Mabel Hewit | |
|---|---|
 Mabel A. Hewitt, Ohio State University Yearbook, 1926 | |
| Born | 1903 |
| Died | 1984 |
| Nationality | American |
| Education | |
| Known for | White-line woodblock prints |
Mabel Hewit (1903–1984) was an American woodblock print artist, particularly the white-line style of the Provincetown Printers.
Mabel Amelia Hewit was born in 1903 in Conneaut, Ohio, [1] [2] and was raised in Youngstown, where she graduated in 1921 from South High School. She attended Ohio State University, and graduated with a bachelor's degree in 1926. [2] While there, she was a member of the Pen and Brush Club, Panhellenic Council, Zeta Tau Alpha, and Kappa Phi. She also was on the staff of ‘’Phoenix’’. [3]
She then taught in Detroit and Youngstown's public schools. In 1932, she received her master's degree from the Teachers College, Columbia University. [2] While at Columbia, she took art classes from Blanche Lazzell, who created woodblock prints using the white-line technique, at her studio at Provincetown, Massachusetts. She also took art lessons at the Summer School of Painting at Saugatuck, Michigan over sixteen summers. [2]
| External images | |
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 Janitzio, 1954 | |
| Several works by Hewit | |
| Slideshow, Cleveland Art Museum |
During the Great Depression, in 1934, she moved to Cleveland with her sister, Ednah Jurey, a weaver and certified public accountant, and lived there and then Parma for the rest of her life. [2] She had a studio in Cleveland. [4]
Hewit made prints of city and small-town life from that time. Using the white-line woodblock technique, she created prints of women sunbathing at the beach, The Ball Game (1934), factories, and neighbors with gable-roofed house that reflect her interest in modernism in the slightly abstract forms. Her works reflect influence of 19th-century Japanese ukiyo-e woodblock prints, her study with Lazzell, and French works, like that of Paul Gauguin and Maurice Denis. She said that she liked "block printing because it gives the family of moderate means an opportunity to have something of color and art in their homes." [2]
In 1946, she captured an outdoor scene of a couple playing chess in Summer Chess. She made Janitzio of an island of a Mexican lake in 1954 that "says 'early paradise' with extreme economy. [2] She also made prints on fabric. She made watercolor paintings, lithograph prints, enamels on metal, and ceramics. [1] Her enamel works, which were in the collection of the Cleveland Museum of Art, were exhibited in 1949. [4]
She died in 1984. An exhibit of her work was held in 2010 at the Cleveland Museum of Art, [2] with an accompanying book for the show, Midwest Modern: The Color Woodcuts of Mabel Hewit. [5]
Shikō Munakata was a woodblock printmaker active in Shōwa period Japan. He is associated with the sōsaku-hanga movement and the mingei movement. Munakata was awarded the "Prize of Excellence" at the Second International Print Exhibition in Lugano, Switzerland in 1952, and first prize at the São Paulo Bienal Exhibition in Brazil in 1955, followed by Grand Prix at the Venice Biennale in 1956, and the Order of Culture, the highest honor in the arts by the Japanese government in 1970.
Mabel Royds (1874–1941) was an English artist best known for her woodcuts.
Gustave Baumann was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America. His works have been shown at the New York Metropolitan Museum of Art, The Cleveland Museum of Art, the National Gallery of Art in Washington DC, and the New Mexico Museum of Art. He is also recognized for his role in the 1930s as area coordinator of the Public Works of Art Project of the Works Progress Administration.
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Dorothy Loeb (1877–1971) was an American artist known for her easel art, prints, and murals. She traveled widely in the United States, Mexico, and overseas, residing and working for the most part in Chicago, Manhattan, Eastern Massachusetts, and the State of Querétaro in Mexico. She was also a children's art teacher and proponent of progressive education. Having received training at the Art Institute of Chicago and the Art Students League of New York and having studied with artists in Munich and Paris, she adopted a variety of styles, ranging from representative to highly abstract, and worked in a variety of media including oil on canvas, oil on heavy coated paper, watercolor and ink on paper, and monotype printing. She exhibited in prominent museums including the Art Institute of Chicago, Provincetown Art Association and Museum, Worcester Art Museum, Wadsworth Atheneum, and Institute of Contemporary Art, Boston. She also showed a mural at the 1933 Chicago World's Fair. Most critics responded favorably to her work but not all. At one extreme, a reviewer called her work "the very best in the new art movement" while at the other, a critic said it was "dull, stiff, and lifeless".
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