Dinah Washington was an American singer and pianist, one of the most popular black female recording artists of the 1950s. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was also known as "Queen of the Jukeboxes". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.
Mahalia Jackson was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to the development and spread of gospel blues in black churches throughout the U.S. During a time when racial segregation was pervasive in American society, she met considerable and unexpected success in a recording career, selling an estimated 22 million records and performing in front of integrated and secular audiences in concert halls around the world.
Sister Rosetta Tharpe was an American singer, songwriter and guitarist. She gained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar. She was the first great recording star of gospel music, and was among the first gospel musicians to appeal to rhythm and blues and rock and roll audiences, later being referred to as "the original soul sister" and "the Godmother of rock and roll". She influenced early rock-and-roll musicians including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley, Jerry Lee Lewis, and also later guitarists, such as Eric Clapton.
The Pat Metheny Group was an American jazz band founded in 1977 by guitarist and composer Pat Metheny, along with his core collaborating member, keyboardist and composer Lyle Mays. Other long-standing members included bassist and producer Steve Rodby, from 1981 to 2010, and drummer Paul Wertico, from 1983 to 2001, after which Antonio Sanchez became the percussionist from 2002 to 2010. Vocalist Pedro Aznar was also a long-time member, performing with the group from 1984 to 1993. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians.
Mavis Staples is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family's band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles "I'll Take You There" and "Let's Do It Again". In 1969, Staples released her self-titled debut solo album.
Marcin Jahr is a Polish jazz drummer.
Tim Sparks is an American acoustic guitar player, singer, arranger and composer.
Gypsy jazz is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed by their group the Quintette du Hot Club de France. The style has its origins in France and the Manouche clan of Romanis, and has remained popular amongst this clan. Gypsy jazz is often called by the French name jazz manouche, or alternatively, manouche jazz in English-language sources.
Thomasina Winslow was an American blues musician and the daughter of folk musician Tom Winslow. As a toddler, she sang back-up on her father's folk music classic Hey Looka Yonder ; also singing a solo version of One-Two-Three, another version of which she produced on her own 30 years later. In addition to her solo career, Winslow has been a member of four bands, including a duo with Nick Katzman and Nite Train. Furthermore, she has been a teacher in that genre of music, and has significantly influenced other aspiring musicians. Winslow primarily performed covers of Blues standards and has written a number of blues and gospel tunes in her own right. She was also one of a handful of African-American women producers in the "indy" music industry.
Queen Esther Marrow is an American soul and gospel singer.
Oceana Mahlmann is a German singer. Her musical roots are embedded in soul, reggae, hip hop, and funk.
Catherine Russell is an American jazz and blues singer. She is best known for her 2016 album Harlem on My Mind.
Dorota Miśkiewicz is a Polish singer, songwriter, composer, and violinist.
Isabelle Geffroy, known professionally as Zaz, is a French singer and songwriter who mixes jazz, French variety, soul and acoustic. She is known for her single "Je veux", taken from her self-titled debut album, released on 10 May 2010. She has five studio albums: Zaz, Recto verso, Paris, Effet miroir, and Isa, as well as two live albums: Sans tsu tsou and Sur la route. Worldwide as of February 2023 Zaz has sold over 5 million albums, including 2 million outside France.
Aga Zaryan is a Polish jazz vocalist and the first Polish musician to sign with Blue Note Records.
Miss 600 are an English musical duo from Derby composed of Hannah Garner (vocals) and David Amar. Their songs are influenced by genres such as jazz, blues and R&B.
Roger Wong, better known by his stage name Roger Wang is a Malaysian composer and acoustic guitarist known for his fingerstyle technique. Besides performing on international stages, Roger is also an artistic director of a local jazz festival, an event organiser, producer, arranger and an educator.
Les Chics Types is a French rock band from Lyon.
Carmen Souza is a Portuguese jazz singer and songwriter of Cape Verdean heritage. She combines traditional forms of Cape Verde with contemporary and traditional jazz.
Mahalia Jackson was the preeminent gospel singer of the 20th century, her career spanning from about 1931 to 1971. She began singing in church as a child in New Orleans, then moved to Chicago as an adolescent and joined Chicago's first gospel group, the Johnson Singers. By demand, she began to sing solo at funerals and political rallies. For about 15 years, Jackson toured a circuit of churches and revivals spreading gospel blues throughout the U.S. working odd jobs to make a living. Her first recordings were made in 1931, produced by the owner of a funeral parlor in Chicago where Jackson often sang, although these have been lost.
