Luke Faust (born 1936) is an American folk musician, best known as a member of the Insect Trust.
In the early 1960s, Faust often played at The Gaslight Cafe in Greenwich Village, New York City, performing with a wide array of instruments including banjo, fiddle, harmonica, and jug. [1] There, he became acquainted with fellow folk revival musicians Dave Van Ronk, Jerry Rasmussen, and Bob Dylan. [1] During this time, Faust briefly joined Peter Stampfel and Steve Weber of the Holy Modal Rounders on the jug. [1] [2]
Faust moved to Hoboken, New Jersey in 1963. [3] There, he became a founding member of the Hoboken-based band The Insect Trust circa 1966. [4] He was the band's banjo, fiddle, and harmonica player. Later in the 1990s, he went on to form The Jug Jam, an improvisational jug band with Perry Robinson, Lou Grassi, and Wayne Lopes. Faust also played with 90 proof – a band with Steve James.
Faust is currently performing with The Carolina Jug Stompers playing rags, blues and breakdowns in the old-time jug – stringband style.[ citation needed ] Faust's contributions to music has been described in Bob Dylan's book, Chronicles: Volume One , where Dylan recalled Faust as "someone closer in temperament to me," [5] and Dave Van Ronk's compilation album, The Mayor of MacDougal Street .
With The Insect Trust
With Dave Van Ronk
With The Carolina Jug Stompers
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term 'jug band' is loosely used in referring to ensembles that also incorporate homemade instruments, but that are more accurately called skiffle bands, spasm bands, or juke bands because they do not include a jug player.
Gustavus Cannon was an American blues musician who helped to popularize jug bands in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874.
David Kenneth Ritz Van Ronk was an American folk singer. An important figure in the American folk music revival and New York City's Greenwich Village scene in the 1960s, he was nicknamed the "Mayor of MacDougal Street".
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who formed in 1963 on the Lower East Side of New York City. Although they achieved only limited commercial and critical success in the 1960s and 1970s, they quickly earned a dedicated cult following and have been retrospectively praised for their groundbreaking reworking of early 20th century folk music as well as their pioneering innovation in several genres, including freak folk and psychedelic folk. With a career spanning 40 years, the Holy Modal Rounders proved to be influential both in the New York scene where they began and to generations of underground musicians.
A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical or electronic contraptions. One-man bands also often sing while they perform.
Noah Lewis was an American jug band and country blues musician, generally known for playing the harmonica.
The Gaslight Cafe was a coffeehouse in the Greenwich Village neighborhood of Manhattan, New York. Also called The Village Gaslight, it opened in 1958 and became a venue for folk music and other musical acts. It closed in 1971.
Charles Cleveland Poole was an American old-time musician and leader of the North Carolina Ramblers, a string band that recorded many popular hillbilly songs between 1925 and 1930.
"Stealin" is an American blues song from the 1920s. It originated with jug bands, but gained wider popularity after several 1960s contemporary folk musicians recorded it. Although various artists have recorded different verses, the chorus has remained consistent:
The Insect Trust was an American jazz-based rock band that formed in New York, United States, in 1967.
Daniel Ira Kalb was an American blues guitarist and vocalist. He was an original member of the 1960s group the Blues Project.
Mother McCree's Uptown Jug Champions is an American folk music album. It was recorded live by the band of the same name at the Top of the Tangent coffee house in Palo Alto, California in July, 1964, and released in 1999.
Dave Van Ronk and the Ragtime Jug Stompers is an album featuring Dave Van Ronk playing with a jug band.
To All My Friends in Far-Flung Places is a 1994 album by the American musician Dave Van Ronk. He performed versions of songs written by people he knew. Van Ronk spent 18 months working on the album. Christine Lavin sang on To All My Friends in Far-Flung Places.
The Carolina Chocolate Drops were an old-time string band from Durham, North Carolina. Their 2010 album, Genuine Negro Jig, won the Grammy Award for Best Traditional Folk Album at the 53rd Annual Grammy Awards, and was number 9 in fRoots magazine's top 10 albums of 2010.
The Long Ride is an album by the American folk musician Ramblin' Jack Elliott, released in 1999. It was nominated for a Grammy Award, in the "Best Traditional Folk Album" category.
The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, released in December 1963.
Dave van Ronk presents Peter and the Wolf with Uncle Moose and the Kazoo-O-Phonic Jug Band is a 1990 album by Dave Van Ronk.
Wilmer Watts was an American old time singer, banjo player and bandleader who recorded a series of records for Paramount Records in the 1920s.
Dominique Flemons is an American old-time music, Piedmont blues, and neotraditional country multi-instrumentalist, singer, and songwriter. He is a proficient player of the banjo, fife, guitar, harmonica, percussion, quills, and rhythm bones. He is known as "The American Songster" as his repertoire of music spans nearly a century of American folklore, ballads, and tunes. He has performed with Mike Seeger, Joe Thompson, Martin Simpson, Boo Hanks, Taj Mahal, Old Crow Medicine Show, Guy Davis, and The Reverend Peyton's Big Damn Band.
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