Madonna of the Cat or Madonna del gatto is an oil on canvas painting by Italian painter Federico Barocci, created c. 1575. It is held in the National Gallery of London.
Madonna of the Cat or Madonna del gatto is an oil on canvas painting by Italian painter Federico Barocci, created c. 1575. It is held in the National Gallery of London.
The painting was made for Count Antonio Brancaleoni of Piobbico. Engravings of the painting appeared by 1577.
The Holy Family, consisting of Joseph, Mary, a young John the Baptist, and an infant Jesus at Mary's breast, are portrayed in a domestic moment. John appears to be teasing the cat with a captured goldfinch, an allegoric symbol of Christ's Passion. John's reed rests against a wall in the background. The main characters form a proto-Baroque-style diagonal to the right. In the style of Barocci, the cheeks are rosy. [1]
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
Federico Barocci was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy.
Carlo Crivelli was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini.
Bernardino Luini was a north Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works.
Cosmê Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
Events from the year 1575 in art.
The Garvagh Madonna is an oil painting by the Italian Renaissance artist Raphael, dating to c. 1509–1510. It depicts the Virgin, the Christ Child and the infant John the Baptist, and is one of many paintings by Raphael with this trio. It is from early in the artist's third, or Roman period, in which distinctive changes are seen from his Umbrian or Florentine period in style and use of colour, with the introduction of more natural subjects and settings.
The Madonna del cardellino or Madonna of the Goldfinch is an oil on wood painting by the Italian Renaissance artist Raphael, from c. 1505–1506. A 10-year restoration process was completed in 2008, after which the painting was returned to its home at the Uffizi in Florence. During the restoration, an antique copy replaced the painting in the gallery.
The Ansidei Madonna is a 1505–1507 painting by the Italian High Renaissance artist Raphael, painted during his Florentine period. It shows the Blessed Virgin Mary sitting on a wooden throne, with the child Christ on her lap. On her right John the Baptist stands, on her left Saint Nicholas is reading.
Altobello Melone was an Italian painter of the Renaissance.
Jacobello del Fiore was a Venetian painter in the late fourteenth century and early fifteenth century. His early work is in the Late Gothic style popularized by Altichiero da Verona and Jacopo Avanzi, two of his contemporaries, while his mature work displays a local Venetian style established by the school of Paolo Veneziano, an artist and workshop proprietor with notable Byzantine inspiration in his work. This stylistic return to his roots sets him apart from Niccolò di Pietro and Zanino di Pietro, Venetian contemporaries he is often associated with. During his lifetime, he received commissions primarily on the Adriatic coast and in Venice.
Giampietrino, probably Giovanni Pietro Rizzoli, was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by S. J. Freedberg as an "exploiter of Leonardo's repertory."
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of Uffizi, Florence, Italy.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
The Madonna of the Basket or the Madonna della Cesta is a painting of c. 1524 by Antonio da Correggio in the National Gallery, London. While it is a Mannerist painting of the Virgin Mary and the Baby Jesus, Correggio included naturalist touches in his composition, like the sewing basket that gives the painting its name.
Nursing Madonna with an Angel is an oil painting on panel by Correggio, painted around 1524 and now in the Museum of Fine Arts in Budapest. It measures 68.5 by 87 cm and belongs to the Nursing Madonna or Madonna Lactans genre.
Study for the Madonna of the Cat is a set of two drawings by Leonardo da Vinci on both sides of a sheet of paper 13 centimeters high and 9.4 centimeters wide. The two drawings were made in pen and brown ink, on a preparatory drawing in stylus, with a brown wash on the back. This is one of the six works of Leonardo da Vinci showing the Virgin and Child playing with a cat or carrying it. A mirror symmetry between the drawings of the two faces is visible by transparency. The Study for the Madonna of the Cat is currently held at the British Museum in London under inventory number 1856,0621.1. The creative and scientific processes underlying the drawing Madonna of the Cat have been discussed by many art historians, including Kenneth Clark, Martin Kemp, Carmen Bambach and Larry Feinberg.
The Madonna del Popolo is an oil on wood painting by Italian painter Federico Barocci, created in 1575-1579. It depicts the Madonna and the works of mercy. It is signed and dated FEDERICVS BAROTIVS VRBINAS MDLXXIX. It is held in the Uffizi, in Florence.
 | This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it. |