Léon Gastinel (15 August 1823 – 18 October 1906) was a French composer.
Léon Gastinel (15 August 1823 – 18 October 1906) was a French composer.
He attended the Paris Conservatoire where he studied with Fromental Halévy and was awarded the Grand Prix de Rome in 1846 for his cantata Valasquez. While relatively unknown today, Gastinel wrote two complete masses, two symphonies and four oratorios, and chamber music including at least two string sextets. [1] He was most prolific, however, in his works for the stage, which include the ballet Le Rêve (1890, chor. Joseph Hansen, Paris Opera) and the operas Le Miroir (1853), L'Opéra aux fenêtres (1857) and Titus et Bérénice (1860).
Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874.
Jacques Offenbach was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remains part of the standard opera repertory.
Georges Bizet was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
Clément Philibert Léo Delibes was a French Romantic composer, best known for his ballets and operas. His works include the ballets Coppélia (1870) and Sylvia (1876) and the opera Lakmé (1883), which includes the well-known "Flower Duet".
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy, was a French composer. He is known today largely for his opera La Juive.
The Salle Le Peletier or Lepeletier was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873).
Louis-Aimé Maillart was a French composer, best known for his operas, particularly Les Dragons de Villars and Lara.
Émile Paladilhe was a French composer of the late romantic period.
Le mariage aux lanternes is an opérette in one act by Jacques Offenbach. The French libretto was written by Michel Carré and Léon Battu.
Jean-Baptiste Faure was a French operatic baritone and art collector who also composed several classical songs.
La Colombe is an opéra comique in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based on the poem Le Faucon by Jean de La Fontaine, itself after a tale (V,9) in The Decameron of Giovanni Boccaccio.
Ludwig Minkus, also known as Léon Fyodorovich Minkus, was an Austrian composer of ballet music, a violinist and teacher of music.
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts, which uses elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished in the Second French Empire during the reign of Emperor Napoleon III (1852–1870) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Bibliothèque nationale de France, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards.
The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century. The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique, and the Salle de l'Athénée, until it ceased operations in 1872.
François Benoist was a French organist, composer, and pedagogue.
Joseph Hansen was a Belgian dancer and choreographer. He was maître de ballet of the Paris Opera Ballet from 1887 to 1907.
Le maçon is an opéra comique in three acts by Daniel Auber to a libretto by Eugène Scribe and Germain Delavigne. It premiered at the Opéra-Comique Salle Feydeau in Paris on 3 May 1825. It was to become Auber's first enduring success.
Édouard Fournier was a 19th-century French homme de lettres, playwright, historian, bibliographer and librarian.
Pierre Louis Deffès was a 19th-century French composer. He excelled as a composer of both operas and large-scale sacred music.
Charles Poisot was a French musician from the second half of the 19th century. A pianist, composer and musicographer, he was also director of the Dijon Conservatory, where he spent his life.
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