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Mammy Lou (born c. 1804 - died after 1918) claimed an age which would have made her one of the earliest-born people to appear in a motion picture.
| | This article needs additional citations for verification .(July 2014) |
Mammy Lou (born c. 1804 - died after 1918) claimed an age which would have made her one of the earliest-born people to appear in a motion picture.
In 1918, she appeared in the silent film The Glorious Adventure , directed by Hobart Henley, playing the part of The Mansion's Servant, the mansion being the Hermitage Plantation in Savannah, Georgia. Mammy Lou claimed she was 114 years of age, and had been a slave in Savannah until Abraham Lincoln abolished slavery; if proven, this would mean that Mammy Lou was around 60 years of age at the time she received her freedom from slavery.
If this legend is true, then Mammy Lou was one of the earliest-born individuals to appear in a feature film up until that time. The claim is unauthenticated, though, and a better claim may be made for Rebecca Clark(e), who appeared in a Kinora reel made no later than 1912 (Reel 145, "Rebecca Clarke and kitten"), and who has been proved to have been born in Dunstable, Bedfordshire, on 5 June 1810. [1]
Gone with the Wind is a novel by American writer Margaret Mitchell, first published in 1936. The story is set in Clayton County and Atlanta, both in Georgia, during the American Civil War and Reconstruction Era. It depicts the struggles of young Scarlett O'Hara, the spoiled daughter of a well-to-do plantation owner, who must use every means at her disposal to claw her way out of poverty following Sherman's destructive "March to the Sea". This historical novel features a coming-of-age story, with the title taken from the poem "Non Sum Qualis eram Bonae Sub Regno Cynarae", written by Ernest Dowson.
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Wide Sargasso Sea is a 1966 novel by Dominican-British author Jean Rhys. The novel serves as a postcolonial and feminist prequel to Charlotte Brontë's novel Jane Eyre (1847), describing the background to Mr. Rochester's marriage from the point-of-view of his wife Antoinette Cosway, a Creole heiress. Antoinette Cosway is Rhys's version of Brontë's "madwoman in the attic". Antoinette's story is told from the time of her youth in Jamaica, to her unhappy marriage to an English gentleman, Mr. Rochester, who renames her Bertha, declares her mad, takes her to England, and isolates her from the rest of the world in his mansion. Wide Sargasso Sea explores the power of relationships between men and women and discusses the themes of race, Caribbean history, and assimilation as Antoinette is caught in a white, patriarchal society in which she fully belongs neither to Europe nor to Jamaica.
A mammy is a U.S. historical stereotype depicting black women, usually enslaved, who did domestic work, including nursing children. The fictionalized mammy character is often visualized as a dark-skinned woman with a motherly personality. The origin of the mammy figure stereotype is rooted in the history of slavery in the United States, as slave women were often tasked with domestic and childcare work in American slave-holding households. The mammy caricature was used to create a narrative of black women being happy within slavery or within a role of servitude. The mammy stereotype associates black women with domestic roles and it has been argued that it, combined with segregation and discrimination, limited job opportunities for black women during the Jim Crow era, approximately 1877 to 1966.
Elizabeth Freeman, also known Mumbet, was one of the first enslaved African Americans to file and win a freedom suit in Massachusetts. The Massachusetts Supreme Judicial Court ruling, in Freeman's favor, found slavery to be inconsistent with the 1780 Constitution of Massachusetts. Her suit, Brom and Bett v. Ashley (1781), was cited in the Massachusetts Supreme Judicial Court appellate review of Quock Walker's freedom suit. When the court upheld Walker's freedom under the state's constitution, the ruling was considered to have implicitly ended slavery in Massachusetts.
Marie Delphine Macarty or MacCarthy, more commonly known as Madame Blanque or, after her third marriage, as Madame LaLaurie, was a New Orleans socialite and serial killer who was believed to have tortured and murdered slaves in her household.
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Twelve Years a Slave is an 1853 memoir and slave narrative by Solomon Northup as told to and written by David Wilson. Northup, a black man who was born free in New York state, details himself being tricked to go to Washington, D.C., where he was kidnapped and sold into slavery in the Deep South. He was in bondage for 12 years in Louisiana before he was able to secretly get information to friends and family in New York, who in turn secured his release with the aid of the state. Northup's account provides extensive details on the slave markets in Washington, D.C., and New Orleans, and describes at length cotton and sugar cultivation and slave treatment on major plantations in Louisiana.
Nancy Green was an American former female slave, who, as "Aunt Jemima", was one of the first African-American models hired to promote a corporate trademark. The Aunt Jemima recipe was not her recipe, but she became the advertising world's first living trademark.
"My Mammy" is an American popular song with music by Walter Donaldson and lyrics by Joe Young and Sam M. Lewis.
The Glorious Adventure is a lost 1918 American silent drama film directed by Hobart Henley.
The Strong Black Woman schema, as defined by scholars, is an archetype of how the ideal Black woman should act. This has been characterized by three components: emotional restraint, independence, and caretaking. Strong Black women must hold back their emotions to avoid appearing weak, portray themselves as strong and independent while being responsible for the problems of others, and take care of those problems as if they were their own. Stemming from stereotypes of enslaved Black women, the schema grew from the intersectional oppression Black women face from society's expectations. The notion that as women, they must uphold feminine standards, but as Black women, they must balance that with the responsibility of being emotionally and physically strong; this is also known as intersectionality.
The House On Octavia Street is a 1984 gothic occult historical fiction novel written by Jacqueline La Tourrette. Allegedly based on true events, the book follows the story of Teresa Percy, a poor farm girl who flees domestic violence and becomes the elegant but sheltered protégé of a powerful woman who uses black magic and voodoo to seduce wealthy men.
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