Neoplasticism is an art theory that arose in 1917 around the De Stijl journal. The main representatives of the new image are the artists Theo van Doesburg and Piet Mondriaan. They set themselves the goal of purifying the art from elements that they thought did not belong there and tried to determine and apply the elementary principles of each art form through rational means. Mondrian remained faithful to the new art theory until his death in 1944. Van Doesburg switched to elementarism in 1924.
Maerten van Heemskerck or Marten Jacobsz Heemskerk van Veen was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–6 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World.
CasparNetscher was a Dutch portrait and genre painter. He was a master in depicting oriental rugs, silk and brocade and introduced an international style to the Northern Netherlands.
Leonaert Bramer, also Leendert or Leonard, was a Dutch painter known primarily for genre, religious, and history paintings. Very prolific as a painter and draftsman, he is noted especially for nocturnal scenes which show a penchant for exotic details of costume and setting. He also painted frescos—a rarity north of the Alps—which have not survived, as well as murals on canvas, few of which are extant. Bramer is one of the most intriguing personalities in seventeenth-century Dutch art.
The Confrerie Pictura was a more or less academic club of artists founded in 1656 in The Hague by local art painters, who were unsatisfied by the Guild of Saint Luke there.
Jan Jacobszoon Hinlopen was a rich Dutch cloth merchant, an officer in the civic guard, a real estate developer in the Jordaan, alderman in the city council and a keen art collector. He would have been elected as a burgomaster, if he had not died at the age of forty, an age considered acceptable to be eligible. He was a prominent patron of the arts in his time, and there is some speculation on being an influential protector of Rembrandt and it is likely that he had good connections with Gabriel Metsu. Hinlopen, like his father-in-law, Joan Huydecoper I, is known in art history because of the poems by Jan Vos reciting the paintings in his house and members of the family. These paintings are spread all over the world, the poems nearly forgotten.
Dirk Cornelis de Hooch (1613–1651) was a 17th-century Dutch portrait painter, who lived and worked in The Hague.
The Portrait of the Family Hinlopen or Family of burgomaster Gillis Valckenier is a painting in the Berlin Gemäldegalerie by the Dutch Golden Age painter Gabriël Metsu of about 1663. There have been various ideas among art historians as to which family is actually represented, with the two main candidates being the families of Jan J. Hinlopen or Gillis Valckenier, both wealthy and powerful figures in Amsterdam at the time.
Jan Verkolje or Johannes Verkolje was a Dutch painter, draughtsman and engraver. He is mainly known for his portraits and genre pieces of elegant couples in interiors and, to a lesser extent, for his religious and mythological compositions. He was a gifted mezzotint artist. Trained in Amsterdam, Verkolje spent his active professional career in Delft where he had access to powerful patrons.
Hendrick van Streeck, was a Dutch Golden Age painter of church interiors.
Hendrik (Hendrikus) van de Sande Bakhuyzen was a Dutch landscape painter and art teacher. He was a prominent contributor to the Romantic period in Dutch art and his students and children founded the art movement known as the Hague School. Like his contemporaries Edward Williams, Jacob Maris, and Jozef Israëls, he was part of a family of prominent painters, including son Julius van de Sande Bakhuyzen, daughter Gerardina Jacoba van de Sande Bakhuyzen, and nephew Alexander Hieronymus Bakhuyzen.
The Procuress is a 1656 oil-on-canvas painting by the then 24-year-old Johannes Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his earlier biblical and mythological scenes. It is one of only three paintings Vermeer signed and dated. In 1696 the painting, being sold on an auction in Amsterdam, was named "A merry company in a room".
The Vrouwenhuis on Melkmarkt 53 in the Dutch city of Zwolle is a former old age home for women. It is now rented as separate apartment units for students, while housing a small museum on the ground floor that is only accessible by special request.
Jan Gildemeester Jansz. was a Dutch art collector.
The Musician (1662) is an oil on canvas painting by the Dutch painter Bartholomeus van der Helst. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art.
Mathieu Dubus was a Flemish-born decorative and landscape painter who was active in The Hague in the Dutch Republic. He painted fantastic landscapes with rocks and stark contrasts of light and dark, which appear modern and unlike those of his contemporaries.
Eduard Siegfried"Eddy"de Jongh is a Dutch art historian specialized in iconography. He was professor of art history with a teaching assignment in iconography at Utrecht University between 1976 and 1989.
Seated Girl in Peasant Costume is an oil on panel painting by Dutch artist Gerard ter Borch, created c. 1650. It is held in the Rijksmuseum, in Amsterdam.
