Lumino Kinetic art is a subset and an art historical term in the context of the more established kinetic art, which in turn is a subset of new media art. The historian of art Frank Popper views the evolution of this type of art as evidence of "aesthetic preoccupations linked with technological advancement" and a starting-point in the context of high-technology art. [1] László Moholy-Nagy (1895–1946), a member of the Bauhaus, and influenced by constructivism can be regarded as one of the fathers of Lumino kinetic art. Light sculpture and moving sculpture are the components of his Light-Space Modulator (1922–30), One of the first Light art pieces which also combines kinetic art. [2] [3]
The multiple origins of the term itself involve, as the name suggests, light and movement. There was an early cybernetic artist, Nicolas Schöffer, who developed walls of light, prisms, and video circuits under the term in the 50s. [4] Artist/engineer Frank Malina came up with the Lumidyne system of lighting (CITE), and his work Tableaux mobiles (moving paintings) is an example of Lumino Kinetic art of that period. [4] Later, artist Nino Calos worked with the term Lumino-kinetic paintings.[ citation needed ] Artist György Kepes was also experimenting with lumino-kinetic works. [5] Ellis D Fogg is also associated with the term as a "lumino kinetic sculptor". In the 1960s various exhibits involved Lumino Kinetic art, inter alia Kunst-Licht-Kunst at the Stedelijk Van Abbemuseum in Eindhoven in 1966, and Lumière et mouvement at the Musée d'Art Moderne de la Ville de Paris in 1967. [4]
Lumino Kinetic art was also aligned with Op art in the late 1960s because the moving lights were spectacular and psychedelic. [6]
Frank Popper views it as an art historical term in the context of kinetic art; he states that "there is no lumino kinetic art after the early 70s; it stands as a precursor to other contemporary cybernetic, robotic, new media-based arts, and is limited to a very small number of (male) European avant-garde artists (part of the New Tendencies movement)". [7]
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Psychedelia usually refers to a style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline and psilocybin and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation to evoke, convey, or enhance the psychedelic experience. Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverb, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another.
Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.
Op art, short for optical art, is a style of visual art that uses optical illusions.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated. The moving parts are generally powered by wind, a motor or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s to mid-1970s. The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world.
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Frank Popper was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the Légion d'honneur by the French Government. He is author of the books Origins and Development of Kinetic Art, Art, Action, and Participation, Art of the Electronic Age and From Technological to Virtual Art.
Nicolas Schöffer was a Hungarian-born French cybernetic artist. Schöffer was born in Kalocsa, Hungary and resided in Paris from 1936 until his death in Montmartre in 1992.
Kinechromatic art is a form of art in which the image, particularly in reference to the colour perceived by the viewer, changes due to some form of movement.
Ellis D Fogg was the pseudonym of the Australian artist Roger Foley. Now known as Roger Foley-Fogg, the National Film and Sound Archive has described him as Australia's "most innovative lighting designer and lumino kinetic sculptor." The term Lumino kinetic art was first used in 1966 by Frank Popper, Professor of Aesthetics at the University of Paris.
Dantalian's Chariot were a British psychedelic rock band formed in 1967, led by keyboardist and bandleader Zoot Money, and also featuring Andy Summers. They are best remembered for their single "Madman Running Through the Fields", and for their live performances, which featured early psychedelic light shows. The band would all wear white robes and kaftans in concert, with all of their equipment painted white, to heighten the effect of these light shows. The group disbanded in April 1968, with Money going on to join Eric Burdon & The Animals and Summers joining Soft Machine.
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
Aleksandar Srnec was a Croatian artist. He is mainly known for his avant-garde designs and kinetic and lumino kinetic art.
Wen-Ying Tsai was a Chinese-American pioneer cybernetic sculptor and kinetic artist best known for creating sculptures using electric motors, stainless steel rods, stroboscopic light, and audio feedback control. As one of the first Chinese-born artists to achieve international recognition in the 1960s, Tsai was an inspiration to generations of Chinese artists around the world.
Beverly Grant was an actress and filmmaker who appeared in films by Andy Warhol, Jack Smith, Gregory Markopoulos, Ira Cohen, Ron Rice, and Stephen Dwoskin, on the off-off Broadway stage in works by Ronald Tavel and LeRoi Jones, as well as collaborated with her one-time husband, experimental filmmaker and musician, Tony Conrad. Smith, the avant-garde filmmaker of Flaming Creatures and Normal Love, in which Grant appeared, called her "the queen of the underground – both undergrounds."
Neil Winterbotham was a British fashion entrepreneur and one of the founders of the London fashion boutique, Dandie Fashions.
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