"Man Next Door" (also known as "Quiet Place" or "I've Got to Get Away") is a song composed and adapted by John Holt and first recorded by his group The Paragons in 1968. Holt's song is partially based on the original composition, "Quiet Place", recorded by Soul R & B artist Garnet Mimms & The Enchanters, released in 1963 on his Cry Baby (Garnet Mimms album).
The Paragons version was produced by Duke Reid and first released on his Duke label as the B-side of "Left with a Broken Heart". [1]
The song has been covered by numerous other reggae artists including Dennis Brown, UB40 and Horace Andy who also sang on a more electronic version of the song for the Massive Attack album Mezzanine , with samples of the drum break from Led Zeppelin's cover of "When the Levee Breaks" [2] and The Cure's "10:15 Saturday Night". [3] The song was released as a single by The Slits in 1980, when it reached number 5 on the UK Indie Chart, staying on the chart for 13 weeks. [4] Holt's version also formed the basis of L.E.G.A.C.Y.'s rap version, while Horace Andy's "Quiet Place" was used as the basis of deejay versions from Dr Alimantado ("Poison Flour" and "I Shall Fear No Evil"), I-Roy ("Noisy Place") and The Dirty Heads ("Neighborhood"). U-Roy recorded a deejay version of the song with "Peace and Love in the Ghetto" and later again in his album Solid Gold, with the participation of Santigold. [5] In 2012, the electronic music group Sweet Valley sampled "Man Next Door" in their track "Golden Gauntlet".
The song was used to introduce the "I Saw You Coming" sketches in Harry & Paul from series 2.
Raggamuffin music is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling.
Barrington Ainsworth Levy is a Jamaican reggae and dancehall artist.
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Ewart Beckford OD, known by the stage name U-Roy, was a Jamaican vocalist and pioneer of toasting. U-Roy was known for a melodic style of toasting applied with a highly developed sense of timing.
Horace Andy is a Jamaican roots reggae songwriter and singer, known for his distinctive vocals and hit songs such as "Government Land", as well as "Angel", "Spying Glass", and "Five Man Army" with English trip hop group Massive Attack. He is also famous for a cover version of "Ain't No Sunshine". Andy is often described as one of the most respected and influential singers in Jamaica.
William Anthony Maragh, also known as Super Cat, is a Jamaican deejay who achieved widespread popularity during the late 1980s and early 1990s dancehall movement. His nickname, "Wild Apache", was given to him by his mentor Early B. Super Cat is considered one of the greatest deejays in the history of the Jamaican dancehall scene.
There are several subgenres of reggae music including various predecessors to the form.
Edward O'Sullivan Lee OD, better known as Bunny "Striker" Lee, was a Jamaican record producer. He was known as a pioneer of the United Kingdom reggae market, licensing his productions to Trojan Records in the early 1970s, and later working with Lee "Scratch" Perry and King Tubby.
Dr Alimantado, also known as The Ital Surgeon, is a Jamaican reggae singer, deejay, and producer.
Mezzanine is the third studio album by English electronic music group Massive Attack, released on 20 April 1998 by Circa and Virgin Records. For the album, the group began to explore a darker aesthetic, and focused on a more atmospheric style influenced by British post-punk, industrial music, hip hop and dub music.
"Wake the Town" is a reggae song recorded by Jamaican toaster U-Roy in 1970. It was U-Roy's first big hit and one of the songs that established U-Roy as the grandfather of the modern deejay phenomenon. It also helped create dancehall style in Jamaica.
"Police and Thieves" is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977.
Leroy Sibbles is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.
Garnet Mimms is an American singer, influential in soul music and rhythm and blues. He first achieved success as the lead singer of Garnet Mimms & The Enchanters and is best known for the 1963 hit "Cry Baby", later recorded by Janis Joplin. According to Steve Huey at AllMusic, his "pleading, gospel-derived intensity made him one of the earliest true soul singers [and] his legacy remains criminally underappreciated."
John Kenneth Holt CD was a Jamaican reggae singer who first found fame as a member of The Paragons, before establishing himself as a solo artist.
The Paragons were a ska and rocksteady vocal group from Kingston, Jamaica, initially active in the 1960s. Their most famous track was "The Tide Is High", written by band member John Holt.
Keith Anderson CD, better known by the stage name Bob Andy, was a Jamaican reggae vocalist and songwriter. He was widely regarded as one of reggae's most influential songwriters.
In sound and music, sampling is the reuse of a portion of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample can be brief and only incorporate a single musical note, or it can consist of longer portions of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using electronic music instruments (samplers) or software such as digital audio workstations.
Best Dressed Chicken in Town is the debut album by Jamaican deejay Dr. Alimantado. It was first released in 1978, and collects many of his self-produced singles from 1972 to 1978 , employing the engineering talents of Lee "Scratch" Perry, King Tubby, and Scientist. It was the first album released by Greensleeves Records, and found favour with followers of both reggae and punk rock in the United Kingdom. The album employed several major hits as the basis for the tracks, including Horace Andy's versions of "Ain't No Sunshine" and "A Quiet Place", John Holt's "Ali Baba", and Gregory Isaacs' "Thief a Man" and "My Religion". The album was described by The Independent as "one of the finest albums from reggae's golden age".