Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane, was an Italian painter from Venice and a notable exponent of the Venetian school.
Giovanni Cariani, also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city.
Girolamo da Santacroce was a 16th-century Italian painter of the Renaissance period, active mainly in Venice and the Venetian mainland.
The Palazzo Brignole Sale or Palazzo Rosso is a house museum located in Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. The palace is part of the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli. The rich art collection inside, along with the galleries of Palazzo Bianco and Palazzo Doria Tursi, is part of the Musei di Strada Nuova and consists of the works of artists of the caliber of Antoon van Dyck, Guido Reni, Paolo Veronese, Guercino, Gregorio De Ferrari, Albrecht Dürer, Bernardo Strozzi and Mattia Preti.
Palma Vecchio, born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.
The Madonna of the Small Trees is an oil on panel painting by Italian Renaissance artist Giovanni Bellini, executed in 1487. It is housed in the Gallerie dell'Accademia in Venice.
Rinaldo Agazzi was an Italian painter of landscapes and portraits.
Giovanni Ambrogio Bevilacqua, also known as il Liberale Bevilacqua was an Italian painter active in Lombardy in a late-medieval or early Renaissance style. He was a pupil of Vincenzo Foppa of Milan.
The Casotti Madonna or Madonna and Child with Saint Paul, Saint Agnes and Donors is an oil on panel painting by Andrea Previtali now in the Accademia Carrara in Bergamo, commissioned in 1523 by Paolo Casotti, a rich merchant from Bergamo, the artist's native city
The Baglioni Madonna or Madonna and Child with Saint Jerome and Saint Anne is an oil on panel painting by Andrea Previtali, executed c. 1512–1513, now in the art gallery of the Accademia Carrara in Bergamo. His earliest surviving work, it is signed ANDREAS.BER.PIN. Since 1900 it has been named after its last private owner Francesco Baglioni, who gave it to its present home. It belongs to the sacra conversazione genre. It was restored in 2011 by Amalia Pacia of the Sovraintendenza per i Beni Storici Artistici ed Etnoatropologici di Mialno and Maria Cristina Rodeschini from the Accademia Carrara
Madonna and Child with Saint Sebastian and Saint Vincent Ferrer or Madonna and Child with Saint Sebastian and Saint Thomas Aquinas oil on panel painting by Andrea Previtali. It was produced in 1506 in Venice while he was still in the studio of Giovanni Bellini and is contemporary with the same artist's Madonna and Child. It is now in the Accademia Carrara in Bergamo, to which it passed from Guglielmo Lochis's collection in 1866.
Count Guglielmo Lochis was an Italian nobleman, politician, art collector and art connoisseur.
The Adoration of the Magi with Saint Helena is an oil painting on canvas of c. 1525–1526 by Palma Vecchio in the Pinacoteca di Brera, Milan.
The Assumption of the Virgin is an oil on panel painting by Palma Vecchio, created c. 1513, now in the Gallerie dell'Accademia in Venice.
Storm at Sea or Saints Mark, George and Nicholas Freeing Venice from Demons is a c. 1528 oil on canvas painting by Palma Vecchio, now in the Gallerie dell'Accademia in Venice. It was partly completed in 1535 by Paris Bordon after Palma's death.
Madonna and Child with Saints is a c. 1520-1522 oil on panel painting by Palma Vecchio, now in the Palazzo Rosso in Genoa.
The San Giacomo Altarpiece is a 1515 oil on panel painting by Palma Vecchio which hangs in the church of San Giacomo Maggiore in the Peghera district of Taleggio, Lombardy. It is also known as Pietà with Saint James, Saint Sebastian and Saint Roch.
Holy Family with Saint John the Baptist and Saint Catherine is a c. 1520-1528 oil on canvas painting by Palma Vecchio, now in the Gallerie dell'Accademia in Venice. It was completed by Titian after Palma's death.
