Lucy D. Taylor (died 1965) was an author, educator, and authority on interior decoration during the first half of the 20th century. She was active in the field professionally, taking on leadership roles in organizations including the Decorators' Club, [1] and served on President Hoover's housing committee as a home decoration expert. [2] Throughout the 1920s and 1930s she was a contributing editor at House Beautiful , House & Garden , and Arts & Decoration. [3]
Taylor lectured widely on the subject of interior design and had an active teaching career. She served as Head of the Teachers’ Training Department [4] and Instructor in Home Furnishing at the Massachusetts Normal Art School, [5] Boston, and taught courses at Vassar College, Cornell University, Yale University, and The Metropolitan Museum of Art. [2] [6] [7] She also served as the Vice Chairman and Research Executive of the Committee on Home Furnishings under President Hoover's Conference on Home Building Ownership. [2] Taylor was on the faculty of the New York School of Interior Design from 1928 to 1950. [3] She was a distinguished instructor of Color and Room Composition, and had been a pupil herself of Albert Munsell, creator of the Munsell Color System. [3]
Taylor was a frequent contributor to several magazine of home furnishings. From 1922 to 1935, Taylor was a contributing editor of House Beautiful, co-writing several articles with architect Verna Cook Salmonsky. [8]
Taylor authored three books on interior design:
Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. With a keen eye for detail and a creative flair, an interior designer is someone who plans, researches, coordinates, and manages such enhancement projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design.
The Museum of Domestic Design and Architecture (MoDA) is a museum in North London, England, housing one of the most comprehensive collections of 19th- and 20th-century decorative arts for the home. The collection is designated as being of outstanding international value by Arts Council England.
Candace Wheeler, traditionally credited as the mother of interior design, was one of America's first woman interior and textile designers. She helped open the field of interior design to women, supported craftswomen, and promoted American design reform. A committed feminist, she intentionally employed women and encouraged their education, especially in the fine and applied arts, and fostered home industries for rural women. She also did editorial work and wrote several books and many articles, encompassing fiction, semi-fiction and non-fiction, for adults and children. She used her exceptional organizational skills to co-found both the Society of Decorative Art in New York City (1877) and the New York Exchange for Women's Work (1878); and she partnered with Louis Comfort Tiffany and others in designing interiors, specializing in textiles (1879-1883), then founded her own firm, The Associated Artists (1883-1907).
The firm of Herter Brothers,, was founded by German immigrants Gustave (1830–1898) and Christian Herter (1839–1883) in New York City. It began as a furniture and upholstery shop/warehouse, but after the Civil War became one of the first American firms to provide complete interior decoration services. With their own design office and cabinet-making and upholstery workshops, Herter Brothers could provide every aspect of interior furnishing—including decorative paneling, mantels, wall and ceiling decoration, patterned floors, carpets and draperies.
Dorothy Draper was an American interior decorator. Stylistically very anti-minimalist, she would use bright, exuberant colors and large prints that would encompass whole walls. She incorporated black and white tiles, rococo scrollwork, and baroque plasterwork, design elements now considered definitive of the Hollywood Regency style of interior decoration.
Kelly Wearstler is an American designer. She founded her own design firm Kelly Wearstler Interior Design in the mid-1990s, serving mainly the hotel industry, and now designs across high-end residential, commercial, retail and hospitality spaces. Her designs for the Viceroy hotel chain in the early 2000s have been noted for their influence on the design industry. She has designed properties for clients such as Gwen Stefani, Cameron Diaz and Stacey Snider, and served as a judge on all episodes of Bravo's Top Design reality contest in 2007 and 2008.
Finn Juhl was a Danish architect, interior and industrial designer, most known for his furniture design. He was one of the leading figures in the creation of Danish design in the 1940s and he was the designer who introduced Danish modern to America.
Designers Guild is an international home and lifestyle company with a flagship store and showrooms on Kings Road and Marylebone High Street in London, as well as offices in London, Paris, and Munich.
Patricia Denise Guild OBE is a British designer and the founder and Creative Director of Designers Guild an international home and lifestyle company. She is known for her fabric and wallpaper collections and her work as a designer and manufacturer on a range of home interior products. She was awarded an OBE for services to interior design in 2008.
Pattern and Decoration was a United States art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The movement was the subject of a retrospective exhibition at the Hudson River Museum in 2008.
Lockwood de Forest was an American painter, interior designer and furniture designer. A key figure in the Aesthetic Movement, he introduced the East Indian craft revival to Gilded Age America.
William Carroll Pahlmann was a New York-based, mid-twentieth-century interior designer who popularized the eclectic style of design. The eclectic style borrowed decorative elements from different time periods and countries and often used bold color combinations, varying textures, and a mixture of antique and modern furnishings. Pahlmann employed eclectic design principles to accommodate his customers’ personal taste preferences and stressed the importance of comfort, functionality, and adaptability in his work.
Yabu Pushelberg is an international design studio with offices in Toronto and New York. Founded in 1980 by Canadian designers George Yabu and Glenn Pushelberg, the studio has evolved from a traditional interior design firm into creative directors of experience, practicing branding and positioning, interiors, products, lighting, textiles, and styling.
A. H. Davenport and Company was a late 19th-century, early 20th-century American furniture manufacturer, cabinetmaker, and interior decoration firm. Based in Cambridge, Massachusetts, it sold luxury items at its showrooms in Boston and New York City, and produced furniture and interiors for many notable buildings, including The White House. The word "davenport," meaning a boxy sofa or sleeper-sofa, comes from the company.
Marion Hall Best was an influential interior designer in Sydney, Australia. She practiced between 1938 and 1974, mainly working on commercial, domestic and public projects. She was a strong figure in advocating for interior decoration to be recognized as a profession, now known as interior design.
Nancy Vincent McClelland (1877–1959) was the first female president of the first US national association of interior designers, the American Institute of Interior Decorators (A.I.D), which is now called the American Society of Interior Designers (A.S.I.D.) and was one of an early group of female interior decorators practicing during the first decades of the 20th century. McClelland was also an expert on the European/American antiques. She was a writer for interior journals such as: Collier's, Country Life, House Beautiful, and House and Garden. She was an expert on wallpaper and the Scottish furniture designer Duncan Phyfe of New York. She received several rewards for her work. Being multilingual gave her the opportunity to be internationally active and to be known beyond the US as a writer, speaker, interior decorator, wallpaper designer, and collector of antique furniture. She traveled widely and met figures of the time such as Picasso.
Marguerita Mergentime (1894–1941) was an American textile designer best known for printed fabrics, making her mark in the 1930s with table linens in bold colors and innovative patterns created to enliven American households. Mergentime also designed sheets, towels, and tableware. In New York City in the 1930s, Mergentime worked with some of the best-known designers of the day, including Donald Deskey, Russel Wright, and Frederick Kiesler. Her work was featured in The New Yorker, House & Garden, House Beautiful, and Vogue.
Frances Elizabeth Fryatt was an American author and specialist in household applied arts. She served as editor-in-chief of The Lady's World after its establishment in 1886, and was twice elected president of the Ladies' Art Association of New York.
Caffoy was a cut pile woolen velvet material popular for upholstery. It was a decorative textile characterized by its wool pile designs, which were designed to imitate the appearance of silk velvets and damasks. It was originally made from wool and was used to imitate silk furnishing damasks. However, in the 16th century, it may have also been made from silk. Norwich, a major center for worsted weaving, was a major producer of caffoy. In 1579, it was featured alongside other contemporary fabrics such as Darnex, Mockado, and figure-sized Russel in a pageant commemorating the queen's visit to Norwich. Caffoy was` popular during the 17th and early 18th centuries.
Rossana Hu, also known as Hu Rushan, is an architect and interior designer who works in China and was born and raised in Taiwan. Hu is a partner in Neri & Hu, a design and research organization in Shanghai founded in 2004.
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