Luigi Carlini | |
|---|---|
| Born | Luigi Carlini c. 1795 |
| Died | |
| Nationality |  Italy |
| Occupation | Composer |
Luigi Carlini was an Italian composer specializing in opera, with a career centered in Milan in the 19th century.
Luigi Carlini | |
|---|---|
| Born | Luigi Carlini c. 1795 |
| Died | |
| Nationality | Italy |
| Occupation | Composer |
Luigi Carlini was an Italian composer specializing in opera, with a career centered in Milan in the 19th century.
Luigi Carlini was born in Naples, Campania, Italy in the late 18th century.
Luigi Carlini's Maria Stuarda, regina di Scozia, a cultural depiction of Mary, Queen of Scots, was his debut opera. The production was adapted from a 1802 drama by Camillo Federici, titled The Triumph of the Carbonari (Italian : Il Trionfo Dei Carbonari). [1]
In September 1817, Carlini presented a two-act drama featuring Luigi Lablache, Giovanni David, and Luigi Sirletti. [2] The composer premiered the opera The Youth of Henry V (Italian : La gioventù di Enrico V) in 1819 at the Teatro Nuovo sopra Toledo in Naples, featuring a libretto by Italian poet Felice Romani. [3] He returned with a production of Solimano II, or The Three Sultanas (Italian : Solimano II, ossia Le tre sultane) at Teatro San Carlo in 1820, collaborating with Andrea Leone Tottola and Charles-Simon Favart. [4] Carlini premiered Adelaide di Baviera at Teatro San Carlo in 1821 with libretto provided by Andrea Leone Tottola. [5] In collaboration with Robert Gallenberg, he contributed to the musical composition of Niobe by Gaetano Gioja, later staged at Naples' Teatro di San Carlo in January 1822. That year, Carlini composed music for The Festival of Terpsichore (Italian : La Festa Di Tersicore), a work choreographed by Salvatore Taglioni. [6]
He produced the 1823 Reciprocation, or Love Put to the Test (Italian : Il contraccambio, ovvero L'amore alla prova) which premiered at Teatro del Fondo. [7] His version of the opera based on Francesca da Rimini was created in 1825 with Felice Romani. [8] The piece served as the first musical version of Francesca da Rimini offered to the Italian public. [9] In 1828, he premiered The Fleeing Spouses (Italian : Gli sposi fuggitivi), a collaboration with Italian composer Giuseppe Ceccherini. [10] On 28 May 1828, Luigi Carlini composed the music of La Sylphide for Louis Henry which was premiered at La Scala in Milan. [11]
Carlini provided the score for Chao-Kang , the 1834 ballet-pantomime staged by French choreographer Louis Henry at the Théâtre Nautique. [12] A specific section, the "Gallop of the lanterns," was arranged for German pianist Friedrich Kalkbrenner. [13] He also collaborated with French composer Casimir Gide to compose the music for L'île des pirates of Louis Henry which premiered on 12 August 1835 at the Opéra de Paris. [14]
Luigi Carlini died in Italy in the 19th century.
Michele Enrico Francesco Vincenzo Aloisio Paolo Carafa di Colobrano was an Italian opera composer. He was born in Naples and studied in Paris with Luigi Cherubini. He was Professor of counterpoint at the Paris Conservatoire from 1840 to 1858. One of his notable pupils was Achille Peri.
Luigi Ricci, was an Italian composer, particularly of operas. He was the elder brother of Federico Ricci, with whom he collaborated on several works. He was also a conductor.
Marcella Lotti della Santa was an Italian opera singer who had an active international career during the 1850s and 1860s. One of her nation's leading sopranos, she drew particular acclaim for her portrayal of Verdi heroines. She was married to baritone Luigi della Santa.
Alberto Mazzucato was an Italian composer, music teacher, and writer.
Luigi Mosca was Italian composer of operas and sacred music and a noted singing teacher. He composed eighteen operas, most of which were originally for theatres in Naples, but played throughout Italy in their day.
Adriano in Siria is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio based the background of the story on late Classical works by Cassius Dio and Elio Sparziano.
Francesco Tortoli was an Italian scenographer, active in Naples from 1808 at the city's principal theatres—Teatro San Carlo, Teatro del Fondo and Teatro dei Fiorentini. He was the creator of sets for numerous productions including those for the world premieres of Rossini's La gazzetta, Otello, Armida, Mosè in Egitto, and La donna del lago. Tortoli was born in Florence and died in Naples of cholera at the age of 35.
Massimiliano Quilici was an Italian composer.
Amyntor "Amintore" Flaminio Claudio Galli was an Italian music publisher, journalist, historian, musicologist, and composer.
The Teatro Re was a theatre in Milan, located near the Piazza del Duomo and named for its proprietor, Carlo Re. It functioned as both a prose theatre and an opera house and saw the world premieres of numerous operas, including four by Giovanni Pacini. Designed by Luigi Canonica, the theatre was inaugurated in 1813, closed in 1872, and demolished in 1879.
Luigi Capotorti was an Italian composer of both sacred and secular music. He was the maestro di cappella of several Neapolitan churches; the composer of ten operas, five of which premiered at the Teatro San Carlo in Naples; and a teacher of composition and singing whose students included Stefano Pavesi and Saverio Mercadante. Born in Molfetta, he studied violin and composition at the Conservatorio di Sant'Onofrio in Naples and spent his entire career in that city. In his later years, Capotorti retired to San Severo, where he died at the age of 75.
Ettore Perosio was an Italian composer and conductor.
Pio Botticelli was an Italian bass-baritone active in the opera houses of Italy from 1810 until the mid-1840s. Amongst the numerous roles he created in world premieres were Pietro il Grande in Donizetti's Il falegname di Livonia and The Caliph in Pacini's La schiava in Bagdad. He also sang the role of Leucippo in the Austrian premiere of Rossini's Zelmira.
Savino Monelli was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's La gazza ladra, Enrico in Donizetti's L'ajo nell'imbarazzo and Nadir in Pacini's La schiava in Bagdad. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52.
Teresa Seneke was an Italian composer who is best known for her opera Le Due Amiche.
La Tarentule is a French ballet-pantomime by Casimir Gide, Eugène Scribe, and Jean Coralli which was premiered in the late 1830s during the Romantic period.
L'île des pirates is a French ballet-pantomime created in 1835 and performed during the Romantic period.
Louis Henry was a French dancer and choreographer.
Salvatore Taglioni was an Italian dancer and choreographer who danced and produced ballets in the 19th century.
Victoire Saulnier, known professionally as Mlle Victoire Saulnier was an 18th century French ballet dancer who performed at the Opéra de Paris in France and the King's Theatre in London.
Media related to Luigi Carlini at Wikimedia Commons