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Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
Born in Geelong, Australia, Cooke received her B.A. from Melbourne University and an M.A. and Ph.D. in art history from the Courtauld Institute, University of London.
The 1974 exhibition A Room of One’s Own: Three Women Artists, co-curated by Cooke, Kiffy Rubbo, and Janine Burke, helped initiate the Women's Art Movement in Melbourne. The following year, Rubbo commissioned Burke to curate the national touring exhibition Australian Women Artists 1840–1940. [1] [2]
From 1979 to 1989, Cooke was a Lecturer in the History of Art Department at University College London, and prior to her move to the United States and appointment as curator at the Dia Art Foundation (1991 to 2008), Cooke established herself during the mid-80s as a writer on contemporary artists of the period, including British sculptors Anish Kapoor and Bill Woodrow, and American artist Allan McCollum. [3] During her years at Dia, she has worked to bring greater recognition to women artists who contributed to the minimalist period, organising exhibitions and publishing writings on Jo Baer, [4] Louise Bourgeois, Bridget Riley, and Agnes Martin, among others, In addition to developing historical projects with artists of the established Dia collection, nearly all of whom are male and became prominent during the 1960s, she organised significant exhibitions aimed at introducing European artists of the 1980s to the American public, such as Rosemarie Trockel, Katharina Fritsch, Juan Muñoz, and Thomas Schütte.
She was a co-curator of the Venice Biennale in 1986.
Cooke was a co-curator of the Carnegie International in 1991, and was artistic director of the Biennale of Sydney in 1996.
From the mid-1990s forward, Cooke has organised a number of exhibitions of younger American women artists, including Jessica Stockholder, Ann Hamilton, and Roni Horn, and worked on several projects with male artists all born outside of the United States. In addition to her work at the Dia Center for the Arts, she has curated exhibitions at many galleries, including the Arnolfini Gallery, Bristol; Whitechapel Art Gallery and Hayward Gallery, London; Third Eye Center, Glasgow; Institute of Contemporary Art, Boston; and the Tamayo Museum, Mexico.
In 2007, she co-curated Richard Serra's exhibition "Richard Serra Sculpture: Forty Years," at the Museum of Modern Art in New York.
Cooke was the deputy director and chief curator at the Museo Reina Sofia, Madrid, Spain, (2008 to 2012).
She was appointed Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC, effective from 11 August 2014. [5]
Cooke has taught and lectured regularly at the University College London, Syracuse University, Yale University, Columbia University, and the Center for Curatorial Studies at Bard College. She has written widely about contemporary art in exhibition catalogues and in Artforum , Artscribe , The Burlington Magazine , and Parkett .
Cooke was a member of the juries that selected Doris Salcedo (2016), [6] Isa Genzken (2019), [7] Michael Rakowitz (2020) [8] and Otobong Nkanga (2024) [9] for the Nasher Prize.
In 2006, Cooke was the recipient of the Award for Curatorial Excellence from the Center for Curatorial Studies at Bard College. [10]
Opened in 2003, the Nasher Sculpture Center is a museum in Dallas, Texas, that houses the Patsy and Raymond Nasher collection of modern and contemporary sculpture. It is located on a 2.4-acre (9,700 m2) site adjacent to the Dallas Museum of Art in the Dallas Arts District.
Hans Ulrich Obrist is a Swiss art curator, critic, and historian of art. He is artistic director at the Serpentine Galleries, London. Obrist is the author of The Interview Project, an extensive ongoing project of interviews. He is also co-editor of the Cahiers d'Art review. He lives and works in London.
Okwui Enwezor was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
Janine Burke is an Australian author, art historian, biographer, novelist and photographer. She also curates exhibitions of historical and contemporary art. She is Honorary Senior Fellow, Faculty of Fine Arts and Music, University of Melbourne. She was born in Melbourne in 1952.
Iwona Maria Blazwick OBE is a British art critic and lecturer. She is currently the Chair of the Royal Commission for Al-'Ula’s Public Art Expert Panel. She was the Director of the Whitechapel Art Gallery in London from 2001 to 2022. She discovered Damien Hirst and staged his first solo show at a public London art gallery, Institute of Contemporary Arts in 1992. She supports the careers of young artists.
Hou Hanru is an international art curator and critic based in San Francisco, Paris and Rome. He is artistic director of the MAXXI in Rome, Italy.
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who has been serving as the Director of Castello di Rivoli Museo d'Arte Contemporanea and Fondazione Francesco Federico Cerruti in Turin since 2016. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence.
Dame Phyllida Barlow was a British visual artist. She studied at Chelsea College of Art (1960–1963) and the Slade School of Art (1963–1966). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired from academia in 2009 and in turn became an emerita professor of fine art. She had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Ángela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.
Briony Fer, FBA is a British art historian, critic, and curator; professor of history of art at University College London. She has written extensively on diverse topics of 20th century and contemporary art. She has written essays on numerous contemporary artists, such as Gabriel Orozco, Vija Celmins, Jean-Luc Moulène, Roni Horn, Ed Ruscha, and Rachel Whiteread. A focus of her research is on the art of American sculptor Eva Hesse, as when she wrote for the catalogue for the artist's 2002 retrospective curated by Elisabeth Sussman at San Francisco's Museum of Modern Art in 2002.
Omar Kholeif is an Egyptian-born artist, curator, writer and editor. Kholeif's curatorial practice focuses on art that intersects with the internet, as well as works of art from emerging geographic territories that have yet to be seen in the mainstream.
Christine Y. Kim is an American curator of contemporary art. She is currently the Britton Family Curator-at-Large at Tate. Prior to this post, Kim held the position of Curator of Contemporary Art at the Los Angeles County Museum of Art. Before her appointment at LACMA in 2009, she was Associate Curator at The Studio Museum in Harlem in New York. She is best known for her exhibitions of and publications on artists of color, diasporic and marginalized discourses, and 21st-century technology and artistic practices.
Otobong Nkanga (born 1974) is a Nigerian-born visual artist, tapestry maker and performance artist, based in Antwerp, Belgium. In 2015, she won the Yanghyun Prize.
Nairy Baghramian is an Armenian-Iranian born German visual artist. Since 1984, she has lived and worked in Berlin.
Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including Thảo Nguyên Phan (2022), Petrit Halilaj (2021), Haegue Yang (2020), Otobong Nkanga (2019), Huguette Caland (2019), Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019).
Elvira Dyangani Ose is a Spanish art curator who has been serving as the director of MACBA Contemporary Art Museum in Barcelona.
Zeitz Museum of Contemporary Art Africa is a public non-profit museum in Cape Town, South Africa. Zeitz MOCAA opened on September 22, 2017 as the largest museum of contemporary art from Africa and its diaspora. The museum is located in the Silo District at the Victoria & Alfred Waterfront in Cape Town. A retail and hospitality property, the Waterfront receives around 24 million local and international visitors per year.
Kristin "Kiffy" Dattilo Rubbo (1944–1980) was an Australian gallery director and curator.
Yuko Hasegawa is the director of the 21st Century Museum of Contemporary Art, Kanazawa and professor of curatorial and art theory at Tokyo University of the Arts.
Lauren Haynes is an American curator who is senior curator of contemporary art at the Nasher Museum of Art at Duke University. Previously, she was director of artist initiatives and curator of contemporary art at the Crystal Bridges Museum of American Art and the Momentary in Arkansas.
Michelle Kuo is an American curator, writer, and art historian. Since 2018, Kuo has been a curator of painting and sculpture at the Museum of Modern Art. She was previously editor-in-chief of Artforum magazine starting in 2010.
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