's Violin Concerto in B minor, Op. 61, is one of his longest orchestral compositions, and the last of his works to gain immediate popular success.
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Friedrich Gernsheim was a German composer, conductor and pianist.
The Quintet in A minor for Piano and String Quartet, Op. 84 is a chamber work by Edward Elgar.
Albert Edward Sammons CBE was an English violinist, composer and later violin teacher. Almost self-taught on the violin, he had a wide repertoire as both chamber musician and soloist, although his reputation rests mainly on his association with British composers, especially Elgar. He made a number of recordings over 40 years, many of which have been re-issued on CD.
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The String Quartet No. 2 in A minor, Op. 13, was composed by Felix Mendelssohn in 1827. Written when he was 18 years old, it was, despite its official number, Mendelssohn's first mature string quartet. One of Mendelssohn's most passionate works, the A minor Quartet is one of the earliest and most significant examples of cyclic form in music.
William Henry Reed was an English violinist, teacher, composer, conductor and biographer of Sir Edward Elgar. He was leader of the London Symphony Orchestra for 23 years (1912–1935), but is best known for his long personal friendship with Elgar (1910–1934) and his book Elgar As I Knew Him (1936), in which he goes into great detail about the genesis of the Violin Concerto in B minor.
The String Quartet in E minor, Op. 83, was one of three major chamber music works composed by Sir Edward Elgar in 1918. The others were the Violin Sonata in E minor, Op. 82, and the Piano Quintet in A minor, Op. 84. Along with the Cello Concerto in E minor, Op. 85 of 1919, these were to be his last major works prior to his death in 1934.
Marjorie Olive Hayward was an English violinist and violin teacher, prominent during the first few decades of the 20th century.
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The Piano Quartet in B♭ major, Op. 41, also known as the Piano Quartet No. 2, was written by Camille Saint-Saëns in February 1875. Dedicated to Jules Foucault, it was premiered on 6 March 1875 in Paris. It has been called one of Saint-Saëns' neglected masterpieces and is in the core repertoire of the piano quartet.