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American Dream is a 1990 British-American cinéma vérité documentary film directed by Barbara Kopple and co-directed by Cathy Caplan, Thomas Haneke, and Lawrence Silk.
Iraq in Fragments is a documentary film directed by James Longley. Longley shot the film in Digital Video on a Panasonic DVX100 miniDV camcorder. The film premiered at the 2006 Sundance Film Festival where it won three awards: "Directing Award Documentary", "Editing Award Documentary" and "Excellence in Cinematography Award Documentary". The film is also a part of the Iraq Media Action Project film collection. It was nominated for an Academy Award for Best Documentary Feature. The film was shot in Iraq and edited at 911 Media Arts Center in Seattle. This film has three parts to it which describe the viewpoints of Sunni, Shi'ite, and Kurdish residents.
Burma VJ: Reporting from a Closed Country is a 2008 Danish documentary film directed by Anders Østergaard. It follows the Saffron Revolution against the military regime in Burma. The "VJ" in the title stands for "video journalists." Some of it was filmed on hand-held cameras. The footage was smuggled out of the country, physically or over the Internet. Other parts of it were reconstructed, which caused controversy.
Last Train Home is a 2009 Canadian documentary film directed by Lixin Fan and produced by Daniel Cross and Mila Aung-Thwin of EyeSteelFilm. It won the Best Documentary Feature at 2009 IDFA and has been distributed by Zeitgeist Films in the US.
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Cartel Land is a 2015 American documentary film directed by Matthew Heineman about the Mexican Drug War, especially vigilante groups fighting Mexican drug cartels. The film focuses on Tim "Nailer" Foley, the leader of Arizona Border Recon, and Dr. José Mireles, a Michoacán-based physician who leads the Autodefensas. The film was nominated for the Academy Award for Best Documentary Feature in 2016.
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Genesis 2.0 is a documentary film made by Swiss director and producer Christian Frei and Russian filmmaker Maxim Abugaev. The feature-length film was released in January 2018 in the World Cinema Documentary section at the Sundance Film Festival. At the center of the film is the woolly mammoth, an extinct and iconic species that today is surrounded by wishes and visions. On the one hand, the film documents the hazardous daily lives of a group of men who gather valuable mammoth tusks in a remote archipelago, the New Siberian Islands. On the other, it illuminates the potential of genetic research and synthetic biology — the means by which researchers hope to bring the woolly mammoth back to life.
Apollo 11 is a 2019 American documentary film edited, produced and directed by Todd Douglas Miller. It focuses on the 1969 Apollo 11 mission, the first spaceflight from which men walked on the Moon. The film consists solely of archival footage, including 70 mm film previously unreleased to the public, and does not feature narration, interviews or modern recreations. The Saturn V rocket, Apollo crew consisting of Buzz Aldrin, Neil Armstrong, and Michael Collins, and Apollo program Earth-based mission operations engineers are prominently featured in the film.
American Factory is a 2019 American documentary film directed by Steven Bognar and Julia Reichert, about Chinese company Fuyao's factory in Moraine, a city near Dayton, Ohio, that occupies Moraine Assembly, a shuttered General Motors plant. The film had its festival premiere at the 2019 Sundance Film Festival. It is distributed by Netflix and is the first film acquired by Barack and Michelle Obama's production company, Higher Ground Productions. It won an Academy Award for Best Documentary Feature.
References
- ↑ ""An Act of Resistance against the Flux of Capital": Editor Yael Bitton on Machines". filmmakermagazine.com. 23 January 2017. Retrieved 29 September 2019.
- 1 2 "Machines. 2016. Directed by Rahul Jain". MoMA. Retrieved 7 April 2018.
- ↑ ""Release info" for Machines". IMDB. Retrieved 7 April 2018.
- ↑ "Machines". Rotten Tomatoes. Retrieved 7 April 2018.
- ↑ "Sundance 2017: Award Winners". IMDb. Retrieved 29 July 2022.
