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Music is the art of arranging sounds in time through the elements of melody, harmony, rhythm, and timbre. It is one of the universal cultural aspects of all human societies. General definitions of music include common elements such as pitch, rhythm, dynamics, and the sonic qualities of timbre and texture. Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική.
Poetry is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, utilising this principle.
Rapping is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular", which is performed or chanted in a variety of ways, usually over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off time to musical accompaniment. Rap being a primary ingredient of hip hop music, it is commonly associated with that genre in particular; however, the origins of rap predate hip-hop culture by many years.
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections.
Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Sanatana dharma sciences and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya. The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.
Yakshagana is a traditional theater, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. It is believed to have evolved from pre-classical music and theatre during the period of the Bhakti movement. It is sometimes simply called "Aata" or āṭa. This theatre style is mainly found in coastal regions of Karnataka in various forms. Towards the south from Dakshina kannada to Kasaragod of Tulu Nadu region, the form of Yakshagana is called as 'Thenku thittu' and towards north from Udupi up to Uttara Kannada it's called as'Badaga Thittu'. Both of these forms are equally played all over the region. Yakshagana is traditionally presented from dusk to dawn. Its stories are drawn from Ramayana, Mahabharata, Bhagavata and other epics from both Hindu and Jain and other ancient Indic traditions.
Gujarat, a western state of India, is known for music traditions of both folk and classical music.
Sharabha or Sarabha is a part-lion and part-bird beast in Hindu mythology, who, according to Sanskrit literature, is eight-legged and more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump. In later literature, Sharabha is described as an eight-legged deer.
Pabuji Ki Phad is a religious scroll painting of folk deities, which is used for a musical rendition of the only surviving ancient traditional folk art form, Phad painting in the world of the epic of Pabuji, the Rathore Rajput chief. Bhopas of Pabusar are the bards and also priests who are the traditional narrators of this art form. The Phad is also spelt as “Par.” This art form is popular in the Indian state of Rajasthan. Literally, 'Pabuji Ki Phad' translates into two versions namely, "The Screen of Pabuji or O, Read of Pabuji!. Pabuji is also known as "the Ascetic Deity of Sand Desert".
This is a glossary of poetry.
A Shankha has religious ritual importance in Hinduism. It is the shell of any suitable sea snail which had a hole made for the performer's embouchure.
Doha is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry.
Poetry as an oral art form likely predates written text. The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions, and the earliest poetry exists in the form of hymns, and other types of song such as chants. As such poetry is a verbal art. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject matter, but they also include historical accounts, instructions for everyday activities, love songs, and fiction. Many scholars, particularly those researching the Homeric tradition and the oral epics of the Balkans, suggest that early writing shows clear traces of older oral traditions, including the use of repeated phrases as building blocks in larger poetic units. A rhythmic and repetitious form would make a long story easier to remember and retell, before writing was available as a reminder. Thus many ancient works, from the Vedas to the Odyssey, appear to have been composed in poetic form to aid memorization and oral transmission, in prehistoric and ancient societies. Poetry appears among the earliest records of most literate cultures, with poetic fragments found on early monoliths, runestones and stelae.
Katha is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest-narrators who recite stories from Hindu religious texts, such as the Puranas, the Ramayana or Bhagavata Purana, followed by a commentary (Pravachan). Kathas sometimes take place in households, involving smaller stories related to the Vrat Katha genre. The didactic Satyanarayan and Ramayana kathas instill moral values by revealing the consequences of human action (karma).
Tamil Nadu has a rich history of art and entertainment. The three modes of entertainment classified as Iyel (Literature), Isai (Music) and Nadagam (Drama) had their roots in the rural folk theatre like Theru Koothu. Many forms of group and individual dances with the classical forms for popularity and sheer entertainment value. Some of the dance forms are performed by Tribal people. The majority of these dances are still thriving in Tamil Nadu today.
Premanand Krushanram Bhatt (1636–1714), also known as Premanand, was a medieval Gujarati poet and Maanbhatt known for his Akhyana compositions.
Malay folklore refers to a series of knowledge, traditions and taboos that have been passed down through many generations in oral, written and symbolic forms among the indigenous populations of Maritime Southeast Asia (Nusantara). They include among others, themes and subject matter related to the indigenous knowledge of the ethnic Malays and related ethnic groups within the region.
Akhyana was a traditional musical theatre as well as medieval genre of Gujarati poetry and Rajasthani poetry. It was primarily practiced in Gujarat and Rajasthan states of India.
Maach is a form of folk theatre from the Malwa region of the Indian state of Madhya Pradesh.
References
- ↑ "Maṇ - Oxford Reference". doi:10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-3036 . Retrieved 2018-08-27.
- ↑ Mahurkar, Uday (12 January 2004). "Singing a Lost Tune". India Today . Retrieved 17 February 2010.
- ↑ Sheldon Pollock (19 May 2003). Literary Cultures in History: Reconstructions from South Asia. California: University of California Press. p. 580. ISBN 978-0-520-22821-4 . Retrieved 19 September 2017.