Pauline Lucille Western (born in New Orleans, 8 January 1843; died in Brooklyn, New York, 11 January 1877) was an American stage actress . [1] [2]
Her parents were actors. She made her first appearance on the stage with her sister Helen Western (1844–1868) as “change artist” at her father's theatre in Washington, D.C., and traveled extensively with her in the United States. They were known as the “Star Sisters,” and their principal play was the “Three Fast Men.” In 1858 they appeared at the Old Bowery Theatre in New York City.
In 1859 or 1860 Lucille appeared at the Holliday Street Theatre in “East Lynne,” achieving her first success. In 1861 to 1865 she traveled with a combination troupe, playing Nancy Sykes in “Oliver Twist,” with Edward L. Davenport as Bill Sykes and James W. Wallack, Jr., as Fagin. In 1865 she played in Philadelphia, appearing in “Eleanor's Victory,” “Lucretia Borgia,” “Jane Eyre,” “The Child-Stealer,” “Mary Tudor,” “Cynthia,” besides the two plays already mentioned. She appeared in the principal theatres in the United States, and at the time of her death was playing at the New Park Theatre, Brooklyn.
On 11 October 1859, she married James Harrison Mead. Her remains are buried in Mount Auburn Cemetery.
Her younger sister, Helen Western was also an actress and at one time was the girlfriend of John Wilkes Booth.
No, No, Nanette is a musical comedy with lyrics by Irving Caesar and Otto Harbach, music by Vincent Youmans, and a book by Otto Harbach and Frank Mandel, based on Mandel's 1919 Broadway play My Lady Friends. The farcical story involves three couples who find themselves together at a cottage in Atlantic City, New Jersey, in the midst of a blackmail scheme, focusing on a young, fun-loving Manhattan heiress who naughtily runs off for a weekend, leaving her unhappy fiancé. Its songs include the well-known "Tea for Two" and "I Want to Be Happy".
Charlotte Saunders Cushman was an American stage actress. Her voice was noted for its full contralto register, and she was able to play both male and female parts. She lived intermittently in Rome, in an expatriate colony of prominent artists and sculptors, some of whom became part of her tempestuous private life.
James A. Herne was an American playwright and actor. He is considered by some critics to be the "American Ibsen", and his controversial play Margaret Fleming is often credited with having begun modern drama in America. Herne was a Georgist and wrote Shore Acres to promote the political economy of Henry George.
Lilian Adelaide Neilson, born Elizabeth Ann Brown, was a British stage actress.
Lucille Lortel was an American actress, artistic director, and theatrical producer. In the course of her career Lortel produced or co-produced nearly 500 plays, five of which were nominated for Tony Awards: As Is by William M. Hoffman, Angels Fall by Lanford Wilson, Blood Knot by Athol Fugard, Mbongeni Ngema's Sarafina!, and A Walk in the Woods by Lee Blessing. She also produced Marc Blitzstein's adaptation of Bertolt Brecht and Kurt Weill's Threepenny Opera, a production which ran for seven years and according to The New York Times "caused such a sensation that it...put Off-Broadway on the map."
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Ada Rehan was an American actress and comedian who typified the "personality" style of acting in the nineteenth century.
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Haila Stoddard was an American actress, producer, writer and director.
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Pauline Chase was an American actress who performed on the stage in both the United States and the United Kingdom. She added the names "Ellen" and "Matthew" to hers when she was baptised in the Church of England in 1906, from her godparents, the actress Ellen Terry and author James Matthew Barrie. She is known for her extended run in the title role of British productions of Peter Pan, or The Boy Who Wouldn't Grow Up. She was also known as the Pocket Venus of New York.
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