Lower East Side Printshop

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Lower East Side Printshop
Lower East Side Printshop
Formation1968;53 years ago (1968)
FounderEleanor Magid
Type Non-profit arts organization
Location
Coordinates 40°45′19″N73°59′34″W / 40.755285°N 73.992739°W / 40.755285; -73.992739 Coordinates: 40°45′19″N73°59′34″W / 40.755285°N 73.992739°W / 40.755285; -73.992739
Servicesprint editions service, classes, artist residencies, art studio space
Website www.printshop.org

Lower East Side Printshop, also known as L.E.S. Printshop (founded in 1968) is a nonprofit arts organization and printmaking studio located in New York City. [1] They offer studio space, artist residencies, classes, artwork for sale and printing editions services. [2] They work with approximately 160 artists per year, which makes this one of the largest printmaking shops in the country. [3]

Contents

History

It was founded in 1968, by Eleanor Magid during a New York City school strike. [4] Eleanor Magid was a printmaker, studying under Robert Blackburn. [5] Magid brought her young daughter's classmates and neighbors to the print studio during the strike and she taught them classes on printmaking. [4] The studio was originally based in the East Village, and in 2005 the facility moved to a larger site in Midtown Manhattan. [6]

Related Research Articles

Printmaking The process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, rather than just being a photographic reproduction of a painting. Except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". Often impressions vary considerably, whether intentionally or not. The images on most prints are created for that purpose, perhaps with a preparatory study such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".

Woodcut Relief printing technique

Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain. The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas.

Robert Blackburn (artist) African American visual artist (1920-2003)

Robert Hamilton Blackburn was an African-American artist, teacher, and master printmaker.

Colab New York City artists group

Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines.

Outline of the visual arts Overview of and topical guide to the visual arts

The following outline is provided as an overview of and topical guide to the visual arts:

Vitreography

Vitreography is a fine art printmaking technique that uses a 38-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.

Favianna Rodriguez

Favianna Rodriguez is an American artist and activist. She has self-identified as queer and Latina with Afro-Peruvian roots. Rodriguez began as a political poster designer in the 1990s in the struggle for racial justice in Oakland, California. Rodriguez is known for using her art as a tool for activism. Her designs and projects range on a variety of different issues including globalization, immigration, feminism, patriarchy, interdependence, and genetically modified foods. Rodriguez is a co-founder of Presente.org and is the Executive Director of Culture Strike, "a national arts organization that engages artists, writers and performers in migrant rights. "

Helen C. Frederick

Helen C. Frederick is an American artist, known mainly for printed media and large-scale works created by hand papermaking as a medium of expression that often incorporate the use of language. She has curated exhibitions such as Ten Years After 9/11, which respond to issues about the human condition.

Tomie Arai is an American artist and community activist who was born, raised, and is still active in New York City.

Guy Ben-Ari is an Israeli painter living and working in New York City.

Anchor Graphics is a non-profit fine art printshop and gallery in Chicago, Illinois that is part of the Art + Design Department at Columbia College Chicago. It was founded in 1990 by David Jones and Marilyn Propp. It is known for the quality of its prints as well as its educational programming.

Brian R. Shure is an American printmaker, painter, author and educator. He is best known for his mastery of printing techniques, knowledge of lesser known art techniques and has published multiple books about the art of chine-collé.

Sonia Amalia Romero is an American artist, she is known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work.

Golnar Adili is an Iranian-born American multidisciplinary artist based in Brooklyn, New York. Much of her work is influenced by growing up in post-Iranian Revolution in Tehran and issues of displacement.

Mary Lovelace O'Neal is an American artist and arts educator. Her work is focused on abstracted mixed-media and minimalism. She is a Professor Emeritus, University of California, Berkeley and retired from teaching in 2006. O'Neal's art has been exhibited widely throughout North America and internationally, with group and solo shows in Italy, France, Chile, Senegal and Nigeria. She lives and works in Oakland, California, and maintains a studio in Chile.

Barbara Jones-Hogu was an African-American artist best known for her work with the Organization of Black American Culture (OBAC) and for co-founding the artists' collective AfriCOBRA.

Clare Romano was an internationally known printmaker and painter with works in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Cooper Hewitt, Smithsonian Design Museum and other major collections. As an advocate, innovator, and educator in the field of printmaking, Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for artists books in 1991.

St. Michael's Printshop is an artist-run print studio in St. John's, Newfoundland and Labrador. Founded in 1974, it provides fine art printmaking facilities for established and emerging artists, including intaglio, lithography, and relief printing. It also offers studio rentals, workshops and exhibition space, and maintains an artist-in-residence program.

Australian poster collectives were established in the late 1960s, 70s and 80s mainly in Sydney, Melbourne and Adelaide, but also in other Australian capital cities. The collectives were formed by artists concerned with social justice, women's rights, political activism, anti-Vietnam war protest, environmentalism, LGBT rights and Indigenous peoples' rights. Collectives also made posters for concerts, bands, marches and community groups. Feminists were active in the collectives and some were women-only collectives. The list of collectives and artists in this article indicates women were leaders in the poster collective movement, establishing groups, providing training, opening the groups up to other women and decision-making by consensus. The collectives were considered to be democratic art movements outside the gallery systems, able to quickly reflect changing social and political views and challenge social norms by designing, printing and displaying posters in public areas. Some artists were members of more than one collective and often did not sign their name to posters but attributed them to the collective. Similar collectives emerged in the UK, Europe, the US and Cuba during that time. This article covers Australian poster collectives from the 60s to 80s rather than later collectives from the 1990s such as RedPlanet.

Pyramid Atlantic Art Center (PAAC) is a 501(c)(3) non-profit contemporary arts center specializing in papermaking, printmaking, and book arts. They are currently located at 4318 Gallatin Street in Hyattsville, Maryland.

References

  1. "Lower East Side Printshop". NYC-ARTS. Retrieved 2021-04-03.
  2. Art on Paper. Fanning Publishing Company. 2005. p. 81.
  3. Abrams, Loney (2016-11-02). "How Do Today's Art Stars Make Prints? Master Printer Erik Hougen Explains an Intimate Form of Collaboration". Artspace. Retrieved 2021-04-03.
  4. 1 2 Newsom, Barbara Y.; Silver, Adele Z. (1978). The Art Museum as Educator: A Collection of Studies as Guides to Practice and Policy. Council on Museums and Education in the Visual Arts. University of California Press. p. 215. ISBN   978-0-520-03248-4.
  5. Jemisin, Noah (1991). Bob Blackburn's Printmaking Workshop: The Artists of Color. Hillwood Art Museum, Long Island University. p. 14. ISBN   978-0-933699-24-3.
  6. Morris, Ashley (January 2012). "Lower East Side Printshop". Copper in the Arts Magazine. Retrieved 2021-04-01.