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Slut is an English-language term for a person, usually a woman or girl, who is considered to have loose sexual morals or who is sexually promiscuous. It is usually used as an insult, sexual slur or offensive term of disparagement. It originally meant "a dirty, slovenly woman", and is rarely used to refer to men, generally requiring clarification by use of the terms male slut or man whore.
The term "drag" refers to the performance of exaggerated masculinity, femininity, or other forms of gender expression, usually for entertainment purposes. Drag usually involves cross-dressing. A drag queen is someone who performs femininity and a drag king is someone who performs masculinity. Performances often involve comedy, social satire, and at times political commentary. The term may be used as a noun as in the expression in drag or as an adjective as in drag show.
A gender bender is a person who dresses up and presents themselves in a way that defies societal expectations of their gender, especially as the opposite sex. Bending expected gender roles may also be called a genderfuck.
Women's cinema primarily describes cinematic works directed by women filmmakers. The works themselves do not have to be stories specifically about women and the target audience can be varied.
Machismo is the sense of being "manly" and self-reliant, a concept associated with "a strong sense of masculine pride: an exaggerated masculinity". Machismo is a term originating in the early 1930s and 1940s best defined as having pride in one's masculinity. While the term is associated with "a man's responsibility to provide for, protect, and defend his family", Machismo is strongly and consistently associated with dominance, aggression, exhibition, and nurturance. The correlation to machismo is found to be deeply rooted in family dynamics and culture.
Tanaz Eshaghian is an Iranian-born American documentary filmmaker. She resides in New York City.
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Helie Lee is a Korean American writer and university lecturer who has also made a documentary film.
Lesbian, gay, bisexual, and transgender(LGBT+)music is music that focuses on the experiences of gender and sexual minorities as a product of the broad gay liberation movement.
Feminist pornography is a genre of film developed by or for those within the sex-positive feminist movement. It was created for the purpose of promoting gender equality by portraying more bodily movements and sexual fantasies of women and members of the LGBT community.
Gender plays a role in mass media and is represented within media platforms. These platforms are not limited to film, radio, television, advertisement, social media, and video games. Initiatives and resources exist to promote gender equality and reinforce women's empowerment in the media industry and representations. For example, UNESCO, in cooperation with the International Federation of Journalists, elaborated the Gender-sensitive Indicators for Media contributing to gender equality and women's empowerment in all forms of media.
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. In the visual and aesthetic presentations of narrative cinema, the male gaze has three perspectives: (i) that of the man behind the camera, (ii) that of the male characters within the film's cinematic representations; and (iii) that of the spectator gazing at the image.
Women are involved in the film industry in all roles, including as film directors, actresses, cinematographers, film producers, film critics, and other film industry professions, though women have been underrepresented in creative positions.
The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such all genders can create films with a female gaze. It is a response to feminist film theorist Laura Mulvey's term "the male gaze", which represents not only the gaze of a heterosexual male viewer but also the gaze of the male character and the male creator of the film. In that sense it is close, though different, from the Matrixial gaze coined in 1985 by Bracha L. Ettinger. In contemporary usage, the female gaze has been used to refer to the perspective a female filmmaker (screenwriter/director/producer) brings to a film that might be different from a male view of the subject.
Nate – A One Man Show is a performance by American comedian Natalie Palamides, which explores consent through the male character Nate. Through audience participation, Nate challenges his ex-girlfriend's new partner to wrestling, and goes on a date with his art teacher Miss Jackson. Initially touring to small audiences around the U.S., Ireland and the U.K., Nate drew attention at the 2018 Edinburgh Festival Fringe, where it won the Total Theatre Award. It was adapted into a Netflix special that was released on December 1, 2020.
References
- 1 2 "Theater review: 'Macho Like Me' at the Coast Playhouse". Latimesblogs.latimes.com. 20 January 2011. Retrieved 28 December 2021.
- 1 2 "11th Annual DC APA Film Festival". Archived from the original on 2013-02-23. Retrieved 2013-01-05.
- ↑ Heath, Glenn Jr. (26 October 2010). "San Diego Asian Film Festival 2010: Macho Like Me, Bodyguards and Assassins, & Alien vs. Ninja". Slantmagazine.com. Retrieved 28 December 2021.
- ↑ "Macho Like Me, March 26, 2011 at The Matrix Theatre, Los Angeles". Init-scenes.blogspot.com. Retrieved 28 December 2021.
- ↑ "Macho Like Me - Page 1 - Calendar - Los Angeles - LA Weekly". Archived from the original on 2011-01-29. Retrieved 2013-01-05.
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