Portrait of a Courtesan or Portrait of a Woman is a c. 1520 oil on canvas painting by Palma Vecchio, now in the Museo Poldi Pezzoli in Milan. [1] [2]
Probably produced during the artist's Venetian period, it was acquired by count Gian Giacomo Poldi Pezzoli for his new collection in 1865 as a work by Giorgione from the art dealer Terzaghi of Milan, without any earlier provenance. It was restored in the 19th century by Giuseppe Molteni and Luigi Cavenaghi and in 1951 by Mauro Pellicioli. [1]
Giovanni Battista Moroni was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy.
Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
The Madonna of the Book, or the Madonna del Libro, is a small painting by the Italian Renaissance artist Sandro Botticelli, and is preserved in the Poldi Pezzoli Museum in Milan. The painting is executed in tempera on panel. It dates from between 1480 and 1481.
The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12.
Giovanni Antonio Boltraffio was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
Francesco de' Rossi was an Italian Mannerist painter who lived and worked mainly in Florence, but also produced several works in Rome. He is known by many names, prominently the adopted name Francesco Salviati or as Il Salviati, but also Francesco Rossi and Cecchino del Salviati.
Palma Vecchio, born Jacopo Palma and also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.
Cristoforo Moretti was a Lombard painter of the quattrocento who worked in a late International Gothic style very similar to that of Michelino da Besozzo’s last period. Few of the unsigned works later attributed to him are attributed with perfect certainty.
Via Manzoni, is a busy and fashionable street in the Italian city of Milan which leads from the Piazza della Scala north-west towards Piazza Cavour. Notable buildings include the Museo Poldi Pezzoli, the elegant Grand Hotel et de Milan, which was the place of Giuseppe Verdi’s death in 1901, and several fine palazzi. Via Manzoni was originally called Corsia del Giardino before the crossroad with Via Monte Napoleone and Corso di Porta Nuova up until Piazza Cavour.
Dead Christ Supported by Two Angels is a painting by Italian Renaissance painter Giovanni Bellini, created around 1460. It is housed in the Museo Correr in Venice.
Profile Portrait of a Young Lady is a 1465 half-length portrait, made with oil-based paint and tempera on a poplar panel, usually attributed to Antonio del Pollaiuolo. It is held by the Gemäldegalerie in Berlin, which describes this work as one of its most famous paintings, and as one of the most famous portraits of women from the early Italian Renaissance.
Gian Giacomo Poldi Pezzoli was an Italian count who gathered art from Italian Renaissance and left Italy one of the first private museum which bears his name, the Museo Poldi Pezzoli.
Portrait of a Young Woman is a mixed-technique painting on panel of c. 1470–1472, variously attributed to Piero del Pollaiuolo or his brother Antonio. It is now in Milan in the Museo Poldi Pezzoli, which uses the painting as its symbol.
Portrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiuolo. It has been in the Uffizi in Florence since 1861. Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli.
The Knight in Black is a c.1567 oil on canvas portrait painting of an unknown male subject by Giovanni Battista Moroni, now in the Museo Poldi Pezzoli in Milan.
The Pra della Valle in Padua is a 1741-1746 oil on canvas painting of the Prato della Valle in Padua by Canaletto. It entered the collection of the Milanese nobleman Gian Giacomo Poldi Pezzoli and from there it passed its present owner, the Museo Poldi Pezzoli in Milan.
Theseus Killing the Minotaur is an oil-on-panel painting by Cima da Conegliano, created c. 1505, now in the Museo Poldi Pezzoli in Milan. It depicts a scene of Greek mythology, when Theseus killed the Minotaur in Crete's labyrinth.
The Chess Game is a painting of c. 1530 by Giulio Campi, a Renaissance painter from Cremona. Since 1970, it has been in the Museo Civico d'Arte Antica in Turin.
Self-Portrait Aged 71 is an 1862 oil on canvas painting by Francesco Hayez. The Uffizi had been requesting a self-portrait from him since 1858 via Andrea Appiani's daughter-in-law Giuseppina Appiani Strigelli and it finally arrived in 1863. It is still in the Uffizi's Vasari Corridor.
The Saint Helena Altarpiece is a three-panelled oil on panel painting by Jacopo Palma il Vecchio, created c. 1524–1525, now in the Pinacoteca di Brera in Milan.