Lucia Prauscello | |
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Academic work | |
Discipline | Classics |
Institutions | University of Oxford |
Lucia Prauscello is a Classicist who works on Greek Philology and Literature. She is a professor at the University of Oxford.
Prauscello completed her undergraduate degree at Pisa University in 1999, followed by a postgraduate degree at the Scuola Normale Superiore, Pisa in 2003. [1]
Prauscello held a Junior Research Fellowship at the Scuola Normale Superiore, Pisa (from 2003 to 2004) followed by a Momigliano Fellowship in Arts at UCL from 2004 to 2006. In 2005, Prauscello was appointed as a University Lecturer, later Senior University Lecturer, at the University of Cambridge, and a Fellow and Director of Studies in Classics at Trinity Hall. From 2016 to 2018 she was a University Reader at the University of Cambridge, Faculty of Classics. In 2015 she held a Humboldt Fellowship at the Humboldt-Universität zu Berlin. [2] Since 2018, she has been a Senior Research Fellow at All Souls College, University of Oxford. [1] [3]
Prauscello is on the editorial board of Sapienza Università Editrice, the Oxyrhynchus Papyri Management Committee, and since 2017 she is a co-editor of the Cambridge Classical Journal. [1] She is an editor, with Alessandro Barchiesi, Robert Fowler and Nigel Wilson, of the series Sozomena, which is published for the Herculaneum Society by Walter de Gruyter.
Posidippus of Pella was an Ancient Greek epigrammatic poet.
Lucius Mussius AemilianussignoAegippius was a Roman who held a number of military and civilian positions during the middle of the third century. He is best known as a Roman usurper during the reign of Gallienus.
The "Magdalen" papyrus was purchased in Luxor, Egypt in 1901 by Reverend Charles Bousfield Huleatt (1863–1908), who identified the Greek fragments as portions of the Gospel of Matthew and presented them to Magdalen College, Oxford, where they are catalogued as P. Magdalen Greek 17 from which they acquired their name. When the fragments were published by Colin Henderson Roberts in 1953, illustrated with a photograph, the hand was characterized as "an early predecessor of the so-called 'Biblical Uncial'" which began to emerge towards the end of the 2nd century. The uncial style is epitomised by the later biblical Codex Vaticanus and Codex Sinaiticus. Comparative paleographical analysis has remained the methodological key for dating the manuscript, but there is no consensus on the dating of the papyrus. Estimates have ranged from the 1st century to the 4th century AD.
The Catalogue of Women —also known as the Ehoiai —is a fragmentary Greek epic poem that was attributed to Hesiod during antiquity. The "women" of the title were in fact heroines, many of whom lay with gods, bearing the heroes of Greek mythology to both divine and mortal paramours. In contrast with the focus upon narrative in the Homeric Iliad and Odyssey, the Catalogue was structured around a vast system of genealogies stemming from these unions and, in M. L. West's appraisal, covered "the whole of the heroic age." Through the course of the poem's five books, these family trees were embellished with stories involving many of their members, and so the poem amounted to a compendium of heroic mythology in much the same way that the Hesiodic Theogony presents a systematic account of the Greek pantheon built upon divine genealogies.
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The Derveni papyrus is an ancient Greek papyrus roll that was found in 1962. It is a philosophical treatise that is an allegorical commentary on an Orphic poem, a theogony concerning the birth of the gods, produced in the circle of the philosopher Anaxagoras. The roll dates to around 340 BC, during the reign of Philip II of Macedon, making it Europe's oldest surviving manuscript. The poem itself was composed near the end of the 5th century BC, and "in the fields of Greek religion, the sophistic movement, early philosophy, and the origins of literary criticism it is unquestionably the most important textual discovery of the 20th century." While interim editions and translations were published over the subsequent years, the manuscript as a whole was finally published in 2006.
Adrian Swayne Hollis was an English classical scholar and correspondence chess grandmaster, the title having been awarded in 1976.
Totenpass is a German term sometimes used for inscribed tablets or metal leaves found in burials primarily of those presumed to be initiates into Orphic, Dionysiac, and some ancient Egyptian and Semitic religions. The term may be understood in English as a "passport for the dead". The so-called Orphic gold tablets are perhaps the best-known example.
Gian Biagio Conte is an Italian classicist and professor of Latin Literature at the Scuola Normale Superiore of Pisa.
The Zeitschrift für Papyrologie und Epigraphik is a peer-reviewed academic journal which contains articles that pertain to papyrology and epigraphy. It has been described as "the world's leading and certainly most prolific journal of papyrology." ZPE, established by Reinhold Merkelbech and Ludwig Koenen in 1967, is published four to five times annually by Rudolf Habelt GmbH. It is renowned for its ability to publish new articles very quickly.
The so-called Alcestis Barcinonensis is a mythological poem of at least 124 Latin hexameters on the story of Alcestis dying for the sake of her husband Admetus, following by and large the play by Euripides. The poem has been written on four papyrus leaves dated to the second half of the fourth century on account of the handwriting, an early half-uncial with cursive elements, and inserted into a codex mixtus at some later point in time. The editio princeps has been published by the Catalan priest and papyrologist Ramon Roca-Puig on 18 October 1982. The papyrus leaves are now in the possession of the foundation Sant Lluc Evangelista founded by Roca-Puig and located in Barcelona.
Papyrus Oxyrhynchus 7 is a papyrus found at Oxyrhynchus in Egypt. It was discovered by Bernard Pyne Grenfell and Arthur Surridge Hunt in 1897, and published in 1898. It dates to the third century AD. The papyrus is now in the British Library.
Papyrus Oxyrhynchus 85 is part of a series of declarations by various guilds of workmen, written in Greek. The manuscript was written on papyrus in the form of a sheet. It was discovered in Oxyrhynchus. The document was written on 26 November 338. Currently it is housed in the Department of Manuscripts of the British Museum (760) in London.
Richard Charles Murray Janko is an Anglo-American classical scholar and the Gerald F. Else Distinguished University Professor of Classical Studies at the University of Michigan.
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Medea Vittoria Irma Norsa (1877–1952) was an Italian papyrologist and philologist. She headed the Istituto Papirologico Girolamo Vitelli in Florence from 1935 to 1949.
The Tithonus poem, also known as the old age poem or the New Sappho, is a poem by the archaic Greek poet Sappho. It is part of fragment 58 in Eva-Maria Voigt's edition of Sappho. The poem is from Book IV of the Alexandrian edition of Sappho's poetry. It was first published in 1922, after a fragment of papyrus on which it was partially preserved was discovered at Oxyrhynchus in Egypt; further papyrus fragments published in 2004 almost completed the poem, drawing international media attention. One of very few substantially complete works by Sappho, it deals with the effects of ageing. There is scholarly debate about where the poem ends, as four lines previously thought to have been part of the poem are not found on the 2004 papyrus.
Susan Guettel Cole is Professor Emerita at the University at Buffalo in the Department of Classics. She is known for her work on Ancient Greek Religion and gender.
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Lucius Valerius Datus was a Roman eques who flourished during the reign of the emperor Septimius Severus and his sons. He held a series of imperial offices, most notably praefectus or governor of Roman Egypt from 216 to 217.