Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Joseph Nechvatal is an American post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses.
Frank Popper was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the Légion d'honneur by the French Government. He is author of the books Origins and Development of Kinetic Art, Art, Action, and Participation, Art of the Electronic Age and From Technological to Virtual Art.
Fred Forest is a French new media artist making use of video, photography, the printed press, mail, radio, television, telephone, telematics, and the internet in a wide range of installations, performances, and public interventions that explore both the ramifications and potential of media space. He was a cofounder of both the Sociological Art Collective (1974) and the Aesthetics of Communication movement (1983).
Oliver Grau is a German art historian and media theoretician with a focus on image science, modernity and media art as well as culture of the 19th century and Italian art of the Renaissance. Main Areas of Research are: Digital Art, Media Art History, immersion, digital humanities, documentation and conservation strategies of born-digital media art. He is founding director of the Archive for Digital Art (1998) and director of the Society for MediaArtHistories and its biennial conference series. His monograph "Virtual Art: From Illusion to Immersion" is among the most cited works in recent art history, with over 2600 citations, and with translations of his texts in 15 languages to date and over 300 invited lectures in 44 countries, he is one of the most internationally renowned contemporary art and media scholars.
Dominique Moulon is a historian of art and technology, art critic and curator, specializing in French digital art. He is the author of the books Art contemporain nouveaux médias and Art Beyond Digital.
Christine Buci-Glucksmann is a French philosopher and Professor Emeritus from University of Paris VIII specializing in the aesthetics of the Baroque and Japan, and computer art. Her best-known work in English is Baroque Reason: The Aesthetics of Modernity.
Carlos Ginzburg is a conceptual artist and theoretician born in 1946 in La Plata, Argentina. He studied philosophy and social theory.
Edmond Couchot was a French digital artist and art theoretician who taught at the University Paris VIII.
Maurizio Bolognini is a post-conceptual media artist. His installations are mainly concerned with the aesthetics of machines, and are based on the minimal and abstract activation of technological processes that are beyond the artist's control, at the intersection of generative art, public art and e-democracy.
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts. New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally. New media art may involve degrees of interaction between artwork and observer or between the artist and the public, as is the case in performance art. Yet, as several theorists and curators have noted, such forms of interaction, social exchange, participation, and transformation do not distinguish new media art but rather serve as a common ground that has parallels in other strands of contemporary art practice. Such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media per se. New Media art involves complex curation and preservation practices that make collecting, installing, and exhibiting the works harder than most other mediums. Many cultural centers and museums have been established to cater to the advanced needs of new media art.
Artmedia was one of the first scientific projects concerning the relationship between art, technology, philosophy and aesthetics. It was founded in 1985 at the University of Salerno. For over two decades, until 2009, dozens of projects, studies, exhibitions and conferences on new technologies made Artmedia a reference point for many internationally renowned scholars and artists, and contributed to the growing cultural interest in the aesthetics of media, the aesthetics of networks, and their ethical and anthropological implications.
Ricardo Mbarkho, is a Lebanese contemporary artist, researcher, and assistant professor.
Isabelle Arvers is a French media art curator, critic and author, specializing in video and computer games, web animation, digital cinema, retrogaming, chip tunes and machinima. She is born in Paris in 1972 and currently lives in Marseille. She curated exhibitions in France and worldwide on the relationship between art, video and computer games and politics. She also promotes free and open source culture as well as indie games and art games.
Miguel Chevalier is a French digital and virtual artist. Since 1978, Miguel Chevalier has used computers as a means of expression in the field of the visual arts. He has established himself internationally as one of the pioneers of virtual and digital art.
Olivier Auber is a French independent artist and researcher. He is best known for his project "Poietic Generator" and for having introduced the concept of "Digital Perspective" in the fields of network theory, art, and digital humanities.
Grégory Lasserre & Anaïs met den Ancxt are also known under their artist name Scenocosme.
Hervé Fischer, artist-philosopher and sociologist. He graduated from the École Normale Supérieure and defended his Master's thesis on Spinoza's political philosophy with Raymond Aron and devoted his main research to the sociology of colour. For many years he taught the sociology of communication and culture at the Sorbonne, where he was promoted to master lecturer in 1981. At the same time, he developed a career as a multi-media artist and creator of "sociological art" (1971) and initiated many public participation projects with radio, television, and print media in many European and Latin American countries before coming to Quebec. He speaks fluently French, English, German and Spanish.
Maria Chatzichristodoulou, also known as Maria X, is a Greek cultural practitioner who has served as a curator, producer, painter, performer, writer, and community organizer.
Kim Timby is a photography historian based in Paris who teaches at the École du Louvre and works as a curator for a private collection specialising in international nineteenth-century photography. From her research and teaching, Timby writes on the cultural history of photography as a technology.
