Malcolm Budd

Last updated

Malcolm Budd FBA (born 23 December 1941) is a British philosopher.

Contents

Malcolm Budd Malcolm Budd.jpg
Malcolm Budd

Biography

Budd studied mathematics and philosophy at Jesus College, Cambridge. He taught at University College London from 1970 until 2001, and was appointed the Grote Professor of the Philosophy of Mind and Logic from 1998 until his retirement. [1] He now holds an emeritus position. [2]

He is best known for his work in analytic aesthetics. He has published articles on the expressive powers of music, the aesthetic appreciation of nature, and the values of art.

Regarding the expressive powers of (purely instrumental) music, Budd is known for defending a type of resemblance theory, such that music resembles some feature of emotions. However unlike Peter Kivy and Stephen Davies, Budd argues that music resembles the way that emotions feel.

Budd was elected a Fellow of the British Academy in 1995. [1]

Publications

The following is a partial list of Budd's publications.

Monographs

Articles

Related Research Articles

Aesthetics Branch of philosophy dealing with the nature of art, beauty, and taste

Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art. It examines aesthetic values, often expressed through judgments of taste.

Absolute music is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony.

Arthur Schopenhauers aesthetics

Arthur Schopenhauer's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself, the ground of life and all being. In his chief work, The World as Will and Representation, Schopenhauer thought that if consciousness or attention is fully engrossed, absorbed, or occupied with the world as painless representations or images, then there is no consciousness of the world as painful willing. Aesthetic contemplation of a work of art provides just such a state—a temporary liberation from the suffering that results from enslavement to the will [need, craving, urge, striving] by becoming a will-less spectator of "the world as representation" [mental image or idea]. Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience.

Sublime (philosophy) Quality of greatness

In aesthetics, the sublime is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation.

Aesthetics of music

Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant.

Gregory Currie

Gregory Paul Currie FAHA is a British philosopher and academic, known for his work on philosophical aesthetics and the philosophy of mind. Currie is Professor of Philosophy at the University of York and Executive Editor of Mind & Language.

This is an alphabetical index of articles about aesthetics.

Japanese aesthetics

Japanese aesthetics comprise a set of ancient ideals that include wabi, sabi, and yūgen. These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics now encompass a variety of ideals; some of these are traditional while others are modern and sometimes influenced by other cultures.

This is a history of aesthetics.

Christopher Janaway is a philosopher and author. He earned degrees from the University of Oxford. Before moving to Southampton in 2005, Janaway taught at the University of Sydney and Birkbeck, University of London. His recent research has been on Arthur Schopenhauer, Friedrich Nietzsche and aesthetics. His 2007 book Beyond Selflessness: Reading Nietzsche's Genealogy focuses on a critical examination of Nietzsche's On the Genealogy of Morals. Janaway currently lectures at the University of Southampton, including a module focusing on Nietzsche.

Garry L. Hagberg is an author, professor, philosopher, and jazz musician, He is currently the James H. Ottaway Jr. Professor of Philosophy and Aesthetics at Bard College.

Richard Shusterman is an American pragmatist philosopher. Known for his contributions to philosophical aesthetics and the emerging field of somaesthetics, currently he is the Dorothy F. Schmidt Eminent Scholar in the Humanities and Professor of Philosophy at Florida Atlantic University.

Jerrold Levinson is distinguished university professor of philosophy at the University of Maryland, College Park. He is particularly noted for his work on the aesthetics of music, as well as for his search for meaning and ontology in film, art and humour.

Philosophy of music is the study of "fundamental questions about the nature of music and our experience of it". The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. Some basic questions in the philosophy of music are:

Art as Experience (1934) is John Dewey's major writing on aesthetics, originally delivered as the first William James Lecture at Harvard (1932). Dewey's aesthetics have been found useful in a number of disciplines, including new media.

Kendall Walton

Kendall Lewis Walton is an American philosopher, the Emeritus Charles Stevenson Collegiate Professor of Philosophy and Professor of Art and Design at the University of Michigan. His work mainly deals with theoretical questions about the arts and issues of philosophy of mind, metaphysics, and philosophy of language. His book Mimesis as Make Believe: On the Foundations of the Representational Arts develops a theory of make-believe and uses it to understand the nature and varieties of representation in the arts. He has also developed an account of photography as transparent, defending the idea that we see through photographs, much as we see through telescopes or mirrors, and written extensively on pictorial representation, fiction and the emotions, the ontological status of fictional entities, the aesthetics of music, metaphor, and aesthetic value.

David E. Cooper is Emeritus Professor of Philosophy at Durham University.

Philosophy of architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its semantics and relations with development of culture.

Expression (architecture)

Expression in architecture implies a clear and authentic displaying of the character or personality of an individual (architect). The expression is often identified with the architectural movement of Expressionism, whose main starting point and aim is to present and express what has been "seen" or experienced in the inner eye of the mind, heart and soul, i.e. to express the subjective moods and feelings without referring to conventional and "objective" values, judgements and truths.

John Hyman is a British philosopher. He was Professor of Aesthetics at the University of Oxford before being appointed as Grote Professor of the Philosophy of Mind and Logic at University College London in September 2018.

References

  1. 1 2 "Professor Malcolm Budd". The British Academy. Retrieved 10 January 2019.
  2. "Malcolm Budd". UCL Philosophy. 26 July 2018. Retrieved 10 January 2019.