Maggie McCurdy (born 1932) is an American sculptor.
McCurdy is a native of Fairview, West Virginia. She earned a bachelor's degree from West Virginia University in 1954 and attended the Yale School of Art. She is a sculptor, both post-war and contemporary meaning her work was made from around 1945 to the present. [1] She has held numerous solo exhibitions around the United States, and her work has been seen in group shows as well. [2] Her piece Guardian of Small Beasts of 1972 is in the collection of the Spencer Museum of Art. [3]
Gertrude Vanderbilt Whitney was an American sculptress, art patron and collector, and founder in 1931 of the Whitney Museum of American Art in New York City. She was a prominent social figure and hostess, who was born into the wealthy Vanderbilt family and married into the Whitney family.
Mary Elizabeth Price, also known as M. Elizabeth Price, was an American Impressionist painter. She was an early member of the Philadelphia Ten, organizing several of the group's exhibitions. She steadily exhibited her works with the Pennsylvania Academy of the Fine Arts, the National Academy of Design, and other organizations over the course of her career. She was one of the several family members who entered the field of art as artists, dealers, or framemakers.
Gaston Lachaise was a French-born sculptor, active in the early 20th century. A native of Paris, he was most noted for his female nudes such as Standing Woman. Gaston Lachaise was taught the refinement of European sculpture while living in France. He met a young American woman, Isabel Dutaud Nagle, and the pair moved to America, where his craft reached maturity and he was influenced and inspired by American ways. Lachaise helped redefine the female nude in a new and powerful manner. His drawings also reflected his new style of the female form.
Harriet Goodhue Hosmer was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. Among other technical innovations, she pioneered a process for turning limestone into marble. Hosmer once lived in an expatriate colony in Rome, befriending many prominent writers and artists.
Yuriko Yamaguchi is a Japanese-born American contemporary sculptor and printmaker. Using more natural mediums, she creates abstract designs that are used to reflect deeper symbolistic ideas. She currently resides near Washington, D.C..
Gwen Lux Creighton professionally Gwen Lux, (1908–2001) was an American sculptor known for her abstraction and frequently constructed from polyester resin concrete and metals. She was among America's pioneer women sculptors.
Karen LaMonte is an American artist known for her life-size sculptures in ceramic, bronze, marble, and cast glass.
Cynthia Schira is an American textile artist and former university professor. Her work is represented in the collections of many major public museums.
Hedvig Erika ("Vicken") von Post Börjeson Totten was a Swedish ceramicist, sculptor, painter, and illustrator.
Lucy Qinnuayuak (1915–1982) was an Inuit graphic artist and printmaker.
Mary Harvey Tannahill was an American painter, printmaker, embroiderer and batik maker. She studied in the United States and Europe and spent 30 summers in Provincetown, Massachusetts, with the artist colony there. She was instructed by Blanche Lazzell there and assumed the style of the Provincetown Printers. She exhibited her works through a number of artist organizations. A native of North Carolina, she spent much of her career based in New York.
Helen Maria Turner was an American painter and teacher known for her work in oils, watercolors and pastels in which she created miniatures, landscapes, still lifes and portraits, often in an Impressionist style.
Elizabeth King is an American sculptor and writer known for movable figurative sculptures that she has employed in stop-frame animations. Her work combines exacting handcraft, elementary mechanics, and digital and electronic technologies, applied in sculptures of half or full figures, heads, arms and hands, or even simply eyes. She often equips figures with subtly illuminated eyes and visible and invisible mechanisms enabling the performance of anatomically correct simple operations, seemingly of their own volition. Writers have described her figures as "insistently nonhuman" yet "uncannily alive" in their ability to project self-awareness, intelligence, agency and emotion. They reflect her interests in early clockwork automata, the history of the mannequin and puppet, literature involving unnatural figures come to life, and human movement. Art in America critic Leah Ollman wrote that King's "highly articulated automatons invite us to consider how consciousness arises from physical being … she portrays her mechanical surrogates as convincingly self-aware, while we are left to ponder that age-old question: where exactly does the self reside?"
Virginia B. Evans was a West Virginia visual artist and teacher. In the Ohio Valley region she became famous for her impressionist painting and art deco glass work. Considered one of West Virginia's foremost artists of the 20th century, Evans was deemed “one of the best trained and most gifted painters” in the region by a renowned national art columnist.
Pat Lasch is an American conceptual artist, painter, and sculptor.
Eleanor Platt (1910–1974) was an American sculptor. She was known for her bronze or plaster busts often of members of the government, especially the judiciary. In 1945 she was named a Guggenheim Fellow.
Evelyn Raymond was an American sculptor. Raymond lived in Duluth, Minnesota. In 1928 she received a scholarship to the Minneapolis School of Art.
Margaret Casey Gates (1903–1989) was an American artist, painter, art teacher and administrator. She participated in the New Deal's Section of Painting and Sculpture under the Treasury Department, creating the post office mural for Mebane, North Carolina, and a watercolor which was held at Fort Stanton in New Mexico. In addition, she has paintings held in several noted collections in the United States.
Maggie Michael is an American painter. Born in Milwaukee, Michael has spent much of her career in Washington, D.C. A 1996 graduate of the University of Wisconsin-Milwaukee, from which she received a BFA, with honors, she received her MA from San Francisco State University in 2000 and her MFA from American University in 2002. She has received numerous awards during her career, including a grant from the Joan Mitchell Foundation in 2004, the same year in which she was given a Young Artist Grant by the D.C. Commission on the Arts and Humanities; she has also worked with the Hirshhorn Museum and Sculpture Garden. Michael is married to the sculptor Dan Steinhilber. She has served on the faculty of the Corcoran College of Art and Design.
Grace Knowlton was an American sculptor and photographer who was known for her outdoor sculptures. Her work has been exhibited at the Victoria and Albert Museum, the Metropolitan Museum of Art and other venues.