Luzbelito | ||||
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Studio album by | ||||
Released | 1996 | |||
Recorded | 1994–1995 "Be Bop" Studios "New River" Studios El Pie Studios | |||
Genre | ||||
Length | 56:21 | |||
Label | Del Cielito | |||
Producer | Patricio Rey | |||
Patricio Rey y sus Redonditos de Ricota chronology | ||||
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Luzbelito is the eighth album by Argentine rock band Patricio Rey y sus Redonditos de Ricota, released in 1996. [1] [2] In 2007, the Argentine edition of Rolling Stone ranked it 88th on its list of "The 100 Greatest Albums of National Rock". [3]
Luzbelito is a concept album, based on a fictional child of the Devil called "Luzbelito", plays with the ambiguities of human beliefs and behaviors from different points of view.
The recording began in Brazil on "Be Bop" Studios, São Paulo and then in Fort Lauderdale, Florida on "New River" Studios. Back in Buenos Aires, the mixing was completed in El Pie. Two songs on this album were re-recorded: "Blues de la libertad" and "Mariposa Pontiac", which were part of the Patricio Rey first demo, in 1982.
The tour began in Santa Fe, in August 1996 and continued through Tandil and Mar del Plata.
No. | Title | Length |
---|---|---|
1. | "Luzbelito y las sirenas [Luzbelito And The Sirens]" | 4:06 |
2. | "Cruz Diablo! [Cross Devil]" | 4:13 |
3. | "Ella baila con todos [She Dances With Everybody]" | 4:59 |
4. | "Fanfarria del Cabrío [Fanfare Of The Goat]" | 5:08 |
5. | "Nuotatori Professionisti" | 4:41 |
6. | "Blues de la libertad [Freedom Blues]" | 5:00 |
7. | "La dicha no es cosa alegre [Happiness Is Not A Joyful Thing]" | 5:37 |
8. | "Me matan limón! [They Kill Me, Limon!]" | 3:35 |
9. | "Rock yugular [Jugular Rock]" | 7:04 |
10. | "Mariposa Pontiac - Rock del país [Pontiac Butterfly - Country Rock]" | 4:49 |
11. | "Juguetes perdidos [Lost Toys]" | 7:09 |
The music of Argentina includes a variety of traditional, classical and popular genres. One of the country's most significant cultural contributions is the tango, which originated in Buenos Aires and its surroundings during the end of the 19th century and underwent profound changes throughout the 20th century. Folk music was particularly popular during the 20th century, experiencing a "boom" in popularity during the 1950s and 1960s thanks to artists such as Atahualpa Yupanqui and Mercedes Sosa, prominent figures of the Nuevo cancionero movement. In the mid-to-late 1960s, the countercultural scene of Buenos Aires originated Argentine rock, considered the earliest incarnation of Spanish-language rock for having an autochthonous identity that differed from that of England or the United States. It was widely embraced by the youth and since then has become part of the country's musical identity as much as traditional music. According to the Harvard Dictionary of Music, Argentina also "has one of the richest art music traditions and perhaps the most active contemporary musical life.
Argentine rock is rock music composed or performed by Argentine bands or artists mostly in Spanish.
Patricio Rey y sus Redonditos de Ricota, also known as Los Redondos, was a rock band formed in La Plata, Argentina. The group was active from the mid 70s up to the early 2000s. They are known for shaping argentinian rock and their enormous fan base.
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