The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in 14 motion pictures from 1905 to 1949. Five of the Marx Brothers' fourteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them, Duck Soup (1933) and A Night at the Opera (1935), in the top fifteen. They are widely considered by critics, scholars and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years... 100 Stars list of the 25 greatest male stars of Classical Hollywood cinema, the only performers to be included collectively.
Animal Crackers is a 1930 American pre-Code Marx Brothers comedy film directed by Victor Heerman. The film stars the Marx Brothers,, with Lillian Roth and Margaret Dumont, based on the Marxes Broadway musical of the same name. Mayhem and zaniness ensue during a weekend party in honor of famed African explorer Captain Jeffrey T. Spaulding. A critical and commercial success upon its initial release, Animal Crackers was shot at Paramount's Astoria Studios in Astoria, Queens, the second film the Brothers would make in New York City.
Margaret Dumont was an American stage and film actress. She is best remembered as the comic foil to the Marx Brothers in seven of their films; Groucho Marx called her "practically the fifth Marx brother."
A Day at the Races is a 1937 American comedy film, and the seventh film starring the Marx Brothers, with Allan Jones, Maureen O'Sullivan and Margaret Dumont. Like their previous Metro-Goldwyn-Mayer feature A Night at the Opera, this film was a major hit.
Raoul Walsh was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh. He was known for portraying John Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney and Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien. He directed his last film in 1964. His work has been noted as influences on directors such as Rainer Werner Fassbinder, Jack Hill, and Martin Scorsese.
Charles Sherman Ruggles was an American comic character actor. In a career spanning six decades, Ruggles appeared in close to 100 feature films, often in mild-mannered and comic roles. He was also the elder brother of director, producer, and silent film actor Wesley Ruggles (1889–1972).
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
John Morey Downs was an American actor, singer and dancer. He began his career as a child actor, most notably as Johnny in the Our Gang short comedy film series from 1923 to 1926. He remained active in films, television and theatre through the early 1960s.
Arthur Sheekman was an American theater and movie critic, columnist, playwright, and editor—but best known for his writing for the screen. His specialty was light comedy. Groucho Marx called him "The Fastest Wit in the West."
Ellen Drew was an American film actress.
Olivia Joyce Compton was an American actress.
Marion Suplee, known professionally as Marion Martin, was an American film and stage actress.
George Burton was an American silent film actor.
Dorothea "Dot" Farley was an American film actress who appeared in 280 motion pictures from 1910 to 1950. She was also known as Dorothy Farley.
Albert E. Lewis was a Polish-born Broadway and film producer. His family emigrated to the Lower East Side of Manhattan, New York when he was a boy. He became a vaudeville comedian, then started a partnership producing one-act plays for vaudeville. Around 1930 he moved to Hollywood and worked as a film producer with Paramount, RKO, and MGM until after World War II.
The Hard Way is a 1943 Warner Bros. musical drama film starring Ida Lupino, Dennis Morgan, and Joan Leslie. Directed by Vincent Sherman, it is based on a story by Irwin Shaw which was reportedly based on Ginger Rogers' relationship with her first husband, Jack Pepper and her own mother, Lela.
Verna Martha Wentworth was an American actress. Her vocal variety led to her being called the "Actress of 100 Voices".
Hollywood Without Make-Up is a 1963 American film produced by Ken Murray and directed by Rudy Behlmer, Loring d'Usseau and Ken Murray (uncredited).
Mr. Music is a 1950 film starring Bing Crosby and Nancy Olson, directed by Richard Haydn, and released by Paramount Pictures. It is based on the play Accent on Youth written by Samson Raphaelson. Filming took place from October to December 1949 in Hollywood.
Pillow to Post is a 1945 romantic comedy film directed by Vincent Sherman, starring Ida Lupino, Sydney Greenstreet and William Prince. Based on the play Pillar to Post by Rose Simon Kohn, it is about a tired traveling saleswoman who goes to great lengths to find a place to sleep during the World War II housing shortage.
