Lynnette Haozous

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Lynnette Haozous
Lynnette Haozous painting "Into the Sun" 5.jpg
Lynnette Haozous
Born1985
Nationality San Carlos Apache Tribe, [1] American
Alma mater New Mexico Highlands University, Central New Mexico Community College
Known for Murals, Painting, Mixed Media
Style Artivism, Art of the American Southwest
Website https://www.lynnettehaozous.com/

Lynnette Haozous (born 1985) a Native American painter, printmaker, jeweler, writer, and actor. She is an enrolled member of the San Carlos Apache Tribe [1] and of Chiricahua Apache, Navajo, and Taos Pueblo ancestry. Haozous works in acrylics, watercolors, spray paint, jewelry, screen-printing, writing, and acting on stage and in film. [2] She is known for her murals and uses a blend of art and advocacy to bring attention to social conditions and injustices.

Contents

Biography

Lynnette Haozous is of Chiricahua Apache, Navajo, and Taos Pueblo ancestry. She spent her childhood and adolescence in Arizona and New Mexico. [3] Haozous has said that moving a lot and spending time with family in each of these locations helped her to develop a "profound connection to all sides of my ancestors, and each has had an influence on my work." [4] Haozous is from an artistic family and was influenced by her great uncle, Allan Houser, a renowned sculptor. [5]

Haozous graduated from New Mexico Highlands University in 2016 with a bachelor's degree in social work. [3] She also studied studio arts at Central New Mexico Community College. [6]

Career

Lynnette Haozous painting Into the Sun (2021) Lynnette Haozous painting "Into the Sun" 1.jpg
Lynnette Haozous painting Into the Sun (2021)

Lynnette Haozous is an artivist, using art for positive social change to empower and strengthen communities. [3] She works in many mediums including painting, jewelry, screen-printing, writing, and acting, but is most well known for her murals, which use a combination of spray paint and stencils. [4] Haozous has said, "What I like about doing murals is that they speak directly to the community; they're readily available. You can speak directly to the people about these social issues that are impacting them in their own neighborhoods and communities." [7]

In 2020 Haozous's mixed media installation, Braiding Reconciliation, was featured in the Reconciliation exhibit at the IAIA Museum of Contemporary Native Arts (MoCNA). [8] The exhibit was developed by Native American and Indo-Hispano artists and centered truth, racial healing, and transformation—grounded in the promise of reconciliation. The exhibit responded to a decades long journey to end La Entrada, a local annual pageant depicting the 1692 reconquest of New Mexico by the Spanish empire. [9] [10] Lynnette Haozous's installation used cords to represent past traumas and the future promise of reconciliation. [8] Knots in the cords recalled those used by Pueblo runners to communicate and mark time during the successful Pueblo Revolt of 1680. At the base of Haozous's installation, rocks from communities throughout the region anchored the cords. Lynnette Haozous's first art installation outside of New Mexico was commissioned by the Portland Art Museum as part of the Mesh exhibit. The 2021 Mesh exhibit featured the work of four Native American artists whose multidisciplinary work touched on social issues including the ongoing fight against racial injustice and conflicts over Indigenous land rights. The exhibit spotlighted Native American culture and reminded viewers that art is an essential form of activism. [11] [12] Haozous's mural, titled Into the Sun, "re-matriates" or reasserts the presence and power of Native women in a colonial space. [13]

In 2023 Haozous's mural Seeds of Change was selected from a call to artists to represent The Harwood Museum's 100th birthday in Taos, New Mexico. [14] The mural measures eight feet tall and 10 feet wide and depicts a baby and three young Taos Pueblo women. Haozous said of the artwork, "I like to paint portraits of Native people in their element today, living both in the modern world, while carrying on our traditions of a thousand years." [14]

Works

Murals

Name of MuralExhibitMuseumLocationYearOther Information
Seeds of the Future [14] The Harwood 100Hardwood Museum of ArtTaos, New Mexico2023-2024Selected to represent the 100th anniversary of The Harwood.
100% Taos County Initiative Mural [15] N/AN/A105 Camino de la Placita, Taos, New Mexico2022 -
Into the Sun [16] MESHPortland Art MuseumPortland, Oregon2021 - 2022
Abolishing the Entrada [17] ReconciliationIAIA Museum of Contemporary Native Arts (MoCNA)Santa Fe, New Mexico2019 - 2021
Original Inhabitants [7] N/AN/AOT Circus, Albuquerque, New Mexico2018 -Collaboration with Joeseph Arnoux
Braiding Reconciliation Mural [18] N/AThe Hardwood Museum of Art of the University of New MexicoSanta Fe, New Mexico2018
Artist Rooms at Nativo Lodge [19] N/AN/AAlbuquerque, New Mexico2017 -

Mixed Media

Name of workExhibitMuseumLocationYear
Braiding Reconciliation [8] [20] ReconciliationIAIA Museum of Contemporary Native Arts (MoCNA)Santa Fe, New Mexico2019 - 2020
Braiding Reconciliation [18] N/AThe Hardwood Museum of Art at the University of New MexicoSanta Fe, New Mexico2019

Google Doodle

On November 3, 2023, in honor of Native American Heritage Month, the Google Doodle of the day featured Allan Houser, which was illustrated by Lynnette Hoazous. The doodle included Apache stars; a yucca plant to represent the desert and homeland of Apache people; an Apache wikiup; the Sun,  which is central to Apache culture; and the Three Sisters Mountain, which is one of four mountains sacred to Chiricahua/ Apache People. [21]

Artist Residence

Fellowship

Awards

Related Research Articles

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References

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