 | This article needs additional citations for verification .(July 2022) |
| Madonna and Child with Sts Jerome and Mary Magdalen (The Day) | |
|---|---|
 | |
| Artist | Correggio |
| Year | c. 1528 |
| Medium | Oil on canvas |
| Dimensions | 235 cm× 141 cm(93 in× 56 in) |
| Location | Galleria Nazionale, Parma |
The Madonna and Child with Sts Jerome and Mary Magdalen (The Day) is an oil on canvas painting by the Italian Renaissance artist Correggio dating from around 1528 and housed in the Galleria Nazionale of Parma, Italy.
The canvas was commissioned in 1523 by Briseide Colla for a private chapel on the right side of the church of Sant'Antonio Abate in Parma. Contemporary art historian and painter Giorgio Vasari described the work's il mirabile colorito ("wonderful color"), and it was also studied by El Greco.
In the early 18th century, the church needed costly restoration works and several collectors, including the Kings of Poland and France and the Holy Roman Emperor, offered to buy the work. However, in 1749 it was transferred into the Cathedral of Parma and later was bought by the Duchy of Parma. During the French occupation of northern Italy, it was stolen and brought to France. The painting was returned to Italy in 1815 and placed on display in the Parma gallery. A 1724 copy of the painting hangs in the chapel of Palais Rohan, Strasbourg.
Francesco Algarotti in his Dialogues suggested that it was perhaps the most beautiful painting in the world. [1]
Antonio Allegri da Correggio, usually known as just Correggio was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Francesco Albani or Albano was an Italian Baroque painter of Albanian origin who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
The Martyrdom of Four Saints is an oil on canvas painting by the Italian Renaissance artist Correggio, dating from around 1524 and housed in the Galleria Nazionale of Parma, Italy.
San Giovanni Evangelista is a Mannerist-style, Roman Catholic church located on Piazzale San Giovanni, located just behind the apse of the Parma Cathedral, in the historic center of Parma, northern Italy. The buildings surrounding the piazza were also part of a former Benedictine convent. The church is notable for its Correggio frescoes.
(The) Mystic(al) Marriage of Saint/St. Catherine may refer to any of a large number of paintings of the Mystical marriage of Saint Catherine, a few of which are:
The church of Sant'Antonio Abate is located in Parma, Italy.
Madonna della Scodella is an oil painting on panel by Antonio da Correggio, dated from 1528 to about 1530 and preserved at the Galleria nazionale di Parma.
The Albinea Madonna or Madonna of Albinea is a lost painting by the Italian Renaissance painter Correggio. The best surviving copy is a 16th-century one by Antonio Leto, from the church of San Rocco in Reggio Emilia and now in the Galleria Nazionale di Parma.
The Casalmaggiore Madonna is a lost oil-on-canvas painting by the Italian Renaissance painter Correggio, measuring 28 by 24 cm and painted around 1522.
The Madonna of the Stairs is a fresco fragment by the Italian Renaissance artist Correggio, dating to ca.1522–23 and now in the Galleria Nazionale di Parma.
The Annunciation is a 157 by 315 cm fresco fragment by Correggio, dating to around 1524-1525 and now in the Galleria nazionale di Parma.
The Lamentation of Christ is an oil on canvas painting by the Italian Renaissance artist Correggio, dating from around 1524 and housed in the Galleria Nazionale of Parma, Italy.
Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a c.1524 oil on canvas painting by the Italian Renaissance painter Parmigianino. The work is now in the Galleria nazionale di Parma. Art historians argue that the work may be attributed to the period in which Parmigianino was painting his first works in the church of San Giovanni Evangelista, as also emerges from a recent restoration, which has shown that its technique is near-identical to that of Parmigianino - "no underdrawing, pigment use, descriptive speed, drafting of final shadows, using fingers and brush-ends as tools".
Madonna and Child with Saints, Madonna and Child Enthroned with the Infant St John the Baptist, St John the Evangelist and Saint Catherine of Alexandria or the San Giorgio Madonna is a 1593 oil on canvas painting by Annibale Carracci, originally in the Landini chapel in the church of San Giorgio in Poggiale, Bologna. During the 19th century the conservation conditions there worsened and it was moved to the Accademia di Belle Arti for restoration, before being moved to its current home in the then-new Pinacoteca Nazionale di Bologna.. It is signed and dated "ANNI CARR FE MDXCIII".
Pietà with Saints Clare, Francis and Mary Magdalene is a 1585 oil on canvas painting by Annibale Carracci, now in the Galleria nazionale di Parma.
Saint Margaret of Antioch is a 1599 oil on canvas painting by Annibale Carracci, showing Margaret of Antioch. It hangs in Santa Caterina dei Funari church in Rome.
Madonna and Child with Saints is an oil on canvas painting by Agostino Carracci, from 1585, dated on the lowest step of the Virgin Mary's throne. An example of a sacra conversazione. Long in the Benedictine abbey of San Paolo in Parma, French troops took it to Paris in 1796 and on its return to Italy in 1816 it was moved to the Galleria nazionale di Parma, where it still hangs.