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This article contains information about the literary events and publications of 1696.
The Theatre Royal Haymarket is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate.
Hydaspes is an opera by Francesco Mancini with a libretto by Giovanni Pietro Candi. It was first performed at the King's Theater in the Haymarket, London, on 23 March 1710. It was the second opera in England to be sung entirely in Italian, after Almahide, and was an early London success for the famous castrato Nicolò Grimaldi in the title role.
The Royal Convert is a 1707 tragedy by the British writer Nicholas Rowe. The play is set in England during the Saxon era featuring two brothers in a love triangle with a young Christian woman.
The Platonick Lady is a 1706 comedy play by the British writer Susanna Centlivre. Staged at the Queen's Theatre in the Haymarket in November 1706, it was published the following year and is sometimes dated as 1707. In the play's prologue the author defended the right of woman to write plays. The plot revolves around the question of platonic friendship.
The Conquest of Spain is a 1705 tragedy by the English writer Mary Pix. The play was published anonymously, but has been widely attributed to Pix. It was a reworking of the Jacobean tragedy All's Lost by Lust by William Rowley. It was the first new play to be staged at John Vanbrugh's Queen's Theatre in Haymarket, opened earlier that year, and lasted for six nights.
Tunbridge Walks is a 1703 comedy play by the English writer Thomas Baker. It starred the droll actor William Pinkethman in a leading role. It is also known by the longer title Tunbridge Walks, or the Yeoman of Kent.
Fatal Extravagance is a 1721 tragedy by the British writer Aaron Hill. It was presented by another writer Joseph Mitchell, a friend of Hill, at the Lincoln's Inn Fields Theatre in London. The original cast included James Quin as Bellmour, Anthony Boheme as Courtney, John Ogden as Bargrave and Anna Maria Seymour as Louisa. It was printed with the slightly longer title The Fatal Extravagance.
The Fair Example, or the Modish Citizen is a 1703 comedy play by the English writer Richard Estcourt, originally staged at the Drury Lane Theatre. It was part of a growing trend of plays to feature a plot of an honest wife reforming her rakish husband along with Sir Harry Wildair, As You Find It, The Wife's Relief and The Modish Couple. It is a reworking of the 1693 French play Les Bourgeoises à la Mode by Florent Carton Dancourt. In 1705 a separate English adaptation of the French work John Vanbrugh's The Confederacy appeared at the rival Queen's Theatre in the Haymarket.
The Confederacy is a 1705 comedy play by the English writer John Vanbrugh. It is also known as The City Wives' Confederacy. The plot was inspired by a 1692 farce by the French writer Florent Carton Dancourt. Two years before Vanbrugh's work, another writer Richard Estcourt had produced another play The Fair Example based on Dancourt's original.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
The Beggar's Wedding is a 1729 ballad opera by the Irish writer Charles Coffey. Part of a boom in ballad operas following the success of John Gay's The Beggar's Opera, it originally premiered at the Smock Alley Theatre in Dublin in March 1729 before appearing in London at the Haymarket Theatre on 29 May 1729 The original Dublin cast included Richard Elrington.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
The Tuscan Treaty is a 1733 tragedy by the British writer William Bond also known by the longer title The Tuscan Treaty: or, Tarquin's overthrow. It is set during the time of the Overthrow of the Roman monarchy.
The Nobleman is a 1736 comedy play by Elizabeth Cooper. It premiered at the Haymarket Theatre, and is also known by the longer title The Nobleman, or, The Family Quarrel.
Pasquin is a 1736 comedy play by Henry Fielding. It is a satire on both politics and the theatre, with a play within a play plot about a group of actors attempting to put on a production about a local election. It takes its name from Pasquin, a historic statue in Rome.
The Revolution of Sweden is a 1706 tragedy by the British writer Catharine Cockburn.
Adventures in Madrid or The Adventures in Madrid is a 1706 comedy play by the English writer Mary Pix. It was her final staged work.
The Double Gallant is a 1707 comedy play by the British writer Colley Cibber.
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.
