Luanne Martineau (born 1970) is a contemporary, multimedia Canadian artist best known for her hand-spun and felted wool sculptures. Her work engages with social satire as well as feminist textile practice.
Martineau was born in Saskatoon, Saskatchewan. She earned a fine art diploma from the Alberta College of Art & Design in 1993, and a Masters of Fine Art from the University of British Columbia in 1995. She was previously an associate curator at the Art Gallery of Calgary, and later a professor of theory and curatorial studies at the University of Victoria.[1] She is now based in Montreal, where she is an associate professor of painting and drawing at Concordia University.[2]
Work
Martineau has been exhibiting across Canada and internationally since the mid-1990s. Her work blurs the boundaries between craft and fine art, combining labour-intensive female handwork with questions about the politics of the body, style and ideology. Her "drulptures" are three-dimensional felt assemblages that are not literal interpretations of the human form, but which have bodily shapes and grotesque fleshy resemblances.[3][4] In 2010–2012, the Musée d'art contemporain de Montréal organized a touring exhibition of Martineau's work.[5] This exhibition was accompanied by a catalogue that included essays by Lesley Johnstone, Dan Adler, and Shirley Madill.[6]
Awards
In 2007, Martineau with the winner of the Jack and Doris Shadbolt Foundation's VIVA Award for the Visual Arts.[7] In 2005 she was long-listed for the Sobey Art Award, and in 2009 she was shortlisted.[8]
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