Manuel | |
---|---|
Written by | Charles Maturin |
Date premiered | 8 March 1817 |
Place premiered | Theatre Royal, Drury Lane, London |
Original language | English |
Genre | Historical tragedy |
Setting | Andalusia, 13th century |
Manuel is an 1817 tragedy by the Irish writer Charles Maturin. [1] It premiered at the Theatre Royal, Drury Lane in London on 8 March 1817. [2] The original cast included Edmund Kean as Manuel, Count Valdi, Alexander Rae as De Zelos, James William Wallack as Torrismond, Charles Holland as Mendizabel, Thomas Cooke as Almorad, John Powell as Guide and Margaret Somerville as Victoria. The published work is dedicated to the writer Walter Scott. It takes place in the wake of the Battle of Las Navas de Tolosa in Spain. It failed to recapture the success of his debut play Bertram of the previous year, despite both starring Kean. [3]
This article contains information about the literary events and publications of 1817.
Charles John Kean, was an Irish-born English actor and theatre manager, best known for his revivals of Shakespearean plays.
The Randolph family of Virginia is a prominent political family, whose members contributed to the politics of Colonial Virginia and Virginia after statehood. They are descended from the Randolphs of Morton Morrell, Warwickshire, England. The first Randolph in America was Henry Randolph in 1643. His nephew, William Randolph, later came to Virginia as an orphan in 1669. He made his home at Turkey Island along the James River. Because of their numerous progeny, William Randolph and his wife, Mary Isham Randolph, have been referred to as "the Adam and Eve of Virginia". The Randolph family was the wealthiest and most powerful family in 18th-century Virginia.
The Livingston family of New York is a prominent family that migrated from Scotland to the Dutch Republic, and then to the Province of New York in the 17th century. Descended from the 4th Lord Livingston, its members included signers of the United States Declaration of Independence and the United States Constitution. Several members were Lords of Livingston Manor and Clermont Manor, located along the Hudson River in 18th-century eastern New York.
Charles Bucke was an English writer who, despite being poor most of his life, still managed to produce roughly eleven different works, each varying in number of volumes and topics.
Ellen Kean was an English actress. She was known as Ellen Tree until her marriage in 1842, after which she was known both privately and professionally as Mrs Charles Kean and always appeared in productions together with her husband.
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The Beggar's Wedding is a 1729 ballad opera by the Irish writer Charles Coffey. Part of a boom in ballad operas following the success of John Gay's The Beggar's Opera, it originally premiered at the Smock Alley Theatre in Dublin in March 1729 before appearing in London at the Haymarket Theatre on 29 May 1729 The original Dublin cast included Richard Elrington.
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Marmaduke Watson was an English stage actor of the seventeenth century. Part of the King's Company based at the Theatre Royal, Drury Lane, he was one of the actors who sided with Charles Killigrew during a dispute in the company in 1677. In 1682 when the United Company was formed he left and went to Dublin to join the Smock Alley Theatre. He later returned to London where his final known performances were with Thomas Betterton's company at the Lincoln's Inn Fields Theatre.
Alfonso, King of Castile is a historical tragedy by the English writer Matthew Lewis. It was published in November 1801, and was first staged at the Theatre Royal, Covent Garden the following year. It is set during the reign of Alfonso XI of Castile during the fourteenth century.
Strafford is an 1837 tragedy by the British writer Robert Browning. It portrays the downfall and execution of Lord Strafford, the advisor to Charles I shortly before the English Civil War.
The Curfew is a historical tragedy by the British writer John Tobin which was first published in 1807, three years after the author's death. It was staged by Richard Brinsley Sheridan at the Theatre Royal, Drury Lane in London premiering on 19 February 1807. The cast included William Barrymore as Hugh de Tracy, John Bannister as Robert, Henry Siddons as Bertrand, William Penley as Walter, Edmund John Eyre as Philip, Jane Powell as Matilda and Maria Duncan as Florence. It appeared at the Crow Street Theatre in Dublin on 1 April the same year. It is set during the Norman era.
The Rose of Arragon is an 1842 tragedy by the Irish-born writer James Sheridan Knowles. It premiered at the Theatre Royal, Haymarket in London on 4 June 1842. The cast included Ellen Kean as Olivia, Charles Kean as Alasco, Henry Howe as the King of Arragon, Samuel Phelps as Almargo and Frederick Vining as Velasquez. It was similar in style to Knowles' earlier work The Wife of Mantua. In 1849 William Creswick opened his actor-management of the Surrey Theatre by playing Alasco in a revival.
The Wife: A Tale of Mantua (also known as The Wife of Mantua is an 1833 historical play by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Covent Garden in London on 24 April 1833. The cast included Sheridan Knowles as Julian St. Pierre, Ellen Kean as Mariana, Charles Kean as Leonardo, James Prescott Warde as Ferrardo, George Bennett as Antonio, William Abbot as Lorenzo, Edwin Ransford as Hugo, Drinkwater Meadows as Bartolo and William Payne as Pietro. The epilogue was written by Charles Lamb. It is set in Mantua during the reign of the House of Gonzaga.
Swedish Patriotism is an 1819 stage melodrama by the British writer and actor William Abbot. It premiered at the Theatre Royal, Covent Garden on 19 May 1819. The London cast included Daniel Terry as Colonel Walstein, Abbot as Captain Albert, Maria Foote as Ulrica, John Liston as Walter, Charles Connor as Colonel Langstorff and Daniel Egerton as Count Cronstedt. It then appeared at the Park Theatre in New York on 1 December 1819 with Robert Maywood as Walstein.
The Youthful Days of Frederick the Great is an 1817 stage melodrama by the British writer and actor William Abbot. It premiered at the Theatre Royal, Covent Garden in London on 2 October 1817. The cast included Daniel Terry as Frederick William, King of Prussia, Abbot as The Prince Royal, Daniel Egerton as Baron Kniphausen, Chapman as Count Seckendoff, Charles Connor as Anhalt, Charles Farley as Frederstoff and Harriet Faucit as Christine.
Fredolfo is an 1819 historical tragedy by the Irish writer Charles Maturin. It premiered at the Theatre Royal, Covent Garden in London on 12 May 1819. The original cast included William Macready as Wallenberg, Charles Mayne Young as Fredolfo, Charles Kemble as Aldemar, Frederick Henry Yates as Berthold, Charles Connor as Waldo and Elizabeth O'Neill as Urilda. Maturin dedicated the published version to the Duke of Leinster, which was published by Archibald Constable. The work was considered a failure which failed to recaptured the success of his earlier Bertram and Maturin turned back to writing novels.
Bertram; or The Castle of St. Aldobrand is an 1816 Gothic tragedy by the Irish writer Charles Maturin, his first and most successful play. It premiered at the Theatre Royal, Drury Lane in London on 9 May 1816. The original case included Edmund Kean as Bertram, Alexander Pope as St Aldobrand, Charles Holland as Prior of St Anslem, John Powell as Monk, Thomas Cooke as Robber, Margaret Somerville as Imogine and Susan Boyce as Clotilda. The prologue was written by John Hobhouse.