Margaret L. Chen (born 1951) is a Jamaican sculptor of Chinese descent. Many of her pieces, such as the Steppe series, reflect aspects of her heritage. [1]
Chen was educated at the Jamaica School of Art and Crafts and after graduating she moved to Canada to pursue further study at York University. Her career began with exhibitions in Toronto, but she returned to Jamaica for her first solo show. Her pieces are typically large and very detailed. [2] A relief in the Steppe series is held by the National Gallery of Jamaica. [3] The Steppe series was largely inspired by her family's furniture making business. [3]
Margaret Rose Preston was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. Her works are distinctively signed MP.
Margaret Hannah Olley was an Australian painter. She held over ninety solo exhibitions during her lifetime.
Lenore Tawney was an American artist working in fiber art, collage, assemblage, and drawing. She is considered to be a groundbreaking artist for the elevation of craft processes to fine art status, two communities which were previously mutually exclusive. Tawney was born and raised in an Irish-American family in Lorain, Ohio near Cleveland and later moved to Chicago to start her career. In the 1940s and 50s, she studied art at several different institutions and perfected her craft as a weaver. In 1957, she moved to New York where she maintained a highly successful career into the 1960's. In the 1970s Tawney focused increasingly on her spirituality, but continued to make work until her death.
Edna Swithenbank Manley, OM is considered one of the most important artists and arts educators in Jamaica. She was known primarily as a sculptor, although her oeuvre included significant drawings and paintings. Her work forms an important part of the National Gallery of Jamaica's permanent collection, and can be viewed in other public institutions in Jamaica such as Bustamante Children's Hospital, the University of the West Indies, and the Kingston Parish Church.
Georgette Liying Chendana Chen, commonly known as Georgette Chen, was a Singaporean painter and one of the pioneers of modern Singaporean art as well as the Nanyang style of art in the region.
Jamaican art dates back to Jamaica's indigenous Taino Indians who created zemis, carvings of their gods, for ritual spiritual purposes. The demise of this culture after European colonisation heralded a new era of art production more closely related to traditional tastes in Europe, created by itinerant artists keen to return picturesque images of the "new world" to Europe. Foremost among these were Agostino Brunias, Philip Wickstead, James Hakewill and J. B. Kidd.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Margaret Watkins (1884–1969) was a Canadian photographer who is remembered for her innovative contributions to advertising photography. She was also a pioneering modernist photographer; her still-life images of household objects arranged in compositions influenced by abstract art were highly innovative and influential.
Lisa Walker is a contemporary New Zealand jeweller.
Fanny Eaton was a Jamaican-born artist's model and domestic worker. She is best known as a model for the Pre-Raphaelite Brotherhood and their circle in England between 1859 and 1867. Her public debut was in Simeon Solomon's painting The Mother of Moses, which was exhibited at the Royal Academy in 1860. She was also featured in works by Dante Gabriel Rossetti, John Everett Millais, Joanna Mary Boyce, Rebecca Solomon, and others.
Petrona Morrison is a Jamaican sculptor and media artist. Her work is largely inspired by African art; she uses found objects in assemblages that have both personal and broader social themes.
Movana Chen is a multidisciplinary, Hong Kong–based, female artist, and curator. Her works combine elements of fashion, performance, and sculpture. She is known for her practice of knitting shredded and printed pages into wearable pieces and her artworks have been presented in exhibitions and events in Hong Kong, Beijing, Seoul, London and Paris.
Wendy Maruyama is an American visual artist, furniture maker, and educator from California. She was born in La Junta, Colorado.
Jacqueline Bishop is a writer, visual artist and photographer from Jamaica, who now lives in New York City, where she is a professor at the School of Liberal Studies at New York University (NYU). She is the founder of Calabash, an online journal of Caribbean art and letters, housed at NYU, and also writes for the Huffington Post and the Jamaica Observer Arts Magazine. In 2016 her book The Gymnast and Other Positions won the nonfiction category of the OCM Bocas Prize for Caribbean Literature. She is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.
Marjorie Schick was an innovative American jewelry artist and academic who taught art for 50 years. Approaching sculptural creations, her avant-garde pieces have been widely collected. Her works form part of the permanent collections of many of the world's leading art museums, including the Hermitage Museum in Saint Petersburg, Russia; the Museum of Arts and Design in New York City; the National Museum of Modern Art in Kyoto, Japan; the Philadelphia Museum of Art in Pennsylvania; and the Victoria and Albert Museum of London.
Margaret Rose Vendryes was a visual artist, curator, and art historian based in New York.
Margaret Thomas was a British painter. She is remembered in particular for her still lifes and her flower paintings which received considerable acclaim, and are in numerous UK public collections.
Dorothy Henriques-Wells was a Jamaican painter and art teacher. She is known for her sparse, vibrant watercolors depicting the plants and landscapes of Jamaica. She has works in the National Gallery of Jamaica and she received the Silver Musgrave Medal for Art in 1987. Henriques-Wells graduated from the Ontario College of Art in 1951, where she was the institution's first Black alumna. She taught art at Jamaican high schools and colleges for over two decades.
Aigana Gali is a Kazakh-born British multidisciplinary artist who works primarily on canvas and textiles. She has been described as 'one of the brightest young talents of Kazakh modern art", Gali came to prominence with her solo exhibition Steppe at Georgian National Museum Shalva Amiranashvili Museum of Fine Arts Art Museum of Georgia. Her work has also been shown at the Saatchi Gallery and Royal Academy of Arts and is held in private and public collections in Russia, Europe and Kazakhstan. Gali has collaborated with numerous artists and creators including Celine Alexandre, Atelier 27, Elisabetta Cipriani, and the late architect Ricardo Bofill Levi Taller de Arquitectura Atelier. She lives and works in London, UK.
Yu Chen is a Chinese female contemporary artist and Professor at the Central Academy of Fine Arts.