Lynnette Haozous | |
---|---|
Born | 1985 |
Nationality | San Carlos Apache Tribe, [1] American |
Alma mater | New Mexico Highlands University, Central New Mexico Community College |
Known for | Murals, Painting, Mixed Media |
Style | Artivism, Art of the American Southwest |
Website | https://www.lynnettehaozous.com/ |
Lynnette Haozous (born 1985) a Native American painter, printmaker, jeweler, writer, and actor. She is an enrolled member of the San Carlos Apache Tribe [1] and of Chiricahua Apache, Navajo, and Taos Pueblo ancestry. Haozous works in acrylics, watercolors, spray paint, jewelry, screen-printing, writing, and acting on stage and in film. [2] She is known for her murals and uses a blend of art and advocacy to bring attention to social conditions and injustices.
Lynnette Haozous is of Chiricahua Apache, Navajo, and Taos Pueblo ancestry. She spent her childhood and adolescence in Arizona and New Mexico. [3] Haozous has said that moving a lot and spending time with family in each of these locations helped her to develop a "profound connection to all sides of my ancestors, and each has had an influence on my work." [4] Haozous is from an artistic family and was influenced by her great uncle, Allan Houser, a renowned sculptor. [5]
Haozous graduated from New Mexico Highlands University in 2016 with a bachelor's degree in social work. [3] She also studied studio arts at Central New Mexico Community College. [6]
Lynnette Haozous is an artivist, using art for positive social change to empower and strengthen communities. [3] She works in many mediums including painting, jewelry, screen-printing, writing, and acting, but is most well known for her murals, which use a combination of spray paint and stencils. [4] Haozous has said, "What I like about doing murals is that they speak directly to the community; they're readily available. You can speak directly to the people about these social issues that are impacting them in their own neighborhoods and communities." [7]
In 2020 Haozous's mixed media installation, Braiding Reconciliation, was featured in the Reconciliation exhibit at the IAIA Museum of Contemporary Native Arts (MoCNA). [8] The exhibit was developed by Native American and Indo-Hispano artists and centered truth, racial healing, and transformation—grounded in the promise of reconciliation. The exhibit responded to a decades long journey to end La Entrada, a local annual pageant depicting the 1692 reconquest of New Mexico by the Spanish empire. [9] [10] Lynnette Haozous's installation used cords to represent past traumas and the future promise of reconciliation. [8] Knots in the cords recalled those used by Pueblo runners to communicate and mark time during the successful Pueblo Revolt of 1680. At the base of Haozous's installation, rocks from communities throughout the region anchored the cords. Lynnette Haozous's first art installation outside of New Mexico was commissioned by the Portland Art Museum as part of the Mesh exhibit. The 2021 Mesh exhibit featured the work of four Native American artists whose multidisciplinary work touched on social issues including the ongoing fight against racial injustice and conflicts over Indigenous land rights. The exhibit spotlighted Native American culture and reminded viewers that art is an essential form of activism. [11] [12] Haozous's mural, titled Into the Sun, "re-matriates" or reasserts the presence and power of Native women in a colonial space. [13]
In 2023 Haozous's mural Seeds of Change was selected from a call to artists to represent The Harwood Museum's 100th birthday in Taos, New Mexico. [14] The mural measures eight feet tall and 10 feet wide and depicts a baby and three young Taos Pueblo women. Haozous said of the artwork, "I like to paint portraits of Native people in their element today, living both in the modern world, while carrying on our traditions of a thousand years." [14]
Name of Mural | Exhibit | Museum | Location | Year | Other Information |
---|---|---|---|---|---|
Seeds of the Future [14] | The Harwood 100 | Hardwood Museum of Art | Taos, New Mexico | 2023-2024 | Selected to represent the 100th anniversary of The Harwood. |
100% Taos County Initiative Mural [15] | N/A | N/A | 105 Camino de la Placita, Taos, New Mexico | 2022 - | |
Into the Sun [16] | MESH | Portland Art Museum | Portland, Oregon | 2021 - 2022 | |
Abolishing the Entrada [17] | Reconciliation | IAIA Museum of Contemporary Native Arts (MoCNA) | Santa Fe, New Mexico | 2019 - 2021 | |
Original Inhabitants [7] | N/A | N/A | OT Circus, Albuquerque, New Mexico | 2018 - | Collaboration with Joeseph Arnoux |
Braiding Reconciliation Mural [18] | N/A | The Hardwood Museum of Art of the University of New Mexico | Santa Fe, New Mexico | 2018 | |
Artist Rooms at Nativo Lodge [19] | N/A | N/A | Albuquerque, New Mexico | 2017 - |
Name of work | Exhibit | Museum | Location | Year |
---|---|---|---|---|
Braiding Reconciliation [8] [20] | Reconciliation | IAIA Museum of Contemporary Native Arts (MoCNA) | Santa Fe, New Mexico | 2019 - 2020 |
Braiding Reconciliation [18] | N/A | The Hardwood Museum of Art at the University of New Mexico | Santa Fe, New Mexico | 2019 |
On November 3, 2023, in honor of Native American Heritage Month, the Google Doodle of the day featured Allan Houser, which was illustrated by Lynnette Hoazous. The doodle included Apache stars; a yucca plant to represent the desert and homeland of Apache people; an Apache wikiup; the Sun, which is central to Apache culture; and the Three Sisters Mountain, which is one of four mountains sacred to Chiricahua/ Apache People. [21]
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
Allan Capron Houser or Haozous was a Chiricahua Apache sculptor, painter, and book illustrator born in Oklahoma. He was one of the most renowned Native American painters and Modernist sculptors of the 20th century.
William Victor Higgins was an American painter and teacher, born in Shelbyville, Indiana. At the age of fifteen, he moved to Chicago, where he studied at the Art Institute in Chicago and at the Chicago Academy of Fine Arts. In Paris he was a pupil of Robert Henri, René Menard and Lucien Simon, and when he was in Munich he studied with Hans von Hayek. He was an associate of the National Academy of Design. Higgins moved to Taos, New Mexico in 1913 and joined the Taos Society of Artists in 1917. In 1923 he was on the founding board of the Harwood Foundation with Elizabeth (Lucy) Harwood and Bert Phillips.
The New Mexico Museum of Art is an art museum in Santa Fe governed by the state of New Mexico. It is one of four state-run museums in Santa Fe that are part of the Museum of New Mexico. It is located at 107 West Palace Avenue, one block off the historic Santa Fe Plaza. It was given its current name in 2007, having previously been referred to as The Museum of Fine Arts.
Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.
Pop Chalee, also known as Merina Lujan, was an American painter, muralist, performer, and singer. In 2021, she was inducted into the National Cowgirl Museum and Hall of Fame.
Gerald Nailor Sr. was a Navajo Studio painter from Picurís, New Mexico. Beginning in 1942, he was commissioned to paint the history of the Navajo people for a large mural at the Navajo Nation Council Chamber, which has been designated a National Historic Landmark.
Bob Haozous is a Chiricahua Apache sculptor from Santa Fe, New Mexico. He is enrolled in the Fort Sill Apache Tribe.
America Meredith is a painter, curator, educator, and editor of First American Art Magazine. America Meredith is an artist and comes from a Swedish-Cherokee background who blends pop imagery from her childhood with European and Native American styles.
Pop Wea, also known as Lori Tanner, Lorie Tanner, Lo Ree Tanner, Lo Rie Tanner, Loree Tanner and Lo Rei Tanner, was a Native American artist associated with the Taos Pueblo. She was a painter and potter. Pop Wea is listed in the Biographical Directory of Native American Painters, and in American Indian Painters: a Biographical Directory.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Jody Folwell-Turipa is a Puebloan potter and artist.
Native American fashion is the design and creation of high-fashion clothing and fashion accessories by Native Americans in the United States. This is a part of a larger movement of Indigenous fashion of the Americas.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Nanibah "Nani" Chacon is a Diné and Chicana painter, muralist, and art educator. Her work has been installed at the IAIA Museum of Contemporary Native Arts in Santa Fe, the Navajo Nation Museum in Window Rock, the ISEA International Arts and Technology Symposium, Old Town Lansing, and in the "Que Chola" Exhibition at the National Hispanic Cultural Center in Albuquerque, among other venues.
Jason Garcia is a contemporary Native American artist in the United States, who was born in Santa Clara, New Mexico. His work has been exhibited the Smithsonian in Washington D.C, the Heard Museum in Phoenix, the Palm Springs Art Museum, and many more. He won the 2018 Mentor Fellowship Award under the Native Arts and Cultures Foundation amongst many others.
Nancy Marie Mithlo is a Chiricahua Apache curator, writer, and professor. Mithlo has worked as the chair of American Indian Studies at the Autry National Center Institute and as a professor of gender studies and American Indian Studies at the University of California, Los Angeles. She is the author and editor of several books about Native Americans and Indigenous art. Her exhibitions have been shown concurrently with the Venice Biennale.
Percy Tsisete Sandy, was a Zuni artist. His native name was Kai-Sa ; he is also known as Percy Sandy Tsisete. His paintings were signed with the name Kai-Sa.
{{cite web}}
: |last=
has generic name (help)