Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. Intended to devise alternatives to the Mannerist style favored in the preceding decades, this teaching academy helped propel painters of the School of Bologna to prominence.
Taddeo Zuccaro was an Italian painter, one of the most popular members of the Roman mannerist school.
Federico Barocci was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy.
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Events from the year 1503 in art.
Antonio Capellani was an Italian engraver. He was born at Venice, where he was a pupil of Joseph Wagner, and engraved several plates both at Rome and Venice. He engraved most of the portraits in the edition of Vasari, published by Bottarini at Rome in 1760. He also engraved several of the plates for the Schola Italia Picturae under the direction of Gavin Hamilton.
Diana Scultori was an Italian engraver from Mantua, Italy. She is one of the earliest known women printmakers, making mostly reproductive engravings of well-known paintings or drawings, especially those of Raphael and Giulio Romano, or ancient Roman sculptures.
The Rest on the Flight into Egypt with Saint Francis is a painting by the Italian Renaissance master Correggio, dated to c. 1520 and now in the Uffizi Gallery of Florence. The Rest on the Flight into Egypt was a popular subject in art.
The Madonna of the Basket or the Madonna della Cesta is a painting by Peter Paul Rubens, dated to around 1615. It is now held in the Galleria Palatina of the Palazzo Pitti in Florence. Between 1799 and 1815 it was confiscated by the French and assigned to the Dijon Museum of Fine Arts.
Madonna della Scodella is an oil painting on panel by Antonio da Correggio, dated from 1528 to about 1530 and preserved at the Galleria nazionale di Parma.
Madonna of the Cat or Madonna del gatto is an oil on canvas painting by Italian painter Federico Barocci, created c. 1575. It is held in the National Gallery of London.
Leda and the Swan is an oil on canvas painting from 1530–31 by the Italian painter Correggio, now in the Gemäldegalerie in Berlin. It shows three scenes of Leda's seduction by Jupiter who has taken the form of a swan. Their first meeting is shown on the right hand side and their lovemaking in the centre, where Leda sits with the swan between her thighs, guiding him with her left hand. They are accompanied to their left by Cupid with his bow and two cupids with flutes. The third scene is the swan flying away whilst Leda gets dressed. Leda and the Swan was a common subject in 16th-century art.
The Bolognini Madonna is an oil-on-panel painting executed ca. 1514–1519 by the Italian Renaissance painter Antonio da Correggio.
The San Sebastiano Madonna is an oil-on-canvas painting by the Italian Renaissance master Correggio, dating to around 1524 and now in the Gemäldegalerie Alte Meister in Dresden. It measures 265 by 161 cm.
Nursing Madonna with an Angel is an oil painting on panel by Correggio, painted around 1524 and now in the Museum of Fine Arts in Budapest. It measures 68.5 by 87 cm and belongs to the Nursing Madonna or Madonna Lactans genre.
Madonna and Child with Saint George is an oil on panel painting by Correggio dating to around 1530 and now in the Gemäldegalerie in Dresden.
The Madonna of the Stairs is a fresco fragment by the Italian Renaissance artist Correggio, dating to ca.1522–23 and now in the Galleria Nazionale di Parma.
La Zingarella is a 49 x 37 cm oil-on-panel painting executed ca. 1516–17 by the Italian Renaissance painter Correggio. It shows the Rest on the Flight into Egypt, although it omits the figure of Saint Joseph. It is now in the Museo Nazionale di Capodimonte in Naples.
The Madonna del Popolo is an oil on wood painting by Italian painter Federico Barocci, created in 1575-1579. It depicts the Madonna and the works of mercy. It is signed and dated FEDERICVS BAROTIVS VRBINAS MDLXXIX. It is held in the Uffizi, in Florence.
