François Boucher was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
Gerrit Dou, also known as GerardDouw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt.
Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer.
The Museum of Fine Arts is an art museum in Boston, Massachusetts, United States. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 79th–most visited art museum in the world as of 2022.
Frank Weston Benson, frequently referred to as Frank W. Benson, was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his best known paintings depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.
Ventura di Archangelo Salimbeni was an Italian Counter-Maniera painter and printmaker highly influenced by the vaghezza and sensual reform of Federico Barocci.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Sano di Pietro or Ansano di Pietro di Mencio (1405–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta.
Appeal to the Great Spirit is a 1908 equestrian statue by Cyrus Dallin, located in front of the Museum of Fine Arts, Boston. It portrays a Native American on horseback facing skyward, his arms spread wide in a spiritual request to the Great Spirit. It was the last of Dallin's four prominent sculptures of Indigenous people known as The Epic of the Indian, which also include A Signal of Peace (1890), The Medicine Man (1899), and Protest of the Sioux (1904).
The Boston School was a group of Boston-based painters active in the first three decades of the twentieth century. Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western art history. Their preferred subject matter was genteel: portraits, picturesque landscapes, and young women posing in well-appointed interiors. Major influences included John Singer Sargent, Claude Monet, and Jan Vermeer. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Académie Julian and later taught at the School of the Museum of Fine Arts. Their influence can still be seen in the work of some contemporary Boston-area artists.
The Hundred Guilder Print is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called Christ healing the sick, Christ with the Sick around Him, Receiving Little Children, or Christ preaching, since the print depicts multiple events from Matthew 19 in the New Testament, including Christ healing the sick, debating with scholars and calling on children to come to him. The rich young man mentioned in the chapter is leaving through the gateway on the right.
Homme au bain is an 1884 oil painting by French Impressionist Gustave Caillebotte.
Dance at Bougival is an 1883 oil-on-canvas painting by the French artist Pierre-Auguste Renoir, currently in the collection of the Museum of Fine Arts in Boston, Massachusetts, USA. Described as "one of the museum's most beloved works", it is one of three in a collection commissioned by Paul Durand-Ruel. It depicts a scene in the French village of Bougival, about 15 km from the center of Paris, a site utilized by many Impressionists besides Renoir including Claude Monet, Alfred Sisley, and Berthe Morisot.
Expulsion from the Garden of Eden was painted in 1828 by English-born American painter Thomas Cole. It belongs to the collection of the Museum of Fine Arts, Boston and is on display in their Waleska Evans James Gallery. This landscape painting exemplifies the style of the Hudson River School, which was a group of American landscape painters that Thomas Cole is credited with founding. On the lower left part of the cliff, Cole signed his name as "T Cole".
Martha Mercer, née Dana (1872–1960) was a US art collector and philanthropist.
Portrait of a Woman Wearing a Gold Chain is a 1634 portrait painted by Rembrandt. It shows a smiling woman with a triple lace collar. It is in the collection of the Museum of Fine Arts, Boston.
The Lion Hunt is a series of oil on canvas paintings produced by the French artist Eugène Delacroix in the mid-1800s.
The Passage of the Delaware is a large, Neoclassical 1819 oil-on-canvas painting by Thomas Sully. With attention to historical accuracy, the painting depicts George Washington on horseback observing the troops of the American Revolutionary Army in the process of crossing the Delaware River prior to the surprise attack on Hessian troops on December 26, 1776, at the Battle of Trenton. The image is intended to capture the moment prior to George Washington dismounting his horse and joining his army in crossing the Delaware River.
A Ride for Liberty – The Fugitive Slaves (1862) is a painting by the American artist Eastman Johnson that depicts a family of African Americans fleeing enslavement in the Southern United States during the American Civil War. It is based on an event that Johnson claimed to have witnessed near Manassas, Virginia, on March 2, 1862.
