Joan Geraldine Bennett was an American stage, film, and television actress. She came from a show-business family, one of three acting sisters. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent movies, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's movies—including Man Hunt (1941), The Woman in the Window (1944) and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon, and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
If I Had a Million is a 1932 American pre-Code Paramount Studios anthology film starring Gary Cooper, George Raft, Charles Laughton, W.C. Fields, Jack Oakie, Frances Dee and Charlie Ruggles, among others. There were seven directors: Ernst Lubitsch, Norman Taurog, Stephen Roberts, Norman Z. McLeod, James Cruze, William A. Seiter, and H. Bruce Humberstone. Lubitsch, Cruze, Seiter, and Humberstone were each responsible for a single vignette, Roberts and McLeod directed two each, and Taurog was in charge of the prologue and epilogue. The screenplays were scripted by many different writers, with Joseph L. Mankiewicz making a large contribution. If I Had a Million is based on a novel by Robert Hardy Andrews.
Norman Krasna was an American screenwriter, playwright, producer, and film director who penned screwball comedies centered on a case of mistaken identity. Krasna directed three films during a forty-year career in Hollywood. He garnered four Academy Award screenwriting nominations, winning once for 1943's Princess O'Rourke, which he also directed.
The Princess Comes Across is a 1936 mystery/comedy film directed by William K. Howard and starring Carole Lombard and Fred MacMurray, the second of the four times they were paired together. Lombard, playing an actress from Brooklyn pretending to be a Swedish princess, does a "film-length takeoff" on MGM's Swedish star Greta Garbo. The film was based on the 1935 novel A Halálkabin by Louis Lucien Rogger, the pseudonym of Laszlo Aigner and Louis Acze.
She Couldn't Take It is a 1935 screwball comedy film made at Columbia Pictures, directed by Tay Garnett, written by C. Graham Baker, Gene Towne and Oliver H.P. Garrett, and starring George Raft and Joan Bennett. It was one of the few comedies Raft made in his career.
It Had to Happen is a 1936 American drama film starring George Raft and Rosalind Russell. The movie was written by Kathryn Scola, and Howard Ellis Smith, and directed by Roy Del Ruth. It is based on the 1909 short story "Canavan, the Man Who Had His Way" by Rupert Hughes.
The Lady's from Kentucky is a 1939 film directed by Alexander Hall and starring George Raft and Ellen Drew. It was written by Malcolm Stuart Boylan from a story by Rowland Brown. The screenplay involves a failing bookie (Raft) who becomes half owner of a racehorse, with a Kentucky lady (Drew) owning the other half. ZaSu Pitts plays a supporting role.
Midnight Club is a 1933 American pre-Code crime drama film about a gang of London jewel thieves infiltrated by an undercover agent. The film was directed by Alexander Hall and George Somnes. Produced and distributed by Paramount Pictures it is based on the 1931 short story Gangster's Glory by E. Phillips Oppenheim.
Pick-Up is a 1933 American Pre-Code crime film directed by Marion Gering and starring Sylvia Sidney and George Raft.
Dancers in the Dark is a 1932 American pre-Code film about a taxi dancer, a big band leader, and a gangster.
Under Cover Man is a 1932 American pre-Code crime film directed by James Flood and starring George Raft and Nancy Carroll.
All of Me is a 1934 American pre-Code drama film directed by James Flood and starring Fredric March, Miriam Hopkins, and George Raft. The film was written by actor Thomas Mitchell and Sidney Buchman from Rose Porter's play Chrysalis.
Queen of the Night Clubs is a 1929 American Pre-Code musical drama film produced and directed by Bryan Foy, distributed by Warner Bros., and starred legendary nightclub hostess Texas Guinan. The picture, which featured appearances by Eddie Foy, Jr., Lila Lee, and George Raft, is now considered a lost film. A still existing vintage movie trailer of this film displays no clip of the feature.
Rumba is a 1935 musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.
Alison Skipworth was an English stage and screen actress.
Alexander Hall was an American film director, film editor and theatre actor.
The Glass Key is a 1942 American crime drama based on the novel of the same name by Dashiell Hammett. The picture was directed by Stuart Heisler starring Brian Donlevy, Veronica Lake and Alan Ladd. A successful earlier film version starring George Raft in Ladd's role had been released in 1935. The 1942 version's supporting cast features William Bendix, Bonita Granville, Richard Denning and Joseph Calleia.
Robert McWade, was an American stage and film actor.
Shoot the Works is a 1934 American pre-Code comedy film directed by Wesley Ruggles and written by Claude Binyon, Gene Fowler, Howard J. Green and Ben Hecht. It is based on the Gene Fowler and Harold Hecht 1932 play The Great Magoo. The film stars Jack Oakie, Ben Bernie, Dorothy Dell, Alison Skipworth, Roscoe Karns, Arline Judge and William Frawley. The film was released on June 29, 1934, by Paramount Pictures, preceding by two days the beginning of the most rigorously enforced version of the Hollywood Production Code, which came into effect on July 1, 1934.
