Alessandro Barchiesi | |
---|---|
Born | 1955 (age 67–68) |
Academic background | |
Alma mater | Scuola Normale Superiore di Pisa |
Academic work | |
Discipline | Classics |
Sub-discipline | Latin Literature |
Institutions | University of Verona University of Siena Stanford University New York University |
Alessandro Barchiesi (born 1955) is an Italian classicist. A specialist on Latin poetry,he is best known for his work on Horace,Vergil and Ovid. Having spent the majority of his career in Italy and the United States,he has served as a professor of Classics at New York University since 2016.
Until 1987,Barchiesi was based at the Scuola Normale di Pisa,first as a student of Gian Biagio Conte and later as research fellow. He then became an associate professor at the University of Milan in 1987. In 1990,he was appointed to a tenured position at the University of Verona which he held for ten years. In 2000,Barchiesi moved to a professorship at the University of Siena at Arezzo. He held this position in parallel with a Spogli Professorship at the Stanford University. [1] Since 2016,he works as a professor of Classics at NYU. [2]
In addition to the above appointments,he has had visiting positions at various institutions,including Oxford,Harvard and Princeton. In 2010–11,he served in the prestigious role of Sather Professor of Classical Literature at the University of California,Berkeley. [3] He is an editor,with Robert Fowler,Lucia Prauscello and Nigel Wilson,of the series Sozomena which is published for the Herculaneum Society by Walter de Gruyter.
Publius Ovidius Naso,known in English as Ovid,was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace,with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime,the emperor Augustus banished him to Tomis,the capital of the newly-organised province of Moesia,on the Black Sea,where he remained a decade until his death.
In Greek mythology,Caeneus was a Lapith hero of Thessaly.
The Metamorphoses is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths,15 books,and 11,995 lines.
Callimachus was an ancient Greek poet,scholar and librarian who was active in Alexandria during the 3rd century BC. A representative of Ancient Greek literature of the Hellenistic period,he wrote over 800 literary works in a wide variety of genres,most of which did not survive. He espoused an aesthetic philosophy,known as Callimacheanism,which exerted a strong influence on the poets of the Roman Empire and,through them,on all subsequent Western literature.
Alessandro Piccolomini was an Italian humanist,astronomer and philosopher from Siena,who promoted the popularization in the vernacular of Latin and Greek scientific and philosophical treatises. His early works include Il Dialogo della bella creanza delle donne,o Raffaella (1539) and the comedies Amor costante,and Alessandro,which were sponsored and produced by the Sienese Accademia degli Intronati,of which he was a member and an official. Much of his literary production consisted of translations from the Classics,of which Book XIII of Ovid's Metamorphoses and book VI of the Aeneid are early examples. In 1540,while a student at the University of Padua,he helped found the Infiammati Academy,in which he gave lectures in philosophy. His poetry,in which he followed the Petrarchan tradition,appeared first in various contemporary collections,and in 1549 he published as a single volume one hundred sonnets titled Cento sonetti. Later in life,he established in his sister-in-law's Villa of Poggiarello of Stigliano,near Siena,where he attended the revision of his previous essays,and where he wrote all his late works,as the translation of Aristotle's Poetics on which he wrote a learned commentary issued in 1575. His interest in Aristotle included the publication of a paraphrase of Aristotle's Rhetoric with commentary. In his Trattato della grandezza della terra e dell'acqua (1558),he opposed the Aristotelean and Ptolemaic opinion that water was more extensive than land.
The Heroides,or Epistulae Heroidum,is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines of Greek and Roman mythology in address to their heroic lovers who have in some way mistreated,neglected,or abandoned them. A further set of six poems,widely known as the Double Heroides and numbered 16 to 21 in modern scholarly editions,follows these individual letters and presents three separate exchanges of paired epistles:one each from a heroic lover to his absent beloved and from the heroine in return.
Giovanni Andrea dell'Anguillara was an Italian poet. His verse translation of Ovid's Metamorphoses was often reprinted and has been highly praised by italian critics;a partial translation of Virgil's Aeneid enjoyed less success. Anguillara also wrote the comedy Anfitrione,and the tragedy Edippo,based on Seneca's Oedipus and on Sophocles' Oedipus Rex.
The sonnets of Petrarch and Shakespeare represent,in the history of this major poetic form,the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's enduring appeal by demonstrating its flexibility and lyrical potency through the exceptional quality of their poems.
Elaine Fantham was a British-Canadian classicist whose expertise lay particularly in Latin literature,especially comedy,epic poetry and rhetoric,and in the social history of Roman women. Much of her work was concerned with the intersection of literature and Greek and Roman history. She spoke fluent Italian,German and French and presented lectures and conference papers around the world—including in Germany,Italy,the Netherlands,Norway,Argentina,and Australia.
The Double Heroides are a set of six epistolary poems allegedly composed by Ovid in Latin elegiac couplets,following the fifteen poems of his Heroides,and numbered 16 to 21 in modern scholarly editions. These six poems present three separate exchanges of paired epistles:one each from a heroic lover from Greek or Roman mythology to his absent beloved,and one from the heroine in return. Ovid's authorship is uncertain.
Venulus was an ambassador sent by Turnus of Ardea to the Greek hero Diomedes to request assistance in a war against Aeneas. He appears as a character in Vergil's Aeneid and Ovid's Metamorphoses;in both epics,he seems to serve as a proxy or counterpart of the goddess Venus,whose name is incorporated in his own. There is no evidence for his existence beyond the Aeneid and Metamorphoses.
Frank Justus Miller was a leading American classicist,translator,and university administrator in the late 19th and early 20th centuries. He authored the Loeb Classical Library translations of Seneca and of Ovid's Metamorphoses,and was president of the American Classical League for more than a decade,from 1922 to 1934.
Philip Russell Hardie,FBA is a specialist in Latin literature at the University of Cambridge. He has written especially on Virgil,Ovid,and Lucretius,and on the influence of these writers on the literature,art,and ideology of later centuries.
Judith P. Hallett is Professor and Distinguished Scholar-Teacher Emerita of Classics,having formerly been the Graduate Director at the Department of Classics,University of Maryland. Her research focuses on women,the family,and sexuality in ancient Greece and Rome,particularly in Latin literature. She is also an expert on classical education and reception in the nineteenth and twentieth centuries.
Helene P. Foley is an American classical scholar. She is Professor of Classical Studies at Barnard College,Columbia University and a member of the Institute for Research on Women,Gender and Sexuality at Columbia. She specialises in ancient Greek literature,women and gender in antiquity,and the reception of classical drama.
Eleanor Winsor Leach was the Ruth N. Halls Professor with the Department of Classical Studies at Indiana University. She was a trustee of the Vergilian Society in 1978–83 and was second and then first vice-president in 1989–92. Leach was the president of the Society of Classical Studies in 2005/6,and the chair of her department (1978–1985). She was very involved with academics and younger scholars –directing 26 dissertations,wrote letters for 200 tenure and promotion cases,and refereed more than 100 books and 200 articles. Leach's research interests included Roman painting,Roman sculpture,and Cicero and Pliny's Letters. She published three books and more than 50 articles. Leach's work had an interdisciplinary focus,reading Latin texts against their social,political,and cultural context. From the 1980s onwards,she combined her work on ancient literature with the study of Roman painting,monuments,and topography.
David Ansell Slater,FBA (1866–1938) was an English classicist,academic and schoolmaster. He was Professor of Latin successively at University College,Cardiff (1903–14);Bedford College,London (1914–20);and the University of Liverpool (1920–32). His 1927 apparatus criticus to Ovid's Metamorphoses was considered authoritative.
The Fall of the Giants is a fresco by the Italian Renaissance artist Giulio Romano. Born in Rome Giulio Romano was a pupil of Raphael. In the year 1522 he was courted by Federico II Gonzaga,the ruler of Mantua,who wanted him as his court artist as he was especially attracted by his skill as an architect. In the year 1524 Romano moved to Mantua where he remained for the rest of his life. According to Vasari,Baltasare Castilliogne was delegated by Federico II Gonzaga to procure Romano to execute paintings and architectureal procjects in the city of Mantua,Italy. His masterpiece of architecture and fresco painting in that city is the Palazzo del Te,with is famous illusionistic frescos. In one of rooms of palazzo,the Sala dei Giganti Giulio Romano had depicted the Gigantomachy,an episode derived from Greek mythology. The fresco was created between 1532 and 1534 and it was based on Ovid's Metamorphoses,a narrative poem consisting of 15 books that was written in Latin around 8 C.E. The episode of Gigantomachy depicts Jupiter defeating the Giants with his lighting. According to other versions of the myth,Jupiter resisted the Giants' assault thanks to the intervention of Pan or of the asses of Silenus and Bacchus. Nevertheless,in the 16th century in Italy it was uncommon to hear Latin. Texts were changed in structure and substance when transferred to Vulgate,so it should be understood that Giulio Romano had used the vernacular translation of the Metamorphoses for his Gigantomachy in the Palazzo del Te. The subject was very popular in the fine arts of the Cinquecento,once for sure because of its inherent possibilities for effective aesthetic design,on the other hand because this myth was important for the self-image of a patron of that time expressing religious,moral,political ideas.
The Jane K. Sather Professorship of Classical Literature is an endowed chair for the study of classics at the University of California,Berkeley. Established in 1914 after a donation by Jane K. Sather,widow of the Norwegian-American banker Peder Sather,the professorship requires its holder to spend one term at the university. Sather Professors would teach a full programme of classes. Since 1919,the post entails a set of lectures on a unified topic which is later published as a book by the University of California Press. According to classicist Oliver Taplin,the chair is "the most prestigious [professorship] in the subject in the world".
James O'Hara is an American scholar of Latin literature. He is the George L. Paddison Professor of Latin at the University of North Carolina,Chapel Hill.