Majel Davidson | |
---|---|
Born | Margaret Elizabeth Jemima Davidson 1885 |
Died | 1969 (aged 83–84) |
Nationality | British |
Alma mater | Gray's School of Art |
Known for | Painting, pottery |
Margaret Elizabeth Jemima Davidson, known as Majel Davidson, (1885-1969) was a Scottish artist known for her painting and pottery work.
Davidson was born at Cults in Aberdeen and attended Aberdeen High School before studying painting and pottery at Gray's School of Art from 1904 to 1907. [1] A scholarship award allowed her to study in Paris throughout 1908 and 1909 with the artist Charles Guérin. [2] [1] and in Rome in 1910. [3] Davidson exhibited at the Salon d'Automne in 1912. During World War One she served as a volunteer ambulance driver, earning the Military Medal for her work. [1] [3]
In 1923 Davidson moved to Toronto and for a time was associated with the circle of artists known as the Group of Seven, which led to her paintings becoming increasing impressionist and bolder in their use of colour. [2] When Davidson returned to Scotland she took a role with the International Council of Women and in her artistic career chose to concentrate on producing pottery and had a kiln built at the family home in Cults. [1] [4] Named Gushetneuk Pottery, after the Doric dialect word for an odd corner of a field, several pieces are on display at the Aberdeen Art Gallery, including a fine art deco rosebowl. [3]
In the 1950s Davidson moved to the female community, known as the Powis Family, or The Powis House Ladies, at Powis House near Stirling and resumed painting. [4] [5] Davidson exhibited several times with the Aberdeen Artists Society and in 1989 the Portland Gallery held a joint show of her work alongside that of Alexander Graham Munro. [1] [2] In 2004, the Macrobert Art Centre held an exhibition of her work. [5]
Evelyn De Morgan was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors to express what several scholars have identified as spiritualist and feminist content. Her later works also dealt with the themes of war from a pacifist perspective, engaging with conflicts such as the Second Boer War and World War I.
Sir William Allan was a distinguished Scottish historical painter known for his scenes of Russian life. He became president of the Royal Scottish Academy and was made a Royal Academician.
Helen Saunders was an English painter associated with the Vorticist movement.
Dame Elizabeth Violet Blackadder, Mrs Houston, was a Scottish painter and printmaker. She was the first woman to be elected to both the Royal Scottish Academy and the Royal Academy of Arts.
Rita Angus, known as Rita Cook early in her career, was a New Zealand painter who, alongside Colin McCahon and Toss Woollaston, is regarded as one of the leading figures in twentieth-century New Zealand art. She worked primarily in oil and watercolour, and became known for her portraits and landscapes.
James Coutts Michie ARSA was a Scottish painter who specialised in landscapes and portraits.
Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885.
Mary Newbery Sturrock, née Mary Arbuckle Newbery was a Scottish artist who worked across various media. She is best known as an embroiderer and watercolour artist of flowers.
Pat Douthwaite was a Scottish artist. She has been notably compared to Amedeo Modigliani and Chaïm Soutine, the peintres maudits of early twentieth-century Paris.
Robert Sivell (1888–1958) was a Scottish portrait artist active in the first half of the 20th century. He was a founder member of the Glasgow Society of Artists and Sculptors in 1919.
Esther Blaikie MacKinnon (1885–1934) was a Scottish artist who was known for her paintings and engravings. MacKinnon worked with a variety of media including paint, dry point, etchings, and black and white drawings.
Stansmore Richmond Leslie Dean Stevenson was a Scottish artist known for her oil paintings. She was a member of a group of women artists and designers known as the Glasgow Girls.
Jane Nasmyth was a Scottish landscape painter of the Nasmyth School in Edinburgh. She was the daughter and student of the portrait and landscape painter Alexander Nasmyth.
Victoria Morton is a Scottish contemporary visual artist who works in paint, sculpture and installation.
Barbara Balmer RSA was a Scottish artist and teacher.
Jessie Algie (1859–1927) was a Scottish painter, known mainly for her oil and watercolour paintings of flowers.
Mary C. Davidson (1865–1951) was a Scottish artist, notable for her landscape and flower paintings.
Perpetua (Pip) Pope was a Scottish painter of landscapes, flower pieces and still-life compositions in both oil and watercolours, and was also an art teacher in Edinburgh.
Annie Rose LaingnéeAnnie Rose Low was a Scottish artist, known for her paintings of landscapes, children and interiors.
Lesley Banks is a British artist based in Glasgow.