Related Research Articles
"Lavender's Blue" is an English folk song and nursery rhyme from the 17th century. Its Roud Folk Song Index number is 3483. It has been recorded in various forms and some pop versions have been hits in the U.S. and U.K. charts.
"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"The King and the Beggar-maid" is a 16th-century broadside ballad that tells the story of an African king, Cophetua, and his love for the beggar Penelophon. The story has been widely referenced and King Cophetua has become a byword for "a man who falls in love with a woman instantly and proposes marriage immediately".
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"The Broomfield Hill", "The Broomfield Wager" "The Merry Broomfield", "The Green Broomfield", "A Wager, a Wager", or "The West Country Wager" (Child 43, Roud 34) is a traditional English folk ballad.
"Riddles Wisely Expounded" is a traditional English song, dating at least to 1450. It is Child Ballad 1 and Roud 161, and exists in several variants. The first known tune was attached to it in 1719. The title "Riddles Wisely Expounded" was given by Francis James Child and seems derived from the seventeenth century broadside version "A Noble Riddle Wisely Expounded".
The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".
"King John and the Bishop" is an English folk-song dating back at least to the 16th century. It is catalogued in Child Ballads as number 45 and Roud Folk Song Index 302.
Douglas is a blank verse tragedy by John Home. It was first performed in 1756 in Edinburgh.
"The Sprig of Thyme", "The Seeds of Love", "Maiden’s Lament", "Garners Gay", "Let No Man Steal Your Thyme" or "Rue" is a traditional British and Irish folk ballad that uses botanical and other symbolism to warn young people of the dangers in taking false lovers. The song was first documented in 1689 and the many variants go by a large number of titles.
"The Cuckoo" is a traditional English folk song, also sung in the United States, Canada, Scotland and Ireland. The song is known by many names, including "The Coo-Coo", "The Coo-Coo Bird", "The Cuckoo Bird", "The Cuckoo Is a Pretty Bird", "The Evening Meeting", "The Unconstant Lover", "Bunclody" and "Going to Georgia". Lyrics usually include the line : "The cuckoo is a pretty bird, she sings as she flies; she brings us glad tidings, and she tells us no lies."
Fantomina; or, Love in a Maze is a novel by Eliza Haywood published in 1725. In it, the protagonist disguises herself as four different women in her efforts to understand how a man may interact with each individual persona. Part of the tradition of amatory fiction is to rewrite the story of the persecuted maiden into a story of feminine power and sexual desire.
The Old Maid's Song is an American folk song. It recounts the story of a woman whose younger sisters have married, while she has remained a spinster into middle age. During the chorus of the song, the narrator defines a loose criterion for a husband.
A Voyage to Virginia is an English broadside ballad. Although surviving copies of the broadside date back to the late 17th century, the ballad could have been available in the early to mid-17th century. The ballad is told from the point of view of a soldier, who is saying farewell to his love, Betty. Copies of the broadside can be found at the British Library, the National Library of Scotland, and Magdelene college.
Amintor's Lamentation for Celia's Unkindness is an English broadside ballad from the 17th century that tells the story of a young man who falls in love the coy Celia who does not love him back, and leaves the country to avoid him. The ballad begins with Amintor lamenting her refusal to return his love, and concludes with Celia's response, in which she accuses Amintor of using charm and arts to try to steal her purity. Sung to the tune of "Since Celia's My Foe." Copies of the broadside can be found in the British Library and the National Library of Scotland. On-line transcriptions of the ballad are also available for public consumption.
The Wandering Virgin is an English broadside ballad from the late 17th century. The narrator warns fellow virgins not to be too coy unless they also want to wander the world round looking for the lover who has given up on their courtship. She tells the story of how she dresses like a man and travels over sea, land, desert, and forest to find her love. Sung to the tune of Over Hills and High Mountains, or Ah! Chloris Awake, depending on the broadside. Copies of the broadside are available in National Library of Scotland, the University of Glasgow Library, the British Library, and Magdalene College, Cambridge.
The Despairing Lover is an English broadside ballad from the late-17th century, written by Edward Ford. It is about a man who loses his lover and vows to kill himself, until she saves him by returning at the end of the ballad. It is paired with A Constant and Kind Maid, in which the woman becomes the man's constant and loving wife. Sung to the tune of Fortune My Foe or Aim Not Too High, though according to William Chappell there is some controversy over the compatibility of these tunes. Copies of the broadside can be found at the British Library, the National Library of Scotland, and Magdalene College, Cambridge. On-line facsimile transcriptions are also available for public consumption.
The Merchants Daughter of Bristow is an English broadside ballad from the 17th century about a young woman who defies her father and follows her lover to Italy, where she saves him from religious persecution and execution. Also known as Maudlin the Merchants Daughter. Copies of the broadside can be found in the British Library, the University of Glasgow Library, and Magdalene College, Cambridge.
Transportation ballads are a genre of broadside ballad some of which became an important part of the folk song traditions of Britain and Ireland. They concern the transportation of convicted criminals firstly to the American colonies and then to penal colonies in Australia. Transportation ballads were published as broadsides,. Many have passed into the folk tradition and have been collected subsequently from traditional singers.
References
- ↑ "English Broadside Ballad Archive" . Retrieved 18 September 2014.
- ↑ "English Broadside Ballad Archive" . Retrieved 18 September 2014.