Joey Beltram is an American DJ and music producer, best known for his pioneering singles "Energy Flash" and "Mentasm" and for remixing Human Resource's "Dominator".
The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+1⁄3 or 45 rpm. The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time.
Simian were an English rock band, formed in Manchester in 2000.
"Destroy Everything You Touch" is a song by British electronic music band Ladytron. It was released on 19 September 2005 as the second single from their third studio album, Witching Hour. It reached a position of number 42 on the UK Singles Chart, the highest position a Ladytron single has reached to date. It was re-released in the UK on 22 October 2007. The song ranked at #137 on Pitchfork's "The Top 500 Tracks of the 2000s" list.
Simian Mobile Disco are an English electronic music duo and production team, formed in 2003 by James Ford and Jas Shaw of the band Simian. Musically, they are known for their analogue production. Ford is also known for his production work.
Klaxons were an English rock band, based in London. Following the release of several 7-inch singles on different independent record labels, as well as the success of previous singles "Magick" and "Golden Skans", the band released their debut album, Myths of the Near Future on 29 January 2007. The album won the 2007 Nationwide Mercury Prize. After playing festivals and headlining tours worldwide during late 2006–07, the band started working on their follow-up album in July 2007. Klaxons' second album, Surfing the Void, was released on 23 August 2010. Their third album, Love Frequency, was released on 16 June 2014.
FabricLive.28 is a mix album by electronic artist Evil Nine. It was released in 2006 on the Fabric label, as part of the FabricLive albums series.
Myths of the Near Future is the debut album by English rock band Klaxons. It was released on 29 January 2007 through Polydor Records. Following their debut single, the band coined the term "new rave" to refer to their sound; not long after their second single, they signed to Polydor Records. They recorded their debut album with James Ford of Simian Mobile Disco at The Premises and Parkgate Studios. Myths of the Near Future, which takes its title from a poem, is a science-fiction concept album about the future; its sound recalled the dance-punk works of Bloc Party and Franz Ferdinand. Some of the song's titles and lyrics are literary references to the works of J. G. Ballard, William S. Burroughs and Thomas Pynchon.
"Golden Skans" is a song released by London band Klaxons on 22 January 2007, taken from their first album Myths of the Near Future, which was released on 29 January 2007. The song reached number 16 in the UK Singles Chart on download sales on 14 January and climbed to number 14 the next week, eventually reaching number seven after the CD release. It was a minor hit in Belgium, charting on the Ultratip charts of both Flanders and Wallonia. The track was also released on French label Ed Banger Records as a French-exclusive remix EP.
"Innocence" is a song written and recorded by Icelandic singer Björk. The song was released as the second single from her seventh full-length studio album, Volta. It is co-produced by record producer Timbaland and his protégé Danja. The song was premiered on Björk's MySpace profile on 19 March 2007 as part of the fan contest to submit ideas for the music video. The single was released exclusively as a digital download on 23 July 2007.
"Cherry Blossom Girl" is a song by French electronic music duo Air. It was released in February 2004 by Virgin Records as the first single for their third studio album, Talkie Walkie (2004).
"I Need a Man" is a 1975 single by Grace Jones.
FabricLive.41 is a 2008 mix album by Simian Mobile Disco. The album was released as part of the FabricLive Mix Series.
"Legendary Children " is a song by former Frankie Goes to Hollywood singer Holly Johnson, which was released in 1994 by Club Tools as a non-album single. The song was written by Holly Johnson and Nick Bagnall (music). It peaked at No. 85 on the UK Singles Chart. A re-recording of "Legendary Children" was later included on Johnson's third studio album Soulstream, released in 1999.
"Cruel Intentions" is the second physical single from Simian Mobile Disco's second album Temporary Pleasure. It was co-written by Beth Ditto, who also sings on the track.
"Blind" is the first single from the eponymous debut album by Hercules and Love Affair.
Delicacies is a compilation album by British electronic band Simian Mobile Disco. It was released on the iTunes Store on 23 November 2010, and released in physical form on 29 November 2010. It is a collection of tracks inspired and named for various unusual foods the band have sampled while touring the world, hence the name.
"Hustler" is a single from Simian Mobile Disco's debut album Attack Decay Sustain Release. It features Char Johnson on lead vocals. It was featured in DJ Hero 2 as part of the "Electro Hits" DLC pack, mixed with "Pump Up The Jam" by Technotronic.
Unpatterns is the third studio album by English electronic music duo Simian Mobile Disco, released on 14 May 2012 by Wichita Recordings.
"Where's the Revolution" is a song by English electronic band Depeche Mode from their fourteenth studio album Spirit. It was released as the album's first single on 3 February 2017, on the 20th anniversary of "Barrel of a Gun". The cover art was designed by Anton Corbijn. The single was premiered on the Polish radio Trójka - Polskie Radio Program III at midnight on 3 February. This single is notable for being the first Depeche Mode lead single to not chart on the UK Singles Chart, a trend that would continue with Spirit's following singles.
