The music of the Philippines includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of Indigenous styles, and various Asian styles, as well as Spanish/Latin American and (US) American influences through foreign rule from those countries.
Raymundo Cipriano Pujante Cayabyab, known professionally as Ryan Cayabyab, is a Filipino musician, composer and conductor regarded as one of the pillars and icons of Original Pilipino Music (OPM). He was the Executive and Artistic Director for several years for the defunct San Miguel Foundation for the Performing Arts. He was named National Artist of the Philippines for Music in 2018.
Bayani Casimiro Sr. was a Filipino dancer who was among the leading stars of bodabil (vaudeville) in the 1930s and 1940s. He also appeared in musical films and later in life, in comedic roles. A tap dancer, he was frequently called the "Fred Astaire of the Philippines".
Canuto Francia, better known as Canuplin, was a Filipino stage performer and magician who gained fame for his impersonation of Charlie Chaplin in Filipino movies and the local bodabil circuit.
The Chorus Paulinus or CHOPA is a choir in the Philippines. It is known for its a cappella-style blending of voices that creates a sound reflective of its high choral standards.
Francisco Santiago Santiago was a Filipino musician, sometimes called The Father of Kundiman Art Song.
Sitsiritsit, also known as Sitsiritsit Alibangbang, is a Filipino folk song. This humorous song describes a flirtatious woman threatening a storeowner that the ants are going to get him if he is not going to extend credit, as well as unusual situations of exchanging a child for a doll or bagoong. It is said to have originated during the country's Spanish colonization, as its lyrics suggest the ordinary life during that time. The melody of the song is similar to Fly, Fly the Butterfly, another Filipino folk song but in the English language.
Vaudeville in the Philippines, more commonly referred in the Filipino vernacular as bodabil, was a popular genre of entertainment in the Philippines from the 1910s until the mid-1960s. For decades, it competed with film, radio and television as the dominant form of Filipino mass entertainment. It peaked in popularity during the Japanese occupation in the Philippines from 1941 to 1945. Many of the leading figures of Philippine film in the 20th century, such as Dolphy, Nora Aunor, Leopoldo Salcedo and Rogelio de la Rosa, began their showbusiness careers in bodabil.
Leopoldo Ganal Salcedo Sr. was a Filipino film actor dubbed as "The Great Profile" who specialized in portraying dramatic heroes.
Katy de la Cruz was a leading Filipina singer who specialized in jazz vocals and torch songs in a long career that lasted eight decades. Hailed as "The Queen of Filipino Jazz" and as "The Queen of Bodabil", she was, by the age of 18, the highest paid entertainer in the Philippines. De la Cruz also appeared in films and received a FAMAS Best Supporting Actress Award in 1953.
Luis "Lou" Salvador Sr. was a Filipino basketball player, stage actor, and talent manager. Salvador was born in Tacloban, Leyte, to a Spanish father and a mestiza mother.
Freddie Santos was a Filipino film director, television director, theater director, and concert director.
Comedy in the Philippines has had a significant presence in Philippine culture for as long as Filipinos have had mediums of entertainment, and has transformed to reflect changing Filipino life.
Maria Amapola Cabase, better known by her stage name Amapola, is a Filipina singer, actress, musician, television and radio host. She is widely known in the Philippines as the original artist for the song "Kapantay ay Langit", which was later popularized by Pilita Corrales. Philippine First Lady Imelda Marcos dubbed Cabase as a "Music Ambassador" for the country in 1973 in celebration of Amapola's first concert in New York, November 3, 1973, at New York's Town Hall. In 1984, she released her international debut album produced in collaboration with jazz pianist Bobby Enriquez, who led the Cal Tjader Trio for Amapola's debut jazz album, Sophisticated Lady.
Anna Fegi is a Filipino singer and actress. She has performed internationally in over seventy countries and is known for her work on the popular show ASAP on the ABS-CBN television network and The Filipino Channel (TFC), her performances in the Himig Handog competitions, as well as her two solo albums released under the Sony BMG label. Fegi is recognized by her powerful voice, high vocal range, and trademark curly hair.
Adam Brown is an American drummer and music educator from Cincinnati, Ohio. He started his formal music education in elementary school and continued while a student in Fairfield High School in Ohio. After graduating Summa Cum Laude in high school, he went on to earn a music scholarship at the University of North Texas and graduated with a Bachelor of Music in Music Education. Brown earned his Master of Science in Education Summa Cum Laude from Walden University. He is most known as a musical director for Royal Caribbean International, drummer and musical director for Anna Fegi-Brown, and owner and chief operating officer of Brown Academy of Music located in Cebu City. Philippines.
Manila Carnival was an annual carnival festival held in Manila during the early American colonial period up to the time before the Second World War. It was organized by the American colonial administration to showcase the economic development of the Philippines. The highlight of the event is the crowning of the Carnival Queens.
Marcelo Quiteria Adonay was a Filipino church composer, musician, organist, musical director, and music teacher. He is regarded as a major icon of Philippine golden age of church music for his extensive contribution to religious music in the Philippines throughout his career.
Budots is a grassroots electronic dance music (EDM) genre that originated in Davao City, Philippines, and is considered as street style hiphop. It eventually spread in Bisaya-speaking regions. Based on house music and Sama-Bajau tangonggo rhythms, it is regarded as the first "Filipino-fied" electronic music, characterized by its heavy use of percussion, hypnotic bass, high-pitched "tiw ti-ti-tiw" whistle hooks, and organic noises that surround the city. It is created to complement a form of freestyle street dance that bears the same name.
