Marcia nuziale | |
---|---|
Directed by | Marco Ferreri |
Written by | Rafael Azcona (writer) Diego Fabbri (writer) |
Music by | Teo Usuelli |
Release date |
|
Running time | 100 minutes |
Country | Italy |
Language | Italian |
Marcia nuziale is a 1965 Italian film directed by Marco Ferreri. [1]
Michele Placido is an Italian actor, director and screenwriter. He began his career on stage, and first gained mainstream attention through a series of roles in films directed by the likes of Mario Monicelli and Marco Bellocchio, winning the Berlinale's Silver Bear for Best Actor for his performance in the 1979 film Ernesto. He is known internationally for portraying police inspector Corrado Cattani on the crime drama television series La piovra (1984–2001). Placido's directorial debut, Pummarò, was screened Un Certain Regard at the 1990 Cannes Film Festival. Three of his films have competed for the Golden Lion at the Venice Film Festival. He is a five-time Nastro d'Argento and four-time David di Donatello winner. In 2021, Placido was appointed President of the Teatro Comunale in Ferrara.
Marco Ferreri was an Italian film director, screenwriter and actor, who began his career in the 1950s directing three films in Spain, followed by 24 Italian films before his death in 1997. He is considered one of the greatest European cinematic provocateurs of his time and had a constant presence in prestigious festival circuit - including eight films in competition in Cannes Film Festival and a Golden Bear win in 1991 Berlin Film Festival. Three of his films are among 100 films selected for preservation for significant contribution to Italian cinema.
Love in the City is a 1953 Italian anthology film composed of six segments, each with its own director. The segments and filmmakers are: Paid Love, Attempted Suicide, Paradise for Three Hours, Marriage Agency, Story of Caterina, and Italians Stare.
Tales of Ordinary Madness is a 1981 film by Italian director Marco Ferreri. It was shot in English in the United States, featuring Ben Gazzara and Ornella Muti in the leading roles. The film's title and subject matter are based on the works and the person of US poet Charles Bukowski, including the short story The Most Beautiful Woman in Town.
Marco Enrico Bossi was an Italian organist, composer, improviser and teacher.
The House of Smiles is a 1991 Italian film directed by Marco Ferreri. It depicts a romance between an old man and an old woman inside a care home.
El Pisito is a 1959 Spanish black comedy film directed by Marco Ferreri. The Spanish Ministry of Culture forced the producers to sign the film as co-directed by Spaniard Isidoro M. Ferry. It was co-written by famous Spanish screenwriter Rafael Azcona, who collaborated with Ferreri throughout his career. The film was starred by Spanish actor José Luis López Vázquez in his first leading role.
Dillinger Is Dead is a 1969 Italian drama film directed by Marco Ferreri starring Michel Piccoli, Anita Pallenberg and Annie Girardot. It follows a bored, alienated man over the course of one night in his home. The title comes from a newspaper headline featured in the film which proclaims the death of the real life American gangster John Dillinger.
Rafael Azcona Fernández was a Spanish screenwriter and novelist who worked with some of the best Spanish and international filmmakers. Azcona won five Goya Awards during his career, including a lifetime achievement award in 1998.
Paul Michel Audiard was a French screenwriter and film director, known for his witty, irreverent and slang-laden dialogues which made him a prominent figure on the French cultural scene of the 1960s and 1970s. He was the father of French film director Jacques Audiard.
The Ape Woman is a 1964 Italian-French satirical drama film directed by Marco Ferreri. The film was inspired by the real-life story of Julia Pastrana, a 19th-century woman who was exploited as a freak show attraction.
L'udienza is a 1972 Italian–French satirical drama film directed by Marco Ferreri. In 2008, the film was included in the Italian Ministry of Cultural Heritage's 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
The Wedding March is a 1915 silent Italian drama film directed by Carmine Gallone.
The 41st annual Berlin International Film Festival was held from 15 to 26 February 1991. The festival opened with Uranus by Claude Berri.
Giancarlo Santi was an Italian filmmaker.
Controsesso, internationally released as Countersex, is a 1964 Italian anthology comedy film directed by Franco Rossi, Marco Ferreri and Renato Castellani. All the episodes have sex as main theme. The episode of Ferreri is considered by several critics as the masterpiece of the first Italian period of the director.
Gaia Germani was an Italian film and television actress.
Mario Vulpiani is an Italian cinematographer and documentarist.
Liliana Betti was an Italian screenwriter and director. She was sometimes credited as Liliane Betti.
The Wedding March is a 1934 Italian comedy film directed by Mario Bonnard and starring Tullio Carminati, Cesare Bettarini, and Assia Noris. The film's sets were designed by the art director Gastone Medin. A French-language version titled La marche nuptiale with Madeleine Renaud was also released in 1935.