Mae Alice Engron | |
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Born | |
Died | May 4, 2007 74) Indianapolis, Indiana | (aged
Alma mater | Herron School of Art |
Known for | Abstract Art |
Parents |
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Mae Alice Engron (January 29, 1933-May 4, 2007) was an American artist known for her oil paintings and one of few Black abstract artists in the 20th century. [1] [2]
Alice Engron was born to Reuben and Hattie Starks in Indianapolis, Indiana on January 29, 1933. After attending Indianapolis Public Schools, she went on to work for the U.S. Postal Service where she was injured. This caused her to attend Herron School of Art, where she graduated in 1984. [1]
She showed her work in a number of Indiana based exhibit galleries such as the Indiana State Museum, and Indiana Black Expo, as well as galleries such as Quotidian in Los Angeles. Her work was also acquired by the Fort Wayne Museum of Art and the Smithsonian American Art Museum. [3] [4] Alice Engron was both an abstract artist and a neo-Expressionist. Through her oil paintings, she focused on incorporating brushstroke texture, unique colors, and organic forms found in nature. [1]
Alice Neel was an American visual artist. Recognized for her paintings of friends, family, lovers, poets, artists, and strangers, Neel is considered one of the greatest American portraitists of the 20th century. Her career spanned from the 1920s to 1980s.
Vija Celmins is a Latvian American visual artist best known for photo-realistic paintings and drawings of natural environments and phenomena such as the ocean, spider webs, star fields, and rocks. Her earlier work included pop sculptures and monochromatic representational paintings. Based in New York City, she has been the subject of over forty solo exhibitions since 1965, and major retrospectives at the Museum of Modern Art, Whitney Museum of American Art, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Institute of Contemporary Arts, London and the Centre Pompidou, Paris.
Alice Baber was an American abstract expressionist painter who worked in oil and watercolor. She was educated in the United States and in the 1950s and 1960s she studied and lived in Paris. She also traveled around the world. Baber, a feminist, organized exhibits of women artists' work.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
Olive Rush was a painter, illustrator, muralist, and an important pioneer in Native American art education. Her paintings are held in a number of private collections and museums, including: the Brooklyn Museum of New York City, the Haan Mansion Museum of Indiana Art, the Indianapolis Museum of Art, Indiana and the Smithsonian American Art Museum.
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The Overbeck sisters were American women potters and artists of the Arts and Crafts Movement who established Overbeck Pottery in their Cambridge City, Indiana, home in 1911 with the goal of producing original, high-quality, hand-wrought ceramics as their primary source of income. The sisters are best known for their fanciful figurines, their skill in matte glazes, and their stylized designs of plants and animals in the Art Nouveau and Art Deco styles. The women owned and handled all aspects of their artistic enterprise until 1955, when the last of the sisters died and the pottery closed. As a result of their efforts, the Overbecks managed to become economically independent and earned a modest living from the sales of their art.
Elizabeth Nourse was a realist-style genre, portrait, and landscape painter born in Mt. Healthy, Ohio, in the Cincinnati area. She also worked in decorative painting and sculpture. Described by her contemporaries as "the first woman painter of America" and "the dean of American woman painters in France and one of the most eminent contemporary artists of her sex," Nourse was the first American woman to be voted into the Société Nationale des Beaux-Arts. She also had the honor of having one of her paintings purchased by the French government and included in the Luxembourg Museum's permanent collection. Nourse's style was described by Los Angeles critic Henry J. Seldis as a "forerunner of social realist painting." Some of Nourse's works are displayed at the Cincinnati Art Museum.
Sylvia Snowden is an African American abstract painter who works with acrylics, oil pastels, and mixed media to create textured works that convey the "feel of paint". Many museums have hosted her art in exhibits, while several have added her works to their permanent collections.
Kay WalkingStick is a Native American landscape artist and a member of the Cherokee Nation. Her later landscape paintings, executed in oil paint on wood panels often include patterns based on Southwest American Indian rugs, pottery, and other artworks.
Portrait of History, a public sculpture by Chinese American artists Zhou Brothers, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture is located at the Blackford Street entrance to the Herron School of Art and Design. This piece is one of four public artworks on loan from the Indianapolis Museum of Art to IUPUI. The artworks were moved to the campus on March 22, 2009. Portrait of History is a bronze sculpture measuring 100 x 24 x 30 in and is mounted on an oval cement base.
Reflections is an oil on canvas painting by American artist Arthur Dove from 1935, now in the Indianapolis Museum of Art, in Indianapolis, Indiana, US.
Jimson Weed is an oil on linen painting by American artist Georgia O'Keeffe from 1936, located in the Indianapolis Museum of Art in Indianapolis, Indiana. It depicts four large blossoms of jimson weed.
Eleanor de Laittre was an American visual artist and an early proponent of abstract, cubist-inspired, and largely non-objective art. During a period when representational art was the norm in the United States, she adhered to a style that was based on her study of paintings by Pablo Picasso, Joan Miró, Paul Klee, and Raoul Dufy. She was a member of American Abstract Artists, a group that flourished during the late 1930s and throughout the 1940s and that included among its members Josef Albers, Ilya Bolotowsky, Werner Drewes, Suzy Frelinghuysen, A.E. Gallatin, Adolph Gottlieb, László Moholy-Nagy, George L.K. Morris, and Ad Reinhardt. In 1939 de Laittre was recognized for her skill in handling the design of a painting she had placed in a group exhibition and was praised in general for her subtle handling of color. Critical appraisal of her work remained positive in the 1940s and early 1950s and toward the end of her career she was honored as one of the best-known artists among those who strove to overcome resistance to abstract art in America.
Jessie Marie Goth was an American painter from Indianapolis, Indiana. Best known for her portraiture, Goth was the first woman to paint an official portrait of an Indiana governor that was installed in the Indiana Statehouse. Goth became a full-time resident of Nashville, Indiana in the 1920s and was active in its Brown County Art Colony. She became a charter member and former president of the Brown County Art Gallery Association in 1926 and a cofounder of the Brown County Art Guild in 1954. Goth died from injuries sustained in a fall at her home in 1975.
Georgia O'Keeffe made a number of Red Canna paintings of the canna lily plant, first in watercolor, such as a red canna flower bouquet painted in 1915, but primarily abstract paintings of close-up images in oil. O'Keeffe said that she made the paintings to reflect the way she herself saw flowers, although others have called her depictions erotic, and compared them to female genitalia. O'Keeffe said they had misconstrued her intentions for doing her flower paintings: "Well – I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower – and I don't."
Onya La Tour (1896–1976) was an American art collector and dealer, artists' model, manager of art galleries in Puerto Rico, New York City, and Indiana, and an advocate for modernism and the appreciation of modern art. In the 1930s to 1960s, La Tour acquired hundreds of paintings and graphic art works by modernist artists, many of whom later became notable. During the Great Depression, she was Director of the Federal Art Gallery in New York City, which supported artists under the auspices of the Work Projects Administration. She also operated her own private Onya LaTour Gallery in New York. In 1939, she brought her collection of more than 400 works of art from New York City to the artists colony in rural Brown County, Indiana, where she founded a short-lived Indiana Museum of Modern Art. From 1948 to the 1960s, she designed and built three unusual and creative homes where she displayed her collection, often inviting diverse groups of people to mingle and experience modern art. In 1972, a few years before her death at age 80, she donated over 100 paintings and graphic art works as well as her lifetime collection of papers to the Indianapolis Museum of Art, where an exhibit of selections from her collection took place October–April, 2014. La Tour was "a woman of contradiction and mystery, some of which she created herself" and "a woman ahead of her time". "While Onya, strictly speaking, was not an artist, her life was her art."
Ruth Armer was an American abstractionist painter, teacher, art collector, and lithographer, from the San Francisco Bay area in California. Her art is held in the collections of San Francisco Museum of Modern Art, and the Fine Arts Museums of San Francisco.
Constance Forsyth (1903–1987) was an American artist, teacher, and printmaker. Her work is in the permanent collections of several museums, including the Blanton Museum of Art and the Indianapolis Museum of Art.
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