Lucas Foglia (born 1983) is an American photographer, living in San Francisco. [1] [2] "His work is concerned mainly with documenting people and their relationship to nature", for which he has travelled extensively making landscape photography and portraiture. [3]
Foglia's Human Nature has been shown in solo exhibitions at the Museum of Contemporary Photography (MoCP) in Chicago [4] and at Foam Fotografiemuseum Amsterdam. [5] His work is held in the collections of Denver Art Museum, [6] MoCP, [7] Philadelphia Museum of Art [8] and Portland Art Museum. [9]
Foglia was born on Long Island, New York. [1] His parents were part of the back-to-the-land movement and he grew up on their farm, 30 miles from Manhattan. [10] He received his BA from Brown University in 2005 [11] and received his MFA from Yale School of Art, at Yale University, Connecticut in 2010. [1] [2]
Foglia's first two books A Natural Order (2012) and Frontcountry (2014) merge landscape photography and portraiture. [12] According to Sean O'Hagan in The Guardian, the portraits in those books and in Human Nature (2017), "occupy that tricky, slightly heightened hinterland between documentary and staging." [13]
A Natural Order "looked at people who lived off the grid in the American backwoods – drifters, Christian communities, back-to-the-land hippies, survivalists". [12] It was made over five years and several long trips south in a camper van. [10]
Frontcountry is a book of two halves, depicting the contrast between the contradictory lifestyles of ranching and mining in the contemporary American West. It was made between 2006 and 2013 in Idaho, Montana, Nevada, New Mexico, Texas and Wyoming. [12]
Human Nature is "a series of vignettes about the relationship science, government, and individuals have with wilderness and nature." [14]
Summer After (2021) contains black and white portraits of people that Foglia met on the street in New York City in 2002 in the wake of the September 11 attacks, after he moved to Manhattan. [3] [15]
Foglia's work is held in the following permanent collections:
Edward Jean Steichen was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography.
Bill Brandt was a British photographer and photojournalist. Born in Germany, Brandt moved to England, where he became known for his images of British society for such magazines as Lilliput and Picture Post; later he made distorted nudes, portraits of famous artists and landscapes. He is widely considered to be one of the most important British photographers of the 20th century.
Karl Blossfeldt was a German photographer and sculptor. He is best known for his close-up photographs of plants and living things, published in 1929 as Urformen der Kunst. He was inspired, as was his father, by nature and the ways in which plants grow. He believed that "the plant must be valued as a totally artistic and architectural structure."
Aaron Siskind was an American photographer whose work focuses on the details of things, presented as flat surfaces to create a new image independent of the original subject. He was closely involved with, if not a part of, the abstract expressionist movement, and was close friends with painters Franz Kline, Mark Rothko, and Willem de Kooning.
Nicholas Nixon is an American photographer, known for his work in portraiture and documentary photography, and for using the 8×10 inch view camera.
Richard Misrach is an American photographer. He has photographed the deserts of the American West, and pursued projects that document the changes in the natural environment that have been wrought by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military. Curator Anne Wilkes Tucker writes that Misrach's practice has been "driven [by] issues of aesthetics, politics, ecology, and sociology." In a 2011 interview, Misrach noted: "My career, in a way, has been about navigating these two extremes - the political and the aesthetic."
Edward Burtynsky is a Canadian photographer and artist known for his large format photographs of industrial landscapes. His works depict locations from around the world that represent the increasing development of industrialization and its impacts on nature and the human existence. It is most often connected to the philosophical concept of the sublime, a trait established by the grand scale of the work he creates, though they are equally disturbing in the way they reveal the context of rapid industrialization.
Rodney Lough Jr. is an American landscape photographer and gallery owner.
Ray K. Metzker was an American photographer known chiefly for his bold, experimental B&W cityscapes and for his large "composites", assemblages of printed film strips and single frames. His work is held in various major public collections and is the subject of eight monographs. He received awards from the John Simon Guggenheim Memorial Foundation, National Endowment for the Arts and Royal Photographic Society.
Walter Landon Chappell was an American photographer and poet, primarily known for his black and white photography of landscapes, nature, and the human body.
Barbara Blondeau (1938–1974) was an American experimental photographer active in the mid-1960s through the early 1970s. In her career as a photographer, she worked in a wide variety of materials, process and formats, although she is best known for her strip prints which she stumbled upon while shooting with a malfunctioning camera.
J. John Priola is a San Francisco-based contemporary visual artist and educator. He is known for photographic series capturing humble, generally inanimate subjects that explore human presence, absence and loss through visual metaphor. Priola's mature work can be broadly divided into earlier black-and-white, gelatin-silver series—formal elegant, painterly works largely focused on everyday objects and architectural details elevated to portraits—and later color series, which gradually shifted from architectural settings to detailed, varied explorations of the often-conflicted human relationship to nature. San Francisco Chronicle critic Kenneth Baker situated Priola's images "on the border between documentary and conceptual art," where they function as surveys of under-noticed details that "remind us how many potential questions, how much intimate domestic history, may lie embedded on the margins of our attention."
Adam Broomberg and Oliver Chanarin are artists living and working in London.
Susan McEachern is an American/Canadian artist. McEachern is best known for her photography, which frequently includes text. Her work follows the feminist idea of "the personal is political," as she often combines images of her own life and personal space to investigate and comment on themes of socialization, gender, sexuality, and the natural world. McEachern has also been a professor at the Nova Scotia College of Art and Design University since 1979.
John Chester Cato was an Australian photographer and teacher. Cato started his career as a commercial photographer and later moved towards fine-art photography and education. Cato spent most of his life in Melbourne, Australia.
Barbara Bosworth is an American artist, educator, and photographer. She works primarily with a large-format, 8x10 view camera and focuses on the relationship between humans and nature. Bosworth's works have been included in magazines, journals, books and permanent collections, and shown in solo exhibits nationally and internationally. In 1985, she won a Guggenheim fellowship for her photographic work.
Robert Stiegler (1938–1990) was a Chicago filmmaker and photographer, whose work grew out of the approaches to photography and design taught at the Institute of Design (ID) in the 1960s and 1970s. Stiegler received his Bachelor's degree in 1960 and his Master's degree in 1970 from ID, where he studied under Harry Callahan and Aaron Siskind and was part of a group of students that included Barbara Crane, Kenneth Josephson, Tom Rago, and Richard Nickel. His work is in the collections of the Museum of Modern Art in New York, the Art Institute of Chicago, the George Eastman House, the Museum of Contemporary Art in Chicago, and the University of Illinois Chicago. His films Traffic (1960), Capitulation (1965), Licht Spiel Nur 1 (1967), and Full Circle (1968) are housed at the Chicago Film Archives.
Raymond Meeks is an American photographer. "Much of his work focuses on memory and place, and captures daily life with his family." He has published a number of books including Pretty Girls Wander (2011) which "chronicles his daughter's journey from adolescence to adulthood"; and Ciprian Honey Cathedral (2020), which contains symbolic, figurative photographs taken in and around a new house, and of his partner just before waking from sleep. Meeks is co-founder of Orchard Journal, in which he collaborates with others.
Melanie Einzig is an American photographer known for her street photography in and around New York City, where she has lived since 1990. Einzig was a member of the first incarnation of the In-Public street photography collective, from 2002. Her work has been published in the survey publications on street photography, Bystander: A History of Street Photography and Street Photography Now. She has shown in group exhibitions at the Art Institute of Chicago; Somerset House in London; the Deichtorhallen in Hamburg, Germany; and KunstHausWien in Vienna, Austria. The Art Institute of Chicago and Brooklyn Historical Society hold examples of her work in their collections.
Holly Lynton is an American photographer based in Massachusetts. Her portraits of modern rural communities and agrarian laborers in America have been exhibited both nationally and abroad.